After he finds out that his work superiors host a dinner celebrating the idiocy of their special guests, a rising executive questions the merits of his invitation just as he befriends a man ... Read allAfter he finds out that his work superiors host a dinner celebrating the idiocy of their special guests, a rising executive questions the merits of his invitation just as he befriends a man who would be the perfect guest.After he finds out that his work superiors host a dinner celebrating the idiocy of their special guests, a rising executive questions the merits of his invitation just as he befriends a man who would be the perfect guest.
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Chris O'Dowd
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There's enough heart to make up for some lacking areas in this so-so comedy. A lot of talented people are in this film, but it just never quite comes together as well as it should. Also, the dinner was hardly even in the film, so bad job marketers.
This film shocked me. A new premise of cinema I am not familiar with, and had a very silly, very quirky style of story telling. I have to stick my neck out on this one but I enjoyed it.
I like my comedies, from the classics to the obscure, and this feature manages to slot itself in there somewhere. It's not rip roaringly funny but it makes you smile, makes you giggles and still manages to create a personal attachment to the characters. When they feel bad, we feel bad. When they put themselves through awkward, cringe-worthy situations we cringe along with them and we all end up laughing at the other end.
Stop trying to take this film seriously, it's not trying to be a serious film. It's about a group of idiots being shown of for being idiots by a bunch of corporate idiots. It's silly, fun and worth seeing.
I found the acting was good, little ropey in places but general was to standard, the direction was well thought out, the cinematography was clever and the set design and props (especially the mice) were all manufactured so well and realistically they helped to hold the film together.
This is no Godfather II but it'd no Manos: The hands of Fate either, it's a very silly, very goofy, very fun film to watch with friends, family or on your own. Everyone knows a Schmuck and everyone can relate to this film.
I like my comedies, from the classics to the obscure, and this feature manages to slot itself in there somewhere. It's not rip roaringly funny but it makes you smile, makes you giggles and still manages to create a personal attachment to the characters. When they feel bad, we feel bad. When they put themselves through awkward, cringe-worthy situations we cringe along with them and we all end up laughing at the other end.
Stop trying to take this film seriously, it's not trying to be a serious film. It's about a group of idiots being shown of for being idiots by a bunch of corporate idiots. It's silly, fun and worth seeing.
I found the acting was good, little ropey in places but general was to standard, the direction was well thought out, the cinematography was clever and the set design and props (especially the mice) were all manufactured so well and realistically they helped to hold the film together.
This is no Godfather II but it'd no Manos: The hands of Fate either, it's a very silly, very goofy, very fun film to watch with friends, family or on your own. Everyone knows a Schmuck and everyone can relate to this film.
An Americanised remake of the French comedy Le Diner De Cons (1998), Dinner For Schmucks puts together an admirable cast of comics, including Paul Rudd, Steve Carell, Jemaine Clement (of Flight Of The Concords fame) and Zach Galifianakis. I understand that his star is growing rapidly, but his name is just too hard to type, so for the rest of this article he will be 'Fat Jesus.' Nonetheless, this film delivers laughs and emotion in satisfying doses, and something I would definitely recommend.
Paul Rudd plays Tim, who works a nothing job in Generic Financial Firm #17, until his superiors offer him the chance at a promotion. The catch? He must impress at a dinner hosted by his boss, at which all employees must bring along the most idiotic guest they can find in the hope of taking out first prize. Enter Steve Carell's Barry, IRS employee and amateur taxidermist, whose unique 'skill' with turning dead mice into works of art makes him the perfect candidate. Also circling the plot is Tim's diminishing relationship with girlfriend Julie, who no longer has feelings for the corporate drone Tim has become.
The acting is competent overall, but two performances stand out and really give this film a kick. Clement seems to take great pride in his character: a pretentious artist whose hobbies include tantric sex and living amongst goats. In fact, his character is reminiscent of Russell Brand as Aldous Snow (Forgetting Sarah Marshall and Get Him To The Greek), but Clement comes right out of left field with excellent line delivery and tone, coupled with some fantastic physical comedy.
Paul Rudd may receive top billing, but make no mistake Steve Carell drives this film. Just about every line that comes out of Barry's mouth is gold, and a testament to the effort put into the screenplay. But it is the dimension, as opposed to just the humour, of Barry's character that makes him so engaging. He invokes real sympathy in a couple of emotional scenes that prove him to be much more than just a 'schmuck.' And his absurdist chemistry with Fat Jesus during the climactic scene is nothing short of hilarious.
