Gönül yarasi, blessures du coeur

A retired primary school teacher comes back to Istanbul, to his hometown, after so many years of urban area teaching. While his life, which he devoted to the education of poor students, seem to end, coming to Istanbul was just a new chapter. The movie is about this idealist primary school teacher's retirement days in Istanbul. However, you should not expect an old man's final day's type of movie. It is far away from being another "About Schmidt" style movie. There is love, disappointment, drama and comedy all entangled together in the same pot.

With Yavuz Turgul's directing and Sener Sen and Meltem Cumbul's acting, the movie is a candidate for being one of the best Turkish movies ever. It is full of emotions: not only an old man's feelings, but also, it is about about friendship, domestic relations, and being a parent. It is definitely touching (don't blame yourself if you can't hold your tears), especially the music selection and timing increases dramatic tone. Meltem Cumbul sang every song herself that made the movie more realistic. Even if you are not a 'turku-lover'(Turkish folk music), you will be moved with the soundtrack of the movie.

This is definitely a movie not to miss!!

Although it is an extreme drama and few such situations may exist, I bet there can be found such cases. And having that reality is the most dramatic part of the movie. Together with the performances of the experienced actors and actresses I think this film deserves an 8 or 9, if to consider it is not perfect.

There are some imperfections though, especially the full-moon scene, for a person who has been in Istanbul.

I should add that personally I liked this one more than "Eskiya", not only because of the important social and political messages in this movie, which gives a serious mood to the film, but also that the roles of the actors are distributed most suitably.

I think the movie is a masterpiece.Turkey's best actor Sener Sen acts wonderfully from beginning to the end and when the movie ends you thank him for the job he made.The movie is about a teacher working in east part of Turkey for several years and got used to life there.When he comes back to the place he was born it would be hard for him to get used to life again.He becomes to work as a taxi driver and meets a singer then his life would never be the same again.Wonderful scenario,actors filled into the roles perfectly,dramatic story and a different ending.I recommend this movie to everyone.Sener Sen is the rising star of Turkey and soon he should be rewarded with an award.

As a person who has written a 100-page thesis on Turkish 'sinema,' I concur with populist sentiment that "Gonul Yarasi/Lovelorn" is an exceptional film. I think it tops "Eskiya/The Bandit" and now has to be considered Yavuz Turgul's best film. It is amazing to think that someone who first directed a Kemal Sunal (Turkey's closest equivalent to Jerry Lewis, alas Sunal is no longer with us) film in 1976 is among the masters of contemporary Turkish film. He has formed an excellent artistic partnership with Sener Sen, who is once as brilliant here he was in "Eskiya." And, enough words of praise can not be given to Meltem Cumbul. I loved her in "Propganda," loved her even more in Faith Akin's "Head-On," and this is a captivating performance here. I think the fact that her character is named Dunya, which means WORLD in English, hints that her character is a symbol for Turkey's acceptance into the outside world. Dunya's struggles and her bitter setbacks make me believe this might well be Turgul's intentions. I think her ex-husband, represents Turkey's modern state and Sen is a symbol of Turkey's once prosperous past. There is almost too much going on at once to concentrate fully on what is going on in the film! I think one thing which has been incorrectly cited as a flaw in this film is the melodrama element. I think this is such a central element to all Turkish films, whether they be the American film rip-offs of the '70s (Dunyayi Kurtaran Adam/Turkish Star Wars) or the great films of Yilmaz Guney, "Yol" and "Arkadas/The Friend," there is always that aspect of Turkish films. The notable exception seems to be the films of Zeki Demirkubuz and Nuri Bilge Ceylan, but both have stated they have been more influenced by Russian and French filmmakers, such as Tarkovsky and Bresson, than the likes of Guney or Atif Yilmaz, considered to be a pioneer of Turkish cinema- he directed in Sen in many films as well. But, "Gonul Yarasi" is splendid. It is well-edited, well-cast and well-directed. If a person knows nothing about Turkey or Turkish cinema, they may not fully appreciate this film, but I firmly feel that just about anyone who does will really like this film tremendously.

I saw this film at the Palm Springs International Film Festival and of the 35 films I saw there I might rank this as high as #3. I normally have a 90-120 minute time frame as ideal for films and coming in at 138 minutes I thought it may run a little too long but this movie was so good that I now want to see the the others that director Tugul has done and would definitely look forward to seeing more in the future. Meltem Cumbal is excellent in the lead actress role and Sener Sen is so believable in his role and really establishes himself as the centrist character of the film. I felt there could have been a little more development of the son and daughter to Nazim but I loved the character of the owner of Nazim's taxi. Loved the scene with the Kurdish musicians and was happy it included them doing a complete song and not just a brief shot of them on stage. I give this film an 8.5 and would recommend it.