Hard Candy

When the film begins, a pedophile is chatting with a very young looking girl, Hayley (Ellen Page). Soon, she agrees to meet him at a coffee house and the guy is super-creepy as he pretends to care about the girl and her interests. Soon, he's convinced her to come home with him and you can only assume he's going to molest Hayley. However, Jeff (Patrick Wilson) soon learns that while he thinks he's in control and will be raping the girl, he's soon drugged, trussed up and being physically and emotionally tormented by Hayley. Surprisingly, this makes up at least 80% of the film...80% where this older than her years girl torments Jeff and makes him wish he was dead, as death would be easier than dealing with Hayley and her 'games'.

This is a super difficult film to watch and I strongly advise you to think twice before you watch it because of the subject matter. If you've been a victim of sexual abuse, I could easily see the film's content bringing up horrible flashbacks...same with anyone who has been tortured. It cannot help but push the viewer's buttons. Additionally, many who haven't been through this might also want to beg off watching this one...it IS intense and often hard to watch. It is NOT a film for the squeamish. However, despite these warnings, the film is able to balance physical violence...not showing too much and often leaving the worst of it to your imagination.

My only reservations about the film, other than the violence, is that I would have loved to know more about Hayley--especially since she doesn't talk or act like the 14 year-old she's supposed to be in the film. She's more like a 20-something with her clever puns and verbal dexterity. Plus, WHAT IS HER MOTIVATION? While none of this ruins the film in any way, it does leave you wondering.

For the right audience, this film is exquisitely made and worth seeing. Also, I was surprised with the film as there was a line about Roman Polanski. While he IS a convicted child rapist, so often Hollywood has somehow excused this...but "Hard Candy" certainly doesn't!

At the centre of HARD CANDY (no pun intended) is the burning question: Whose side are you on? The sick, manipulative, and twisted pedophile, or the sadistic, unnecessarily cruel, and psychotic sociopath? Either way, you, the viewer, lose, so what's the point, right? I mean, any film that almost compels the neutral viewer to support the pedophile is just tasteless and baseless. This film is completely biased, and is essentially a sadistic revenge flick catered only to those who have been affected adversely by pedophiles. I will not try to spoil the ending, because, let's face it, there is nothing to spoil. The movie is predictable and cheesy and the ending is of no consequence.

Then there's this: if viewers are supposed to believe that a petite fourteen year old girl is capable of such things, then at the very least, she should have the power to consent to sexual intercourse, right? I'm not taking sides or suggesting anything of an immoral or grotesque nature, but the movie is quite contradictory in the sense that a mere fourteen year old is capable of devising and implementing such horrific and well-thought plans, which makes her essentially seem as an adult, and which ruins the whole message the movie was supposed to convey.

Perhaps David Slade should stick to five-minute music videos, as a full length feature is well beyond his capacity.

And, for the record, what was the point of Sandra Oh? This has to be one of the more pointless and awkward cameos I have ever seen. And I actually admire Sandra Oh.

There are a few good things though: the story actually plays out properly (in a cinematic/screenplay sense only, though it gets weaker and less watchable as it progresses), the character interaction is absorbing, and the acting is top-notch (Patrick Wilson is awesome in this film; Ellen Page is quite annoying and sickening but does her job well). But really, what was the point? There were so many questions left unanswered that there was no genuine catharsis. The so-called ending is cheap and rather blunt and purposeless.

I think 4/10 is a generous score. This film gets 2 stars (out of 4; also generous). Even if I made a Top 1000, this film would not come close to making the cut. Recommended only for viewers who have been affected by pedophiles. Everyone else will feel robbed of their time. I was expecting much better seeing as a trustworthy source recommended this; I will now take future recommendations from this source with a pinch of salt.

David Slade, you suck. This movie sucked. I had planned to watch your latest feature, 30 DAYS OF NIGHT, but I may just make a pass. Go back to music videos. I actually enjoyed STP's 'Sour Girl' video...

Opinions on this film do vary considerably which, given the subject matter, is probably inevitable. The subject matter itself is the main point which carries the film, and it really could have been a much better film if the length had been shortened, and the direction made much tighter. Plot descriptions have been explained in so much detail that there's nothing really to add, but on viewing the film it does become undeniably tedious and, in parts, frankly irritating. The denouement is weak and unsatisfactory, and the whole effort somewhat disappointing. It is undoubtedly a film with a reputation higher than its actual substance.

I just screened this film at LGF last night. I was quite intrigued for the first forty minutes. Then it all kind of fell apart for me. In it's best moments this film explores the complexities of vengeance and psychology. It tries to be clever by pulling a role reversal -- but this eventually wears thin and the dialog becomes didactic and contrived. I still think it is worth seeing for the strength of the leads alone. Patrick Wilson does a fine job as a "suspected" pedophile. He elicits both sympathy and disgust. Ellen Page as the young girl is absolutely fantastic. Her performance is brilliant and even frightening at times. She's good even when the script can't match her talent. I look forward to seeing her in many films to come. Finally a young actress who is more than just a pretty face -- I'm so tired of the Natalie Portmans, the Hillary Duffs, and the Jessica Albas of the world. Good luck with your career Ms. Page.

All in all, Hard Candy is worth seeing. Maybe I'm just a sucker for movies with tiny casts and realtime pacing. But there are some genuinely suspenseful moments in the film, although in the hands of lesser actors these scenes would disintegrate. And though I was annoyed by the contrivances and implausibilities of the script, I found myself the next day thinking about some of the issues raised therein.

At times Hard Candy reminded me of Polanski's Death and the Maiden, though H.C. is nowhere near as good. Ellen Page's Haley character is similar to Sigourney Weaver's character in the Polanski film. Both women are terrifying through the cold precision of their revenge. The problem with the Haley character is that she would have to be supernatural to accomplish the things she does in this film. And of course if she was supernatural, we'd have a completely different film on our hands -- High Plains Drifter.

I saw this at a late night screening at the Palm Springs International Film Festival and of the 35 films I saw there I would rank this #4. for about the first 10 minutes I didn't know if I was going to like it or where it was going to go but man once this roller-coaster starts moving it's a psychological thriller. Great stylized look to this film too. The acting and story is intense and you can't avert your eyes from the screen even though there are times where you think you might have to. I like movies that have the feel of a stage play and the emotional volleyball between the two principal actors is amazing. A little far-fetched but so what. This is a good movie. I give it a 8.5 out of a possible 10 and would recommend this film.