As soppy as it sounds, the film drives home a nice moral about how all people, regardless of hobby or intellect, all crave the same feelings of friendship and compassion in their lives. One scene in which Barry effectively questions all that he has achieved in his life is particularly heart wrenching and although it sets the foundation for an admittedly cliché ending, it is pleasing to see a film that markets itself as a first-string comedy still putting emphasis on genuine affection and character.
When using a number system to rate films for as long as I have, one begins to develop a conscious idea about what number represents certain films. In my book, anything ranked at eight or above typically constitutes either a classic, or a film I think will be looked upon as a classic in the next twenty years. Dinner For Schmucks dosen't rank quite so high, but it puts up a great fight.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*
Paul Rudd plays Tim, who works a nothing job in Generic Financial Firm #17, until his superiors offer him the chance at a promotion. The catch? He must impress at a dinner hosted by his boss, at which all employees must bring along the most idiotic guest they can find in the hope of taking out first prize. Enter Steve Carell's Barry, IRS employee and amateur taxidermist, whose unique 'skill' with turning dead mice into works of art makes him the perfect candidate. Also circling the plot is Tim's diminishing relationship with girlfriend Julie, who no longer has feelings for the corporate drone Tim has become.
The acting is competent overall, but two performances stand out and really give this film a kick. Clement seems to take great pride in his character: a pretentious artist whose hobbies include tantric sex and living amongst goats. In fact, his character is reminiscent of Russell Brand as Aldous Snow (Forgetting Sarah Marshall and Get Him To The Greek), but Clement comes right out of left field with excellent line delivery and tone, coupled with some fantastic physical comedy.
Paul Rudd may receive top billing, but make no mistake Steve Carell drives this film. Just about every line that comes out of Barry's mouth is gold, and a testament to the effort put into the screenplay. But it is the dimension, as opposed to just the humour, of Barry's character that makes him so engaging. He invokes real sympathy in a couple of emotional scenes that prove him to be much more than just a 'schmuck.' And his absurdist chemistry with Fat Jesus during the climactic scene is nothing short of hilarious.
As soppy as it sounds, the film drives home a nice moral about how all people, regardless of hobby or intellect, all crave the same feelings of friendship and compassion in their lives. One scene in which Barry effectively questions all that he has achieved in his life is particularly heart wrenching and although it sets the foundation for an admittedly cliché ending, it is pleasing to see a film that markets itself as a first-string comedy still putting emphasis on genuine affection and character.
When using a number system to rate films for as long as I have, one begins to develop a conscious idea about what number represents certain films. In my book, anything ranked at eight or above typically constitutes either a classic, or a film I think will be looked upon as a classic in the next twenty years. Dinner For Schmucks dosen't rank quite so high, but it puts up a great fight.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*
The worst thing that can happen to a movie is high expectation i think this what made people so angry with this movie i mean the cast alone should have been enough to create a hit comedy right ? ... wrong
this movie is a solid 6.5 its not bad or horrible if you just sit back and watch it for what it is a sweet light comedy
but people go into movies these days with lists of previous hit comedies to compare it with .. which causes them to miss-out on the movie they are coming to see.
i used to be like that and I reached the point where no movie was good enough ... well not any more.
this movie is good with light lovable characters and thats just fine ..!
this movie is a solid 6.5 its not bad or horrible if you just sit back and watch it for what it is a sweet light comedy
but people go into movies these days with lists of previous hit comedies to compare it with .. which causes them to miss-out on the movie they are coming to see.
i used to be like that and I reached the point where no movie was good enough ... well not any more.
this movie is good with light lovable characters and thats just fine ..!
