The Lady in Question Is Charles Busch

This documentary tells the journey of Charles Busch, the legendary drag performer who makes it onto the mainstream Broadway shows through his incredible talent and hard work.

I have not heard of Charles Busch before, but this documentary gives me a pretty good sense of his work through the generous use of footages of his theater productions. His quick rise to fame is chronicled in detail, and it's a very interesting story. The transition from the rest village, gradually moving up and onto big things is lifted right out of an inspirational film, and I found myself very moved by his journey.

It's unusual that a documentary can move me to the point of tears. Not only that, it also makes me very interested to watch Charles Bush's work.

A not terribly interesting documentary about a modestly successful performer/writer whose work -- at least as it is shown in the movie -- comes across as fairly "one-note" and hilariously amusing only to those who participated in making it.

You have to be a little suspicious of the need for a documentary about someone's life when 80% of the interviews are with his family, his lover and a single member of his old theater company whose insistence on the "importance" of the work she did with him in the late 1980's seems geared just as much toward her own importance as it might be to explaining why we should spend all this time learning about Busch. Perhaps the filmmakers had a hard time finding anyone outside their subject's immediate circle who felt a need to say anything about him. There's no way to know whether that's the fault of the subject matter or the fault of the documentarians.

Maybe you had to be there. But a good documentary should give you the sense that you were.

Last night, I had the good fortune of seeing this movie for the first time (but hopefully not the last!). This was my first introduction to Charles Busch, and what an introduction it is! The directors have done a great job of giving us a beautifully well rounded picture of who Charles Busch is, professionally and personally.

The movie itself is filled with sincere comedy, and raw emotion. You are introduced to Mr. Busch's biological and theatrical family, and together, they swirl a biographical tale of the tremendous talent that is a Grand Dame of the Stage, and a wonderful author.

Emotionally touching is the tribute Mr. Busch gives to his aunt, and his two sisters, whom have all influenced his work heavily. The profound friendships he makes during his almost accidental rise to stardom along side his comedy troupe leave you laughing and crying. You witness the comedy troupe as being more than just co-stars. They were a well oiled family. With titles such as "Vampire Lesbians of Sodom," they had to have a keen sense of humor to execute the finely honed wit, high drama that takes you back to the early Hollywood starlets, and pop culture references that Mr. Busch crafted into hit after hit.

I wish that I had been able to see some of his earliest performances live, but with this film, it's the next best thing. Footage from his plays, pictures, and stories telling about backstage conditions are such a rare treat to hear.

The directors are to be commended for finding a way to tell the biography of Charles Busch that is informative, enjoyable, and truly inspirational. Charles Busch has never let anything stand in his way. He stayed true to his one passion, acting. When one play, book, or movie ends, he reinvents himself and starts something new. I recommend this movie to anyone in need of inspiration to stay true to oneself while pursuing their own Great American Dream.

And you can bet, I will not miss out on Charles Busch's next endeavors!

During the last quarter of the 20th century, New York saw the arrival of artists of the caliber of Charles Ludlum and Charles Busch. These men's love for the movies that had shaped their youth, started their own views of those idols when they established companies that capitalized on the type of 'ridiculous' theater where they, in turn, reinterpreted the way those larger than life figures influenced them.

While Charles Ludlum, the creator of the Theater of the Ridiculous, passed away at the peak of his creative years, Charles Busch went on to establish himself as one of the best exponents of this genre. Charles Busch's humble beginnings can be traced to his days at the Limbo Lounge where he and his friends would perform for his followers, most of whom were gay, and who really appreciated Mr. Busch's humor. It wasn't until the Establishment press, by way of a New York Times reporter, wrote about what Charles Busch and his clan were creating, that New Yorkers embraced this new type of hilarious insanity.

Charles Busch's biggest hit was "Vampire Lesbians of Sodom", a play that established him and his collaborators as legitimate exponents of this new form of theater. All this is the basis of this wonderful documentary shown recently on the Sundance Channel. As directed by John Catania and Charles Ignacio, we are taken to hear first hand by Charles Busch and his close friends and members of his group what it was all about.

Mr. Busch is a kind man whose contributions have brought joy and entertainment to theater lovers. In the film we hear first hand accounts by Theresa Aceves, Kenneth Elliott, Julie Halston, Carl Andres, and others about what it was to be associated to Mr. Busch from those obscure days to the present. We also see interviews by such personalities as Boy George, Michael Musto, Paul Rudnick, Rosie O'Connell, Kathleen Turner, and B. D. Wong, among others where they give praise to an unique voice in the New York scene: Charles Busch!

Other than having heard the title Die Mommy, Die, I was aware of neither Charles Busch nor his work until I caught this film on IFC 6 or 8 months ago. This morning I saw it for the third time, and it's still excellent.

As a child I was not as...off the beaten path, shall we say, as young Master Busch, but I definitely felt myself to be outside the main stream of my suburban home town. Even at what is now a late point in life, it's refreshing and vindicating to see someone succeed by being true to himself and having fun. The spontaneity and talent of Busch and his troupe are impressive, and I'm thankful that films of the Limbo Lounge shows exist. It must have been some experience to see those early shows live.

This film made me a Charles Busch fan, even though it's the only thing in which I've ever seen him. I'm a fan of the person as much as the performer, and an admirer of his perseverance through quite a stack of obstacles and adversities. Go Chuck! P.S. After reading Julie Halston's filmography I realized that I have seen her before, as Nathan Lane's unexpected bride in Sex and the City. She's terrific, too.