3 Extrêmes

"Saam gaang yi", a.k.a. "3 Extremes", is composed of three segments

(1) "Dumplings", by Fruit Chan, is the best segment. I saw the complete film ("Jiao Zi") on 25 August 2007 on DVD released in Brazil with the title "Escravas da Vaidade" ("Slaves of the Vanity"). The gruesome tale tells the story of an aging actress that seeks out a mysterious woman that cooks dumplings with a special ingredient that rejuvenates those who eat them. My review is available in http://www.imdb.com/title/tt0472458/reviews-21

(2) "Cut", by Chan-wook Park, is a tale of cruelty and insanity. An insane stranger breaks in the house of a film director and ties him up with his wife and a boy in the room. The strange tries to force the director to kill the boy, otherwise he will cut the fingers of his wife that is a pianist.

This segment is very cruel and insane, and has a surprising conclusion.

(3) "Box", by Takashi Miike, is a confused tale. The twenty-five-year- old writer Kyoko has nightmares with a box and also with her sister Shoko. One day, she receives an invitation to visit the place where she saw her sister for the last time.

This segment is messy and predictable, with a disappointing conclusion. My vote is seven.

Title (Brazil): Not Available

This movie is incredibly cruel and unrelenting. It plays as a single feature divided into three sections: "Dumplings", directed by Fruit Chan of Hong Kong, "Cut" directed by Park Chan-Wook of Korea and "Box" directed by Miike Takashi of Japan. Each section is like a dissertation in horror, although "Dumplings" could also be classified as an exploitation film.

All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.

I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.

A solid 8 out of 10 for the efforts of these genius Asian directors.

The idea of having Chan-wook Park, Takashi Miike and Fruit Chan as part of the same DVD set is enough to warrant a purchase. This was the sole reason I watched these three shorts.

While Miike's offering was very enjoyable, and had some interesting scenery and Chan's Dumplngs was also very entertaining, Chan-wook Park stole the show in my opinion.

I now wonder if CUT isn't what SAW should have been.......?

Unfortunately I can't speak on the film too much as I could ruin the story, but if you are a fan of either OLDBOY or Sympathy for Mr Vengeance this short IS A MUST. Chan-wook Park continues to impress me with his creativity, and the camera work in this film was GREAT. There are two directors that I currently find to be very interesting, and I will watch anything they produce. Micheal Haneke is one, Chan-wook Park is another.

I have heard rumours of Sympathy for Ms Vengeance, and I can only hope they are confirmed.

This was an easy purchase.

This compilation movie of three horror stories is dark and disturbing. The first story concerns a woman's greed for beauty and the bizarre path she takes to get it. The second story centers on a director who gets held captive by a film extra with an agenda. This leads to torture and a strange game of cat and mouse. The final story regards a writer with a twisted past. This part is surreal and at times awkward in storytelling and direction. I enjoyed this film as a fan of the horror genre. The elements of surrealism and paranormal activity were effective in each story. While the movie did have a relatively slow pace, the intensity of each stories climax made for a fulfilling watch. Recommended for fans of Tales from the Darkside, Tales from the Crypt, The Twilight Zone and admirers of Takashi Miike and Chan-wook Park.

Three short films that are plenty extreme and if the endings of all three leave us wondering maybe that is good. I did however find the end of Cut more than a little baffling. There again 'unsatisfactory' endings of Eastern films as judged by Westerners is nothing new. All three are beautifully shot with great camera-work and excellent use of colour. I found Miiki's the most perfect if not as much like his usual output as many would like. Park's Cut is a little pedestrian at times but so gloriously over the top and bewildering at others. Dumplings is a little predictable and I am surprised that it is said to still work at 90 minutes as it seems very much a single idea film. It's a good idea though and not without social interest and it has to be said the grossest of the three. The sound of tiny bones being crunched - aagh!! I watched all three on separate occasions, fearing that otherwise they might blur into one another - no fear of that though so I'll watch them again soon, all together. Good effort by all concerned