IMDb RATING
6.1/10
41K
YOUR RATING
An unusually brave mouse helps to restore happiness to a forlorn kingdom after making friends with a gentleman rat.An unusually brave mouse helps to restore happiness to a forlorn kingdom after making friends with a gentleman rat.An unusually brave mouse helps to restore happiness to a forlorn kingdom after making friends with a gentleman rat.
- Awards
- 1 win & 8 nominations total
Matthew Broderick
- Despereaux
- (voice)
Emma Watson
- Princess Pea
- (voice)
Dustin Hoffman
- Roscuro
- (voice)
Tracey Ullman
- Miggery Sow
- (voice)
Kevin Kline
- Andre
- (voice)
William H. Macy
- Lester
- (voice)
Stanley Tucci
- Boldo
- (voice)
Ciarán Hinds
- Botticelli
- (voice)
Robbie Coltrane
- Gregory
- (voice)
Frances Conroy
- Antoinette
- (voice)
Frank Langella
- Mayor
- (voice)
Richard Jenkins
- Principal
- (voice)
Christopher Lloyd
- Hovis
- (voice)
Charles Shaughnessy
- Pietro
- (voice)
Sigourney Weaver
- Narrator
- (voice)
Patricia Cullen
- Queen
- (voice)
Featured reviews
I thoroughly enjoyed everything about this film up to the half-way mark. Right about the point that Roscuro is shunned by the princess. After that point everything fell apart. Despereaux becomes MIA for about 10-15 minutes of screen time, there's the a whole superfluous side-story with the farm chick.
None of the timing worked in the second half of the film - *none* of it. There are such huge lapses in time and space and completely disjointed events occurring that have nothing to do with one another. For example, when Despereaux rings a bell it makes the chef start to make soup again. Why? What's the connection? There isn't one.
Don't even get me started on the vegetable spirit. A completely pointless escapade that is tangential to any part of the rest of the story. It's as if someone said "what's the stupidest thing that could happen at this point?" and then they answered it.
If only they had made a great 2nd half to match the fantastic first half. Sigh. 5/10 is being generous.
None of the timing worked in the second half of the film - *none* of it. There are such huge lapses in time and space and completely disjointed events occurring that have nothing to do with one another. For example, when Despereaux rings a bell it makes the chef start to make soup again. Why? What's the connection? There isn't one.
Don't even get me started on the vegetable spirit. A completely pointless escapade that is tangential to any part of the rest of the story. It's as if someone said "what's the stupidest thing that could happen at this point?" and then they answered it.
If only they had made a great 2nd half to match the fantastic first half. Sigh. 5/10 is being generous.
My son and I read this book last year and it along with Kate's other great work "The Miraculous Journey of Edward Tulane" we enjoyed very much. It is rare to find witty educated authors who are able to identify with the 5-10yr old crowd. The movie however was a far cry from the book, nevertheless the family and I enjoyed it very much. I am personally tired of the movies that focus on the parents more and the kids less (Bolt, The Incredibles etc..). The movie is a great movie particularly if you want to have a great talk with the kids on the way home about honor and bravery.
Was it the book? No and I prefer the book, but the movie is good entertainment in it's own right. Give it a chance, it will touch you.
Was it the book? No and I prefer the book, but the movie is good entertainment in it's own right. Give it a chance, it will touch you.
I'd be hard pressed to name a kid's flick I've seen in the last four years that can't be summed up by "a quest to find his true self." For once, the hero knows who he is, and lives by this truth rather than learning to define himself along the journey. It was refreshing to see a slightly less-linear film aimed at the under-10 crowd. There were at least 3-4 narratives to follow (mouse, rat, servant girl, and to a lesser extent, the royal family). The notion that one's actions and attitude can greatly affect those around you, in unexpected ways with surprising consequences, was a lovely lesson to learn, rather than the rote "value of friendship" moral. I don't quite get the Ratatouille comparisons, frankly. OK, the heroes are both rodents. And there is a chef. This film reminded me more of Big Fish, The Princess Bride, and Pushing Daisies with its small themes and seemingly meandering narrative, that all comes nicely at the end. And yes, the film was utterly beautiful.
