Les messagers

There is evidence to suggest that children... would really rather watch something else.

As suspense/horror movies go, this one isn't amazing. Its hardly original; more like Hitchcock's The Birds meets Verbinski's The Ring. Honestly. Its a perfect combination of the two.

Personally I'd recommend watching the afore mentioned separately, each being better alone than this film. Really, the only thing it seems to have in abundance OTHER than unoriginality, is cheap pop-out scares. I mean, yeah, its kinda fun the first time or two... but after about half a dozen, you start to wonder if there is anything else to be had.

The acting wasn't entirely horrible, I'll admit to that much. The Turner kids who played Ben are certainly entertaining to watch, giving a cute contrast to the grungy atmosphere of the movie. Cancer Man... wait... no, sorry, William Davis could have done better in my opinion, as could Miller... but considering the type of movie this is, one doesn't have a lot of room to nitpick.

As a quick side note, I DO commend this movie for not being gratuitously gory. Its rare to find modern movies in this genre that don't blatantly use blood and guts to invoke fear.

All in all, this movie isn't the worst of its kinda, but it is in no way the best. If you want cheap, minimal-gore thrills that will make you jump, go see it. If you're looking for a deeper, more thought-provoking thriller... I strongly recommend looking elsewhere.

I don't think that I would completely write off the Pang brothers, Oxide and Danny, as they don't completely go into the self-indulgent post-modernism that has panged, no pun intended, the horror filmmakers of late. Only once or twice they jump into 'Saw' territory. But even having not seen the majority of the Japanese horror movies that have give rise to the over-abundance of 'ghosts-in-my-house' wave (and, likewise, to their American counterparts), there isn't too much with surprise or shocks in The Messengers.

I'm sure they're self-conscious of the films they're paying homage/ripping off (the one scene involving the crows and their rendezvous with John Corbett's character is like a chummier mash of The Birds and North by Northwest; Shining and Close Encounters references seem a little more than clear to me too), yet they also succumb to having their film be really affect-less. It's never too stupid though; I didn't have a disliking toward any one character, with the exception being maybe towards the end with Corbett (I don't think I'm spoiling much there), and it's the sort of typical family-moves-into-a-creepy-house story that decides to hit the usual bases without going rapidly wrong on the marks.

But there's also the muddle that comes in dealing with the supernatural side of things, amid the average scares of 'what did I hear in the other room, I'll go check'. For one thing, the variations on who the ghosts and demons in the house are- if they're the family that used to live there, or if they might be the whatevers that killed off the family striking back at the new family in the house. There's fair acting from the family (Kristen Stewart of Panic Room fills in the teenage-girl niche, and there's competent work from McDermott and Miller; Colbert is a little creepy, but I guess that's the point; William B. Davis's bit part is the best real surprise of the movie), but it's all at the mercy of a standard script that might've been better, damn if I say it, as a half hour TV episode or something. Only sometimes, too, are there some potential unintentional laughs to be had, mostly towards the climax and with the very randomly placed crows that can only come in a pretty inexplicable flick such as this.

In the end, the Messengers is nothing new, and won't contribute much at all to the horror genre at large, but I wouldn't throw it in my 'I hate this movie so much' bin either, as it only continues to that non-threatening realm of the kinda-creepy PG-13 haunted house picture.

I don't know what people expect from thriller/horror movies if they are willing to call this one tragically bad or "lame". Not all thriller movies can be the best - and this one is not one of the "best" you'll ever see. But that's no reason to slam it quite so badly. There have to be a bunch of movies that are in the average range, obviously, not all movies can be the best. This one is definitely in the average range - BUT it's one of the better "average" thrillers you'll come across. The reason it's in the upper levels of "average" is because it's directed by the Pang Brothers. They are responsible for The Eye and Bangkok Dangerous and their brilliant stamp is all over this little thriller. Take notice of how beautifully framed each scene is, the effective use of silence throughout, the play on colours & textures, the minimalist dialogue etc. It's beautifully filmed and well acted by all but the mother character and it creates a lovely tense atmosphere with plenty of scares and spooks (but no blood and guts - so that will "disappoint" some). The biggest problem with the movie is the screenplay itself. It's not the most riveting story in the world & the plot has several flaws (like so many thrillers do). But it doesn't matter, in the hands of the Pangs this taut little thriller still a far better movie than most and easily worth the rental. Just don't go into it expecting the next best thing. It is what it is. An average but gripping movie.

If you aren't expecting some super-scary or gross film, just a mild ghost-type story, this fits the bill just fine. That's all I expected and I entertained for an hour-and-a-half. Is this some award-winning film? No, Is is genuinely scary? No, but it isn't anywhere near as bad as all these reviews say it is here, either.

What I liked best about this movie was the photography. It was stylishly filmed and I enjoyed the bold colors, decent direction and nice rural scenery. Who doesn't like looking at large groups of sunflowers?

I had no trouble with any of the characters, either. Since it was partly one of those "you don't listen to me," teen girl flicks, I expected some snotty kid was Kirsten Stewart was fine as 16- year-old "Jess." Dylan McDermott and Penelope Ann Miller played nice enough parents, too.

The twist near the end was good after that was revealed, you got the normal clichés with the climactic action scene. That was kind of cheesy, I admit, but most of the film was just fine with me. For what I expected, I have no complaints. It's a decent flick.

I saw this one tonight at a screening, and I wasn't entirely disappointed. I'll be honest -- there's nothing new in The Messengers. It's all been seen before in earlier, more original movies. This one is kind of a "best of" reel of some good ideas from other horror movies. If you're looking for something original and scary, this isn't it. If you're looking for a little jumpy fun, I can't say this one is a miss. By virtue of the "good ideas" being good, they work. What it lacks in originality it makes up for in assembling them in a reasonably coherent manner.

My only real gripe is that Dylan McDermitt looks about as out of place working the fields of his farm as any actor I can think of. They could have at least tried a LITTLE bit harder casting that part.

Think The Birds + Ju On + Amityville Horror + Sixth Sense.