I.R.S. auditor Harold Crick suddenly finds his mundane Chicago life to be the subject of narration only he can hear: narration that begins to affect his entire existence, from his work to hi... Read allI.R.S. auditor Harold Crick suddenly finds his mundane Chicago life to be the subject of narration only he can hear: narration that begins to affect his entire existence, from his work to his love life to his death.I.R.S. auditor Harold Crick suddenly finds his mundane Chicago life to be the subject of narration only he can hear: narration that begins to affect his entire existence, from his work to his love life to his death.
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I hadn't heard much about this movie prior to seeing it tonight, so I had NO expectations, which is really how I like to see a movie (without any preconceived notions, good or bad).
The movie was very well acted, and told an interesting story. I kind of look at Will Ferrell in this movie the way I looked at Adam Sandler after "Punch Drunk Love". You're not sure how to react to Ferrell/Sandler's on-screen persona's, as up to this point, you've always thought of them as the funny men, who couldn't (or wouldn't) attempt a more dramatic role. For Ferrell, who's probably at the height of his popularity, this was a good move for him, as well as an ideal role.
All in all, I really liked this movie, and I would definitely recommend it to friends/family.
Cast is terrific; those who usually over-act, e.g. Dustin Hoffman and Will Ferrell, play it lower-keyed and believable. Emma Thompson, Queen Latifah and Maggie Gyllenhall (and Tom Hulce, almost unrecognizable in a single scene)round out the excellent cast .
A feel-good movie, mostly comedy but with some tragic undertones.
Close to two hours but you won't be looking at your watch very often.
While TALLADEGA NIGHTS is extremely silly and a great parody, STRANGER THAN FICTION is not exactly a comedy, though it has some nice comedic moments. Instead, it's a fantasy, comedy and romance all rolled into one and it was nice to see Ferrell finally underplay a role. His character was extremely obsessive-compulsive and emotionally constricted--yet this was NOT played for laughs--an excellent decision.
The film initially seems a lot like the old skits on "The Carol Burnett Show" which featured a writer typing a story and you saw actors playing it out as if they were real. However, the simple story idea was drawn out but didn't seem padded and offered some lovely insights into deeper philosophical issues. It was NOT a film for dopey teens or an undemanding audience, but a thoughtful and intelligently constructed film that caught my interest.
If you are looking for screwball comedy or lots of laughs, then you will no doubt be disappointed. However, if you watch the film with few preconceptions and expectations and have an open mind, I am sure you'll enjoy the film. It's nice to see that I was wrong about the film and the "SNL curse" did not seem to apply.
The story/script is fantastic - I'd be surprised if it didn't get nominated for the big original screenplay awards. It's interesting, funny, poignant, and quite charming, actually.
The casting in general is wonderful... As someone else said, Hoffman is perfectly understated... I'd never seen Maggie Gyllenhaal before, but I'm a fan after seeing this one. And Emma Thompson could see a best supporting actress nod for this film.
Sadly, I thought the film's weakest point was the casting of Will Ferrell in the lead. He's not bad by any means, but he just doesn't work at the same level as the rest of the cast. Kudos to him for what he DOES accomplish in this film, but it would've had plenty of starpower without him, and the role could've been used to showcase someone else's talent.
All in all, thumbs up.
Just my two cents.
Did you know
- TriviaWhile filming, Will Ferrell wore an earpiece that fed him Dame Emma Thompson's narrative lines, in order to assist the other cast members in reacting more naturally to Ferrell's seemingly non-sequitur lines.
- GoofsNear the beginning, Ms. Eifel dictates "When asked by a co-worker for the product of 67 and 453, Harold drew a blank. He quickly answered 30,351 despite the answer really being 31,305." The product of 67 and 453 actually is 30,351. This was meant to get viewers to question who was dictating Harold's life, the narrator or Harold himself. It wouldn't be a coincidence that the "incorrect" number given by Harold would in fact be the correct answer.
- Quotes
Professor Jules Hilbert: No, why did you change the book?
Kay Eiffel: Lots of reasons. I realized I just couldn't do it.
Professor Jules Hilbert: Because he's real?
Kay Eiffel: Because it's a book about a man who doesn't know he's about to die and then dies. But if the man does know he's going to die and dies anyway, dies willingly, knowing he could stop it, then... I mean, isn't that the type of man you want to keep alive?
- Crazy creditsDuring the end credits, the names of the characters and the actors who played them were displayed against stylized images of the places where the characters worked.
- SoundtracksThe Way We Get By
Written by Britt Daniel
Performed by Spoon
Courtesy of Merge Records
By arrangement with Bank Robber Music
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Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $40,660,952
- Opening weekend US & Canada
- $13,411,093
- Nov 12, 2006
- Gross worldwide
- $53,653,224
- Runtime
- 1h 53m(113 min)
- Color
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- Aspect ratio
- 1.85 : 1