I just saw this movie again, and stand by my original assessment of it. It's an underrated classic, with far more depth than most family movies. On the one hand it's more simplistic than, say, a Pixar film. It's more of a fairy tale like The Little Prince. And while I don't care for the character designs too much (though they do have an artistic charm to them), from a writing standpoint I would put Despereaux on par with the best Pixar films, maybe more so.
Most of the main characters are seriously damaged, yet believably human (even the rodents). The way some characters fall from grace is more believable than anything Lucas came up with in Star Wars III.
If it has a failing it's with some of the secondary characters, such as the Soup Maker's assistant (made up of vegetables) which just didn't really seem necessary.
But the themes of anger, regret, sadness, depression, and the power of forgiveness makes this a movie I feel more children should be exposed to. It's a very much a children's movie, but deals very much with adult themes.
Most of the main characters are seriously damaged, yet believably human (even the rodents). The way some characters fall from grace is more believable than anything Lucas came up with in Star Wars III.
If it has a failing it's with some of the secondary characters, such as the Soup Maker's assistant (made up of vegetables) which just didn't really seem necessary.
But the themes of anger, regret, sadness, depression, and the power of forgiveness makes this a movie I feel more children should be exposed to. It's a very much a children's movie, but deals very much with adult themes.
Still wondering about the reviews above that insult this film's animation. I thought it looked terrific. (For the record, nearly every professional critic I could find singled out the film's strong visuals.) The character differentiation is very strong in the mice & rats -- and all that tender-loving detail in Ratworld and Mouseworld! You'd have to watch the movie 6 times to pick out all the tiny man-made objects the rodents have used for furniture, clothing, etc.
I see also several reviewers' concerns about the film's "darkness." Ummm . . . don't we find Hans Christian Andersen a bit dark too? Isn't there something about kids being baked in an oven? And doesn't someone's father die in "Lion King"? And a certain famous mother in that deer movie . . . ? For the matter of that, fans of DiCamillo's Newbery-winning book can tell that her version is a lot darker -- heart-breaking at times. At least one critic has scolded the film version for toning down the darkness, which concomitantly weakens DiCamillo's message of forgiveness and redemption.
AND: I don't think I've ever heard vocal work this good in an animated film. They're not big box-office names that will draw tons of kids to the picture, but real pros -- Hoffman, Ullman, Hinds, Watson, and that narration by Sigourney!! -- who bring an amazing richness and authenticity to the characterizations.
Plus, any movie that so convincingly counsels little kids to say "I'm sorry" -- well, even if it had no other merits, it's hard to argue with a message like that!
I see also several reviewers' concerns about the film's "darkness." Ummm . . . don't we find Hans Christian Andersen a bit dark too? Isn't there something about kids being baked in an oven? And doesn't someone's father die in "Lion King"? And a certain famous mother in that deer movie . . . ? For the matter of that, fans of DiCamillo's Newbery-winning book can tell that her version is a lot darker -- heart-breaking at times. At least one critic has scolded the film version for toning down the darkness, which concomitantly weakens DiCamillo's message of forgiveness and redemption.
AND: I don't think I've ever heard vocal work this good in an animated film. They're not big box-office names that will draw tons of kids to the picture, but real pros -- Hoffman, Ullman, Hinds, Watson, and that narration by Sigourney!! -- who bring an amazing richness and authenticity to the characterizations.
Plus, any movie that so convincingly counsels little kids to say "I'm sorry" -- well, even if it had no other merits, it's hard to argue with a message like that!
Did you know
- TriviaFor the scene in which Andre and Boldo threw things at each other, Kevin Kline and Stanley Tucci threw things at each other, reading the lines and improvising them based on what transpires in the scene. While they acted the scene out, a cameraman was walking around filming the action. Producer Gary Ross wanted to have them act it out entirely. They tried a variety of different things, different degrees of insanity and intensity.
- GoofsWhen Andre picks up Despereaux from the kitchen floor, he picks Despereaux by his body and in the next shot, he grabs Despereaux by the tail.
- Crazy creditsThe end credits are depicted as a long, unrolled scroll, formerly used as a several sets of recipes and instructions on food care.
- ConnectionsFeatured in Troldspejlet: Episode #40.2 (2009)
Details
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $50,877,145
- Opening weekend US & Canada
- $10,103,675
- Dec 21, 2008
- Gross worldwide
- $86,957,280
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content