August Underground

I am not sure this would be classified as a 'true' horror movie. Instead, the horror in this movie lies in the fact that it is something 'new'; the somewhat of a shock you get because everything is so unexpected. For example, you are afraid of bugs, they are ugly and disgusting – Now imagine this bug in a different form. Maybe it has a different color and makes weird noises. You will remember this bug because it is so different, and the difference from other bugs you are used to makes it even more disgusting. This is how I would describe this movie.

The two main protagonists seem to consider themselves to be at the top of the food chain; the world is their playground and the people in it are there solely to be used for entertainment. The protagonists do everything in a really nonchalant way, and regardless of how friendly others are towards them, they always see them as objects rather than people. This is the biggest reason why I raised my eyebrows, and questions like 'What are they doing, and why?' popped up in my head.

At first, I was not really sure I wanted to watch this movie, because of what people said about it and how extreme it is. In all honesty, the movie is not that brutal and chaotic as I expected. The pure violence portrayed in this movie is not as out of this world as someone might expect. We are so desensitized to this type of extreme violence nowadays that we get to see hammers, chainsaws and axes being used to chop off this and that even in mainstream Hollywood movies. It is not the visual violence that is disturbing in August Underground, but the concept of it and the atmosphere. It is more connected to the real world than in other movies, and the fact that this actually can happen (and probably has) in the real world, together with the previously mentioned attributes makes this movie quite unique and disturbing in a way we rarely see.

what exactly is the point of this movie?

I just watched a little of it, and at first I was obviously disgusted. It's not hard for me to believe people watch stuff this extreme, but I at least would like to know what the point is. It wasn't even entertaining or scary, just disgusting. The director might as well try making real snuff films. It's obviously his real passion. Another question would be why exactly there's a minimum of 10 lines to a comment. I hate reading long comments anyway. But anyway, I guess i see films like hostel and the saw movies and I thought that was extreme, and then there is underground stuff like this going on. Sooner or later there will end up being real victims in movies. I mean honestly where can they go from here? I guess we all do wanna see things that disgust us and scare us to some degree that cant be denied, but I mean how far are we willing to go?

This is one of the more "famous" exploitation films of the new century. Too bad it sucks.

It's about a psychopath serial killer who is followed by his friend with a bad video camera, filming his every move. There is no plot - we just see Peter, the killer, roam around and act like a jerk and sometimes kill people.

The most shocking part of this movie is the first 15 minutes, when we see a girl who has been tied up and tortured. Her dead boyfriend is in a bathtub in the next room. It's a fairly effective use of gory special effects and a chilling example of the hidden lives of serial killers.

Once they leave their house for the first time, however, the movie falls apart. After that, they just turn into stereotypical frat boys who wander around and do immature pranks and annoy people. The script is stupid and unrealistic. I have never seen a movie go from disturbing to boring quicker than this one.

The acting is terrible. Peter, the main character, has a super annoying laugh that I guess is supposed to be psychotic, but just makes me want to turn the volume down. We never see the guy holding the video camera, which is good because he mostly just makes bad jokes and acts like he has low self-esteem. They are more believable as pathetic losers than hardened killers.

The lesson of this movie is that psychopaths are actually lonely frat boys who are desperate for friends.

The "story" in this annoying little movie consists of home movies shot by one of two serial killers. The camera follows them around as they indulge in all manner of disgusting deeds, whether they're putting human victims through pure hell or just raising trouble in general. (For example, they act out inside a convenience store.)

Prefiguring the "torture porn" genre began by movies like "Saw" and "Hostel", "August Underground" works like a mash-up of "Henry: Portrait of a Serial Killer" and "The Blair Witch Project", except that it *really* ups the ante in terms of extreme human depravity, and that it lacks any sort of craftsmanship whatsoever. It may be one of the most disgusting movies that this viewer has ever seen. Its fans may argue for its sense of immediacy, or the fact that it's so vivid and so committed to portraying filth on film. But it's still impossible to want to spend time with the characters here. Apparently, the movie *does* have some sort of script, by Allen Peters and director Fred Vogel, but it feels like it was ad libbed for its interminable 71 minute run time. The effects are plenty tacky, but still have the power to thoroughly distress an audience.

If one really wants to see a serial killer epic based in some sort of reality, they're much better off watching or revisiting "Henry".

Three out of 10.

How to describe this film? Try the home invasion scene from Henry, directed by GG Allin and shot through the lens of the Blair Witch Project. In a word: nauseating. I came out of the experience feeling physically ill, although I'm not sure if that was down to the relentlessly sea-sick camera work or the scuzz-fest content. Probably both. I ended up watching big chunks of it on fast-forward because (despite the gross-out set-pieces) much of it was quite tedious. From what I've read about the film makers, they're serious about what they're doing and have a genuine passion for the horror genre. However, I struggled to find any real insight or anything remotely worthwhile in this film. At this stage in the game, I guess it's about pushing the envelope, and on that level this film maybe scores. On the other hand, I don't really care and life's too short.