Let me cut the chase, I do know which movie I'm reviewing, I do give Dinner for Schmucks a 10 out of 10 and I do consider it my 6th favorite movie, let me tell you why. Dinner for Schmucks it's not only a clever, well-acted and hilarious comedy, it's comedy with lots of heart and although it's a bit stupid it's definitely my 6th favorite movie. Jay Roach (The Fockers) did a terrific job with everything. Steve Carell, well, I'll have to write about him on a single paragraph, cause he was just... Paul Rudd was great, he played mature and funny. Zach Galifianakis, well, I'll join him to Steve's paragraph. Sow, Dinner for Schmucks is a terrific movie, it's not for everybody but it is for me, it's a light-hearted hilarious and stupid comedy that I just have re-watched thousands of times and I can't seem to get tired of. The soundtrack by Theodore Shapiro was excellent and gave this movie a certain atmosphere that I just loved 100%, the song "Fool on the Hill" (The Beatles) right at the beginning is genius and along the movie goes on you find many appealing themes and then at the credits you here an amazing song from Theodore, overall, I loved the soundtrack. STORY: Tim (Paul Rudd) has a great job and a great girlfriend and they're both in a great place at life. Tim is about to get a new office and an awesome promotion, but first, he'll have to appear at his boss' dinner that he hosts once a month, that dinner consists on every worker bringing an idiot person and the most idiot person of the dinner will win. Tim was definitely not going, but later, he has second thoughts when he accidentally runs over Barry (Steve Carell), a harmless guy who's work is at IRS and who's hobby is to make sets and pictures with dead mice. MY OPINION: The plot was amazing, it was full of hilarious stuff and fun stuff, I loved it.
Steve Carell was purely fantastic, his glasses, his teeth and his blonde hair, he was just fantastic and he stole me a bit of oxygen if you know what I mean, Steve was extremely hilarious and no one could play his role better than he did, he was funny and idiot but he played a sweet guy that we all wish to meet, he was unforgettable. Zach Galifianakis was truly genius, his orange ... (I think it's worth being seen without knowing) and his hilarious laugh makes his performance be unique and highly unforgettable. The chemistry between Steve and Zach was fantastic and the scene where they both imaginary fight is a movie classic.
Overall, Dinner for Schmucks is my 6th favorite movie without any doubts, it's funny, heart warming, very well-acted, hilarious, entertaining, fun, very well directed, very well written and still, I don't know how is it so much underrated- Highly recommended. Unforgettable comedy. 6th Best Movie of All Time.
Steve Carell was purely fantastic, his glasses, his teeth and his blonde hair, he was just fantastic and he stole me a bit of oxygen if you know what I mean, Steve was extremely hilarious and no one could play his role better than he did, he was funny and idiot but he played a sweet guy that we all wish to meet, he was unforgettable. Zach Galifianakis was truly genius, his orange ... (I think it's worth being seen without knowing) and his hilarious laugh makes his performance be unique and highly unforgettable. The chemistry between Steve and Zach was fantastic and the scene where they both imaginary fight is a movie classic.
Overall, Dinner for Schmucks is my 6th favorite movie without any doubts, it's funny, heart warming, very well-acted, hilarious, entertaining, fun, very well directed, very well written and still, I don't know how is it so much underrated- Highly recommended. Unforgettable comedy. 6th Best Movie of All Time.
Did you know
- TriviaOne of the film's writers, David Guion, was on set one day and noticed that Steve Carell was left handed. "I didn't know you were left handed" he remarked to the actor. "I'm not", replied Carell, "but my character is".
- GoofsDarla and Barry throw a bottle of wine on the door in Tim's apartment. In the next shot the mess from the wine has disappeared.
- Crazy creditsAfter the credits, A diorama is displayed of a stuffed mouse sitting in a burnt down house, with Barry heard laughing as he reveals that Fender's company has gone bust with Forbes Magazine naming him the "World's Biggest Loser."
- Alternate versionsTrifecta-syndicated airings made two notable edits to the brunch scene:
- The napkin reads "I'M HOT", instead of "I'M WET".
- Barry's echo of Müeller's "Join yourself to her, in the name of love" is omitted, presumably because Barry could be interpreted as mocking Müeller's accent.
- SoundtracksThe Fool on the Hill
Written by John Lennon & Paul McCartney
Performed by The Beatles
Courtesy of Capitol Records LLC
Under license from EMI Film & Television Music
[Played over both the opening and end credits]
- How long is Dinner for Schmucks?Powered by Alexa
Details
Box office
- Budget
- $69,000,000 (estimated)
- Gross US & Canada
- $73,026,337
- Opening weekend US & Canada
- $23,527,839
- Aug 1, 2010
- Gross worldwide
- $86,855,739
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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