IMDb RATING
3.5/10
4.2K
YOUR RATING
Two serial killers go on a murdering rampage as one films the outcome from behind a video camera.Two serial killers go on a murdering rampage as one films the outcome from behind a video camera.Two serial killers go on a murdering rampage as one films the outcome from behind a video camera.
AnnMarie Reveruzzi
- Girl in cellar
- (as Ann Marie Reveruzzi)
James Comerford
- Man Behind The Camera
- (uncredited)
Joe Knetter
- Self
- (uncredited)
- …
- Director
- Writers
- All cast & crew
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Featured reviews
The "story" in this annoying little movie consists of home movies shot by one of two serial killers. The camera follows them around as they indulge in all manner of disgusting deeds, whether they're putting human victims through pure hell or just raising trouble in general. (For example, they act out inside a convenience store.)
Prefiguring the "torture porn" genre began by movies like "Saw" and "Hostel", "August Underground" works like a mash-up of "Henry: Portrait of a Serial Killer" and "The Blair Witch Project", except that it *really* ups the ante in terms of extreme human depravity, and that it lacks any sort of craftsmanship whatsoever. It may be one of the most disgusting movies that this viewer has ever seen. Its fans may argue for its sense of immediacy, or the fact that it's so vivid and so committed to portraying filth on film. But it's still impossible to want to spend time with the characters here. Apparently, the movie *does* have some sort of script, by Allen Peters and director Fred Vogel, but it feels like it was ad libbed for its interminable 71 minute run time. The effects are plenty tacky, but still have the power to thoroughly distress an audience.
If one really wants to see a serial killer epic based in some sort of reality, they're much better off watching or revisiting "Henry".
Three out of 10.
Prefiguring the "torture porn" genre began by movies like "Saw" and "Hostel", "August Underground" works like a mash-up of "Henry: Portrait of a Serial Killer" and "The Blair Witch Project", except that it *really* ups the ante in terms of extreme human depravity, and that it lacks any sort of craftsmanship whatsoever. It may be one of the most disgusting movies that this viewer has ever seen. Its fans may argue for its sense of immediacy, or the fact that it's so vivid and so committed to portraying filth on film. But it's still impossible to want to spend time with the characters here. Apparently, the movie *does* have some sort of script, by Allen Peters and director Fred Vogel, but it feels like it was ad libbed for its interminable 71 minute run time. The effects are plenty tacky, but still have the power to thoroughly distress an audience.
If one really wants to see a serial killer epic based in some sort of reality, they're much better off watching or revisiting "Henry".
Three out of 10.
This is one of the more "famous" exploitation films of the new century. Too bad it sucks.
It's about a psychopath serial killer who is followed by his friend with a bad video camera, filming his every move. There is no plot - we just see Peter, the killer, roam around and act like a jerk and sometimes kill people.
The most shocking part of this movie is the first 15 minutes, when we see a girl who has been tied up and tortured. Her dead boyfriend is in a bathtub in the next room. It's a fairly effective use of gory special effects and a chilling example of the hidden lives of serial killers.
Once they leave their house for the first time, however, the movie falls apart. After that, they just turn into stereotypical frat boys who wander around and do immature pranks and annoy people. The script is stupid and unrealistic. I have never seen a movie go from disturbing to boring quicker than this one.
The acting is terrible. Peter, the main character, has a super annoying laugh that I guess is supposed to be psychotic, but just makes me want to turn the volume down. We never see the guy holding the video camera, which is good because he mostly just makes bad jokes and acts like he has low self-esteem. They are more believable as pathetic losers than hardened killers.
The lesson of this movie is that psychopaths are actually lonely frat boys who are desperate for friends.
It's about a psychopath serial killer who is followed by his friend with a bad video camera, filming his every move. There is no plot - we just see Peter, the killer, roam around and act like a jerk and sometimes kill people.
The most shocking part of this movie is the first 15 minutes, when we see a girl who has been tied up and tortured. Her dead boyfriend is in a bathtub in the next room. It's a fairly effective use of gory special effects and a chilling example of the hidden lives of serial killers.
Once they leave their house for the first time, however, the movie falls apart. After that, they just turn into stereotypical frat boys who wander around and do immature pranks and annoy people. The script is stupid and unrealistic. I have never seen a movie go from disturbing to boring quicker than this one.
The acting is terrible. Peter, the main character, has a super annoying laugh that I guess is supposed to be psychotic, but just makes me want to turn the volume down. We never see the guy holding the video camera, which is good because he mostly just makes bad jokes and acts like he has low self-esteem. They are more believable as pathetic losers than hardened killers.
The lesson of this movie is that psychopaths are actually lonely frat boys who are desperate for friends.
