IMDb RATING
3.0/10
8.7K
YOUR RATING
A successful DJ manages to rescue a powerful mobster one night. In order to repay him, the mobster gives him the task of protecting his daughter.A successful DJ manages to rescue a powerful mobster one night. In order to repay him, the mobster gives him the task of protecting his daughter.A successful DJ manages to rescue a powerful mobster one night. In order to repay him, the mobster gives him the task of protecting his daughter.
- Awards
- 1 nomination total
Featured reviews
Not only was this movie poorly written, it goes to show us what most of us knew already. That is the simple fact that Usher can not act. Some films of this nature, have a borderline cute plot or fun story, this completely lacks both. This is yet another attempt from a pop-star(if you deem him worthy of that title), trying to make the transition from music to film and failing miserably. Do not waste your ten bucks going to see this movie as , box office attendance will plummet the DVD should be on the shelf by Christmas. It is pretty sad, that only because the fact of someones popularity in a certain arena, that they are automatically pushed into another and we are suppose to accept it. I would hope that this movies target audience(which is i'm sure 13 year old girls) would reject it as I had.
Not Since Vanilla Ice's "Cool as Ice" and Britney Spears' "Crossroads" has such schlock been put to celluloid for no other purpose than take advantage of a pop music star's success and try to cash in on it.
At least Rob Van Winkle and Mrs. Spears can claim that it is not their fault the movies were bad, but instead the script was bad to begin with. Usher on the other hand gets Executive Producer credits for this gem.
In an interview he explains his role as executive producer...
"Well, I didn't put money behind it. That title comes from being involved in the creative process from choosing the people to act opposite, script supervision, selecting people who are a part of the production team. It's pretty easy."
Note to Usher: Executive Producing SHOULDN'T be Easy...
Maybe if you spent more time supervising the development of characters and plots, instead of supervising an onslaught of racial stereotypes and lines that serve no purpose but to praise your physical aspects, you might be able to star in a movie that will be in the top 8 at the box office in it's opening weekend.
Note to Self: Never trust the judgment of the person who dragged me to this ever again.
At least Rob Van Winkle and Mrs. Spears can claim that it is not their fault the movies were bad, but instead the script was bad to begin with. Usher on the other hand gets Executive Producer credits for this gem.
In an interview he explains his role as executive producer...
"Well, I didn't put money behind it. That title comes from being involved in the creative process from choosing the people to act opposite, script supervision, selecting people who are a part of the production team. It's pretty easy."
Note to Usher: Executive Producing SHOULDN'T be Easy...
Maybe if you spent more time supervising the development of characters and plots, instead of supervising an onslaught of racial stereotypes and lines that serve no purpose but to praise your physical aspects, you might be able to star in a movie that will be in the top 8 at the box office in it's opening weekend.
Note to Self: Never trust the judgment of the person who dragged me to this ever again.
Heavy-hitting R&B star Usher apparently has a following, but they don't seem to be lining up for this lame vanity project that's being palmed off as a real movie. The fact that In the Mix was directed by the fellow who gave us The Adventures of Pluto Nash enters into the equation, though I doubt that too many Usher fans have concerned themselves with who directed him in his first starring role. Maybe they just smelled a stinker. They would not have been wrong. Star vehicles like this are hardly new. Even Bing Crosby's earlier films are little more than attempts to cash in on the crooner's radio and recording popularity, and it would be a kindness to pass over the bulk of Elvis' screen career. That is, it would be at any other time than when discussing In the Mix, which makes me long for the brilliant writing and emotional complexity of It Happened at the World's Fair. At least in Bing and Elvis' movies, the filmmakers let their stars do what they were known for - namely, sing. Here, however, someone got the bright idea that Usher (Usher Raymond, to give him his full name) should just act. Perhaps they should have determined whether he was capable of that feat first. Let it be said that as an actor, Usher would probably make a pretty good zither player.
This movie is about as good as what would have been found in the toilet anyway! Perhaps the most racist movie I have seen in my life. Examples: 1. Usher's favorite restaurant is a fried chicken place, where he orders "the usual", which turns out to be...you guessed it, fried chicken and collard greens
2. Although neither Usher nor his friends are gangsters in the movie, it seems that the only things black people use as currency during card games are guns.
3. "I heard black men can dance" 4. All Italians are mobsters. 5. I like Usher's little minstrel show dance at the end of the movie. Overall, I was disappointed with myself for donating any money to this racist cause. I will never again watch an Usher movie unless he puts on blackface and admits that In the Mix was about as racist as the KKK would hope it to be.
2. Although neither Usher nor his friends are gangsters in the movie, it seems that the only things black people use as currency during card games are guns.
3. "I heard black men can dance" 4. All Italians are mobsters. 5. I like Usher's little minstrel show dance at the end of the movie. Overall, I was disappointed with myself for donating any money to this racist cause. I will never again watch an Usher movie unless he puts on blackface and admits that In the Mix was about as racist as the KKK would hope it to be.
'In the Mix' has Usher playing Darrell, who happens to be at the right place at the right time. That depends on how you look at it. He takes a bullet for Dolly (Emmanuelle Chriqui), a mafia princess. As a result, he becomes her bodyguard. Then the trouble starts happening.
This movie was not especially great. It is fun at times, but not by much. The acting is not great and the plot is very predictable. None of the characters have much personality. Anthony Fazio who plays Dolly's brother is annoying. It is kind of like 'My Bodyguard' meets 'The Sopranos', only a little milder and not nearly as good.
I thought the best part was Rufus the bulldog. He was the funniest part of the movie and he is only in three scenes. I would not go to this unless you really want to see Usher.
This movie was not especially great. It is fun at times, but not by much. The acting is not great and the plot is very predictable. None of the characters have much personality. Anthony Fazio who plays Dolly's brother is annoying. It is kind of like 'My Bodyguard' meets 'The Sopranos', only a little milder and not nearly as good.
I thought the best part was Rufus the bulldog. He was the funniest part of the movie and he is only in three scenes. I would not go to this unless you really want to see Usher.
Did you know
- TriviaTo be more accurate in his role as Dolly's protector, Usher consulted Elijah Shaw, his longtime personal bodyguard. Elijah, who spent most of his time keeping screaming fans away from location shoots, was dragged on set for multiple sessions of "what would you do if..." His name appears in the credits as "Personal Security."
- ConnectionsReferenced in In the Mix: 25 Days and Not a Minute More (2006)
- SoundtracksSweat
Written by Usher, Rico Love, Ryan Lovett and James Lackey
Performed by Rico Love featuring Usher (as Usher)
Courtesy of J Records
By arrangement with Sony BMG Music Entertainment
Usher appears courtesy of LaFace Records/Zomba Label Group
- How long is In the Mix?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Dying for Dolly
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $10,223,896
- Opening weekend US & Canada
- $4,448,491
- Nov 27, 2005
- Gross worldwide
- $10,223,896
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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