Hayley's a smart, charming teenage girl. Jeff's a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place. Jeff thinks... Read allHayley's a smart, charming teenage girl. Jeff's a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place. Jeff thinks it's his lucky night. He's in for a surprise.Hayley's a smart, charming teenage girl. Jeff's a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place. Jeff thinks it's his lucky night. He's in for a surprise.
- Awards
- 10 wins & 13 nominations total
- Hayley Stark
- (as Ellen Page)
- Janelle Rogers
- (as Jennifer Holmes)
- Nighthawks Clerk
- (as Gilbert John)
- Girl in Nighthawks
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a super difficult film to watch and I strongly advise you to think twice before you watch it because of the subject matter. If you've been a victim of sexual abuse, I could easily see the film's content bringing up horrible flashbacks...same with anyone who has been tortured. It cannot help but push the viewer's buttons. Additionally, many who haven't been through this might also want to beg off watching this one...it IS intense and often hard to watch. It is NOT a film for the squeamish. However, despite these warnings, the film is able to balance physical violence...not showing too much and often leaving the worst of it to your imagination.
My only reservations about the film, other than the violence, is that I would have loved to know more about Hayley--especially since she doesn't talk or act like the 14 year-old she's supposed to be in the film. She's more like a 20-something with her clever puns and verbal dexterity. Plus, WHAT IS HER MOTIVATION? While none of this ruins the film in any way, it does leave you wondering.
For the right audience, this film is exquisitely made and worth seeing. Also, I was surprised with the film as there was a line about Roman Polanski. While he IS a convicted child rapist, so often Hollywood has somehow excused this...but "Hard Candy" certainly doesn't!
What the filmmakers have done is said, "Hey, Patrick Wilson! Ellen Page! We're placing the two of you in a restricted space and putting the entire movie on your shoulders. Best of luck!" Granted, I'm paraphrasing, but this is no exaggeration. There are a total of five people in the movie, and only Wilson and Page are given more than five minutes of screen time. Given this challenge, the two thespians more than hold their own.
I don't know if Wilson should take this as a compliment, but he's very convincing as a dangerously innocent-seeming pedophile. What makes him so creepy is his charm. He's a smooth, suave sexual predator. Most young girls are smart enough to do wind sprints the moment they see a dirty, unkempt man who looks to be carrying more diseases than Paris Hilton.
But Wilson is a good-looking, successful photographer. He can't be bad, right? "You look older than you are, and you certainly act older than you are," he tells Hayley, perfectly manipulating her young, fragile emotions. And hey, he can't be dangerous. After all, he obviously has the most innocent of intentions! Why else would he reassure her that he's aware of the legal boundaries? She's puddy in his hands.
This all starts quietly enough, but once they get to his house gears are shifted and everything goes haywire. That's all I'm revealing regarding the story, but I do have to give kudos to Ms. Page who turns in an impressive performance. I did feel she was a bit too precocious and world-wise at times, but she still does a great job showcasing a wide range of emotions of this potential young victim.
Despite the interesting concept of the two-person show, it clearly has its limitations. At 103 minutes this is just way too long. After a while it becomes too obvious that certain scenes and lines of dialogue are, like most songs on recent Rolling Stones albums, inserted for no other reason than to serve as filler. The worst example being a scene involving Sandra Oh's neighbor character. The only purpose it serves is to deliver a little faux drama. That subplot is dropped faster than Britney Spears' baby, never to be heard from again.
Hard Candy refuses to send you prancing home with a smile on your face or a song in your heart, but if nothing else it serves as a strong warning that you should probably pay close attention to who your kids are communicating with online. At least warn them that sometimes the person they least suspect could be the one to be most wary of.
A quick word of warning to all you guys: there is one particular scene where what we perceive is happening will absolutely make you squirm in your seat. You'll most likely watch it through squinted eyes. I haven't felt that uncomfortable at the theater since the My Own Private Idaho fiasco. I suggest you be prepared.
Hard Candy is an intense psychological drama, with incredible performances by both Ellen Page and Patrick Wilson. The two actors are practically the only two people with lines in the film, aside from some brief appearances by Sandra Oh and Jennifer Holmes. Thusfar I have only seen Wilson in The Alamo and Phantom of the Opera, but I was blown away with how he handled this performance. The slow, suspenseful film is set mainly in the Los Angeles home of photographer Jeff, a 32 year old man whom Hayley, a mature 14 year old girl who met him online, suspects to be a pedophile. The pacing was steady, and phenomenal - after a brief exposition we get into the real suspense about 20 minutes into the film, and it doesn't let up from there. The cinematography and camera work went excellently with the film. Rather than being extremely gory, the adult themes of the film lead to a more psychological creepiness. There are also questions that remain unanswered until the end of the film, when everything is wrapped up nicely - leaving you puzzled to the true identities and motives of the characters throughout most of the duration.
Horror films are not my cup of tea, but psychological drama is. An early fall release date has been rumored, and I can only hope this movie doesn't get lost in the shuffle between summer blockbusters and Oscar season. I also hope Lion's Gate markets this film for what it is, and doesn't try to aim for fans of slash, or a teen crowd.
Did you know
- TriviaOn the DVD commentary Patrick Wilson recalled that while filming on the roof, he had to shoot a scene where he yells, "You're not gonna shoot me," five times. After the third or fourth take someone within earshot - not part of the film crew - called the police thinking an actual attack was occurring.
- GoofsJeff's facial hair is noticeably thicker in the opening coffee shop scene than it is later in the day.
- Quotes
Jeff Kohlver: God, who are you?
Hayley Stark: It's hard to say for sure. Maybe not a Calabasas girl. Maybe not the daughter of a med school professor.
Jeff Kohlver: Maybe not even a friend of Donna Mauer.
Hayley Stark: Maybe not even named Hayley.
[Jeff sighs and looks around in desperation]
Jeff Kohlver: Who the hell are you?
Hayley Stark: I am every little girl you ever watched, touched, hurt, screwed, killed.
Details
- Release date
- Country of origin
- Language
- Also known as
- Niña mala
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $950,000 (estimated)
- Gross US & Canada
- $1,024,640
- Opening weekend US & Canada
- $58,049
- Apr 16, 2006
- Gross worldwide
- $7,022,209
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1