How to describe this film? Try the home invasion scene from Henry, directed by GG Allin and shot through the lens of the Blair Witch Project. In a word: nauseating. I came out of the experience feeling physically ill, although I'm not sure if that was down to the relentlessly sea-sick camera work or the scuzz-fest content. Probably both. I ended up watching big chunks of it on fast-forward because (despite the gross-out set-pieces) much of it was quite tedious. From what I've read about the film makers, they're serious about what they're doing and have a genuine passion for the horror genre. However, I struggled to find any real insight or anything remotely worthwhile in this film. At this stage in the game, I guess it's about pushing the envelope, and on that level this film maybe scores. On the other hand, I don't really care and life's too short.
OK, I heard about this series of films a while back, and read up on the director, the production company, what they have done since etc.etc. I don't really have a strong stomach for violence, but i do like to be shocked. And, to be honest, it took me a while to get round to picking this ( the trilogy ) up and preparing myself for what i'd heard was a pretty shocking ride. I was quite cautious putting it on, and expected to either turn it off or fast forward at some point. well, what a let down. Granted, it is pretty vicious, but not in a way that is going to disturb anyone, at least anyone of a reasonable disposition. I can only see anyone really enjoying this if they are using this purely as a means to fulfil some sort of need for pointless aggression, which is just what this film is, pointless. I have given it 3 stars, and that is purely down to some of the dialogue being, and i am sure many will disagree, quite witty, and i am sure it was not scripted at all. i can't believe there was a script involved in this full stop. Also, the apparent lack of motivation for any of the events in the film could be considered interesting if it were handled in a more professional fashion. I believe the director quotes 'Henry; as one of his prime influences, more precisely the home invasion scene. Well, that scene, and film in fact, is pretty shocking, and i'd recommend that over this a thousandfold. I can't quite work out what the director was aiming to achieve with this, because a certain connection with the situation, or characters, is required to engage the audience enough to care about what happens, and this just isn't the case. you don't care, you are just waiting for the next shocking thing to happen to see if it repulses you, and quite frankly it doesn't do that. I started to watch the sequel, which appears to have a far more sexual motivation, but had to stop due to having something better to do, and i don't think i'll bother watching the rest.
I don't think vogel is totally talentless. He can't direct, clearly can't script a film and his acting sucks ( there seems to be a pre-occupation with ridiculing victims because of their weight, when none are anywhere near as fat as he is, which is quite unfathomable ) but put him with a team of competent, talented film makers and i reckon you might get something really good out of him. Having said that, avoid this unless you really feel the need to watch it, i expect the reasons that most people would want to see it are because of the supposedly shocking and outrageous violence. Well, it isn't shocking, and neither is the sequel ( of what i have seen ), only a bit sad and misguided.
I don't think vogel is totally talentless. He can't direct, clearly can't script a film and his acting sucks ( there seems to be a pre-occupation with ridiculing victims because of their weight, when none are anywhere near as fat as he is, which is quite unfathomable ) but put him with a team of competent, talented film makers and i reckon you might get something really good out of him. Having said that, avoid this unless you really feel the need to watch it, i expect the reasons that most people would want to see it are because of the supposedly shocking and outrageous violence. Well, it isn't shocking, and neither is the sequel ( of what i have seen ), only a bit sad and misguided.
This camcorder tape cant even be classified horror, and would be an insult to the outstanding horror directors to have it labeled as such. It is the result of two very sick and twisted depraved examples of individuals who think they can be the next Blair Witch producers. Nothing is further from the truth. It is a fine basis for them being able to commit a heinous crime and be able to present a defense of INSANITY. It would appear similar to the result of two freaked out, doped up teenagers who would next think of attempting to simulate the Columbine incident. I have viewed most of the top listed horror or disgusting films and would not even consider this to be in the running. As I started my comments, this is not even a film. And I would not give it the satisfaction of being something worth rating. I listed it as 1/10 because that is the least one can to to proceed with their comments.
It don't even fall in the category of the Guinea Pig series. Those can be seen for what they are. This is nothing.
It don't even fall in the category of the Guinea Pig series. Those can be seen for what they are. This is nothing.
Did you know
- TriviaWhile traveling to Canada to attend a film festival in Toronto, director and co-writer Fred Vogel was arrested, pending charges of transporting obscene materials into Canada, when copies of August Underground and its sequel were found by customs officials among the merchandise he had intended to bring to the convention. The charges were eventually dropped, after Vogel had spent roughly ten hours in customs prison.
- Quotes
Killer: [while looking at statues of Biblical figures] You know what I don't understand? I don't understand, you know, like, in, y'know, in the Bible, and y'know, the stories that you hear, y'know, they're always upset, and weeping, and crying and stuff like that. These people just have a stoned look on their face. Get it?
Man behind the Camera: That was bad.
- ConnectionsFeatured in S&man (2006)
Details
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.33 : 1
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