Shooting Dogs

There has been an ongoing argument over which is better, "Shooting Dogs" or "Hotel Rwanda." I don't know if there is an answer, but for the record, I've found that being 24 years old, this film appeals to me more than "Hotel Rwanda" did. I think this is largely because it focuses on the "save the world" mentality of youth, when things are not really that easy to explain or resolve. It also offers some light moments and comic relief that ease the burden of such an unpleasant true story. However, friends of mine who are over 40 years old, and who perhaps relate more to the businessman/father/husband character of Don Cheadle in "Hotel," disagree.

Despite all that, the people I know who work in Africa and even parts of Rwanda have said "Shooting Dogs" is a much truer portrayal of the way things really were at that time and that many Rwanadan natives don't share such a pleasant view of the Don Cheadle real-life man.

I think if it moves you to be a better person and stop genocide somewhere in the world, it shouldn't really matter which film is "better." For me, "Shooting Dogs" will never leave my heart or my mind.

In April, 1994, the airplane of the Hutu President of Rwanda crashes and the Hutu militias slaughter the Tutsi population. In the Ecole Technique Officielle, the Catholic priest Christopher (John Hurt) and the idealistic English teacher Joe Connor (Hugh Dancy) lodge two thousand and five hundred Rwandans survivors in the school under the protection of the UN Belgian force and under siege of the Hutu militia. When the Tutsi refugees are abandoned by the UN, they are murdered by the extremist militia.

After the magnificent 1994 "Hotel Rwanda", the world has the chance to see another testimony of the genocide in Rwanda, where eight hundred thousand (800,000) people was killed between April and July of 1994 under the total absence of protection or intervention of the United Nation. This powerful and touching true story was filmed in the real locations with the support of the survivors of the massacre. John Hurt is fantastic in the role of a suffered Catholic priest that dedicated his life to the people of this poor country, and Hugh Dancy is also amazing with an excellent interpretation. There are magnificent lines, but I personally was moved when Joe asks Christopher how much pain can a human being take, when he sees the mother being killed by machete strikes with her baby son by one killer of the militia. The questions about God's role the children ask Father Christopher are also great. The feelings of Rachel about the differences between the situation in Bosnia and in Rwanda are very sincere and the sacrifice of Christopher is something very beautiful in this film. The last question to the UN representative "- How many acts of genocide does it take to make a genocide?" in the procedures, regulations, viewpoint of whatever from UN closes this sad but recommended movie with golden key. My vote is nine.

Title (Brazil): "Tiros em Ruanda" ("Shots in Rwanda")

This film is worthy of all the plaudits that one can offer. it is not a film from a large Hollywood studio and thus will not merit for any Hollywood inspired praise. Nevertheless John Hurt performance is without doubt Oscar worthy . The film is factual without being inspired by the normal heartstrings of sanitised music which usually accompanies movies such as this. It is even superior to Hotel Rwanda which again was wonderful but takes the issue even further particularly as it applies to the so called civilised UN nations. If ever there was a need for a real UN this film exemplifies it. Camera work is excellent and acting right through the cast is credible and believable without having to employ any token players from the extensive list of TV actors and the like.The Belgian Officer is so real and his frustration there for all to see.

In summary a film that everyone should see and form an opinion.There is no hard pressed "hit you in the face" moralising, but one would have to be non human not to appreciate the essence of this story. 10/10

It is rare to see a film that has as great an impact as Shooting Dogs. The shocking story of the massacres in Rwanda is told in a setting that is both personal and global.

Great acting, a fine script and good pace... a level of craftsmanship worthy of the magnitude of the subject of this film.

On rare occasions, a story is so shattering it needs only to be toned down for audiences to take it all in. This true story needed to be told, and for us to hear it. Hopefully, after seeing this movie, you will not be as pessimistic about the future of Central Africa as I've become.

The closing credits are well worth sticking around for.

I haven't seen a film that evoked such emotion in so long I had forgotten that it was even possible for a film to do so. Even in film school there weren't many that left me with such a memorable impression. I saw it at the Toronto International Film Festival and I actually left the theatre shaking. I had the distinct pleasure of talking to Mr. Caton-Jones after the screening and it seemed to me that this film was a real cathartic piece for him as well.

For anybody that doesn't remember or wasn't around during the actual genocide and doesn't remember the news stories about it, it doesn't really matter....this film shows more than what they would have showed on CNN of CBC or any of the major news networks. This goes beyond those stories and tells you what really happened....even if it is only a small glimpse at the bigger picture.

I saw Hotel Rwanda and I thought it was a brilliant film, but I also thought that it was a tad bit "Americanised", which is fine I suppose, it gave the public what it usually wants...a good story but with a bit of a love story at it's centre which I thought detracted from the story of the genocide. This one has a definite European or even Canadian film-making feel to it. Hotel Rwanda also didn't show you everything...this is not a spoiler but a warning: be prepared to see everything, Caton-Jones doesn't leave anything to the imagination.

I was also disappointed though I suppose not all that surprised when I heard that this film had gotten a distributor in every country but the US. All you Americans reading this...appeal to whatever power you have to to get this film screened in a theatre near you. You are missing out on not only a cinematic gem but a little piece of history. I for one cannot wait to see this film in theatres again soon.