Au bout de la nuit

A man wakes up in the morning with a very pessimistic, worn-down, can't care about anything expression. He sleeps with a gun in his hand. He doesn't care about anything that happens to him or anybody else. Now…where have we seen this before? Many times, over and over again in cop movies. Basically, David Ayer's Street Kings is just a retread of what other cop-corruption movies have done in the past. But what it does is cleverly blend them all together to create a story that may not be pumped full of intelligence, is compelling enough to keep us guessing at least most of the way through.

Street Kings stars Keanu Reeves as the stereotypical don't-care-about-nuthin' police officer. His wife is dead and he's often used by his boss (Forest Whittaker) for taking down bad guys. When Reeves becomes suspected in the murder of his former partner (Terry Crews), the common tales of betrayal, corruption, and loyalty come up as Reeves takes the law into his own hands, blood is shed, shells are emptied, and the whole cycle starts over again until a conclusion is reached.

Yes, there is nothing in Street Kings that I call original, but then again, there are few movies these days in the early years of the 21st century that are. Hollywood seems to have lost its nerve for newer, bigger ideas and is just going back over the movies that made big bucks in the past. But Street Kings is effectively made. I really liked Keanu Reeves as the pessimistic cop, I enjoyed the other actors in their performances and roles. The action is hair-raising. The setting of a world of corruption and hatred is well realized with the script. The dialogue is oftentimes very vulgar, sometimes over the top, but that can be looked over. And like I said earlier, even though the plot elements have been used over and over again, the screenwriters wield it just write so that you'll have several guesses about what happens next or simply no idea whatsoever. So, while it's not a great movie in any regards, Street Kings is a fun, shoot-'em-up action picture with good performances and lots of adrenaline and therefore, gets a recommendation from me for members of the action movie fandom.

When I first took this in at the theater, I had high expectations, and it still blew me away. I remain spell-bound by this. It is an extensively well-thought-out and entertaining film. The plot is compelling, engaging and keeps developing, and while I had a hunch about one twist, I did not see them all coming. This has spot-on pacing, not a boring second to be found, or an overwhelming one for that matter. The cinematography and editing are excellent throughout. Every moment of the action is awesome, intense and exciting without being unrealistic(within the bounds of Hollywood, that is... which, if going by this, is actually entirely acceptable), and there is a solid and fitting amount of it. The music is appropriate for where this is set, not to mention really cool, consisting mainly of hardcore rap. As you can probably figure out, the tone of this is brutal, dark and gritty, through and through, and should not be viewed by anyone who may not be able to take it. The writing is astounding; the script, the dialog, the overall story, all of it. There is a lot of slang(the subtitles certainly helped me out), and some instantly memorable and utterly quotable lines. Almost all of the humor, which is also very rough(and the amount of which is considerable), lies in what is said, how it's put and/or its delivery; think verbal, British comedy(with four-letter words). The characters are distinguished, credible, and psychologically accurate, with no real exceptions, and while there is a heavy dose of macho-ism and bloated egos(some bits are soaked in, and dripping, testosterone), it never gets ludicrous, and there are several characters who help keep it grounded, in their more agreeable personalities. I think it is also notable that this, beyond a sequence lasting no longer than a few seconds, this does not at any point stoop to the lowest common denominator and try to appease and appeal to the young male demographic by simple parading something to gawk at. This isn't denying the existence of such, it just has nothing gratuitous in the way of it other than aforementioned brief part. The acting is magnificent, for basically every part(I owe Evans a heartfelt apology, the guy can actually do great work, and be pretty bad-ass), Reeves is believable, and Whitaker performs well in everything required of him in this. Both Laurie and Mohr, honestly, if you didn't know they usually go for making people laugh, you wouldn't know from this, they're straight-faced and professional all the way(and I'm not saying they're not funny in this). There is plenty of disturbing content and a ton of strong violence and language in this. The DVD holds an interesting director's commentary, a handful of informative featurettes, deleted scene with the option of hearing Ayer's thoughts on them(by the way, David, if I may call you that, I promise you, you put another movie up on the silver screen, and I *will* almost without a doubt go to the cinema to catch it when it comes out), alternate takes and vignettes(really short documentaries). All of them are well worth the time. I recommend this to fans of the people involved in making it, as well as of the genres and those who want to watch pictures set in this environment. 8/10

An extremely violent thriller about a jaded cop including hair-rising scenes , gruesome crimes and breathtaking chases. This nail-biting thriller packs plot twists, noisy action, pursuits , shootouts, and continuous intrigue .An undercover cop, LAPD detective Tom Ludlow (Keanu Reeves) , disillusioned by the death of his wife, is implicated in the murder of an officer and must struggle to clear himself. Captain Jack Wander (Forest Whitaker) always covers for Ludlow, as do even his somewhat jealous colleagues. Along the way , Tom is confronted by his former partner, Terrence Washington (Terry Crews) . After technically excessive violence against a vicious Korean gang during the liberation of kidnapped child sex slaves, Ludlow becomes the target of hotshot Internal Affairs captain James Biggs (Hugh Laurie) , who feels passed-over after Wander's promotion to chief. But some members of the elite task force find themselves being taken down one by one . When Tom is wounded , at the Hospital he's healed by a particular nurse who turns out to be his girlfriend, Grace Garcia (Martha Higareda). Later on , Detective Tom Ludlow meets Detective Paul Diskant (Chris Evans) and both of them join forces to investigate the sinister events. Ludlow works his way through the twisted rungs of the police and the deadly streets of Los Angeles for answers that only lead to more questions. And other cops and members of drug gangs are also gunned down . Their City. Their Rules. No Prisoners.

Nice action film displays action-packed, thrills , fast-paced , shootouts , wild fighting images , police brutality and spectacular chase sequence in South Central . James Ellroy wrote the surprising screenplay in the mid-1990s with the same formula of his previous works and inspired by the O. J. Simpson trial. James Ellroy's script for Street Kings (2008) bears certain resemblance to the screenplays for L. A. Confidential (1997) and Dark Blue (2002) . It's a noir movie whose plot is really complex and twisted , the ordinary issue in which certain law enforcement members suspected of being corrupt who are slain one by one and a deranged cop is given a major murder case by a corrupt commander/supervisor who sends him on a wild goose chase looking for fictional suspects and/or pinning the crime on criminals with prior records, only to learn that his boss is the real culprit. While the film was praised for its acting performances, action sequences, and dark tone, the script was criticized for its clichés about police corruption. Keanu Reeves is nice giving an efficient acting as a ruthlessly efficient, unorthodox undercover cop and haunted by the death of his wife . Keanu even did all of his own stunts in the film with no stunt stand-in. And a fundamental fun is to guess which prestigious , famous actor appears here and there, showing his charm and acting skills, including the following : Hugh Laurie , Chris Evans, Cedric the Entertainer, Jay Mohr, Terry Crews , Naomie Harris, Common , John Corbett, Amaury Nolasco, Michael Monks , Clifton Powell , among otheres.

This bone-chilling motion picture was professionally directed by David Ayer , though it has too much dark scenes , and it was shot in grueling 42 days . Ayer is a prestigious writer and director with successes enough , writing or directing films as : Fury , SWAT , Training day , The Tax Collector , U-571 , Fast and furious saga, Suicide Squad , among others. The film is followed by an inferior sequel, ¨Street Kings 2: Motor city¨ (2011), released direct-to-video in 2011 by Chris Fisher with Ray Liotta , Shawn Hatosy , Scott Norman , Clifton Powell, Kevin Chapman . Rating : 6.5/10 . Decent thriller.

This is an actors film, the plot is straight down the line, but the stars of the film make this a thoroughly entertaining movie.

The film wastes some opportunities by under utilising the 'squad'. The squad has some good actors in it who aren't given enough time to shine.

Otherwise its lots of fun :)

I wasn't expecting much from Street Kings, just to be entertained and that's what I got. Keanu Reeves played the part good, Hugh Laurie did exceptionally well, while the worst acting in the movie was from Chris Evans. Chris Evans was wooden and didn't seem to be able to act his way out of a glass box, during the argument in the locker room between him and Reeves I bit my tongue to keep from laughing as Reeves was actually doing a good job. The story was good, flawed and slow in places, but overall good. Sure the movie could've had a better cast but it doesn't and the only surprise here is that Chris Evans was worse than Keanu Reeves.