La peau blanche

Thierry Richard and his roommate Henri Dieudonné pick up a couple of hookers at a bar. Thierry hears a disturbance from Henri's room and finds him fighting with the girl. She has cut Henri's neck with a knife and jumps out of the window naked into the streets. Thierry falls in love with redhead Claire Lefrançois despite his genetic prejudice. He becomes obsessed which disturbs Henri. It's revealed that she has cancer, her sister Marquise is the one who attacked Henri, and her family consumes the life from their victims.

It's a French-Canadian indie. The anti-redhead rant is interesting. It's a fascinating start with the action in the hotel room. Then it turns into a long tease. It's a bit slow in the middle. This is all slightly different from the normal Hollywood horror genre. It's very much appreciated but it isn't all compelling.

This was somewhat of a surprise. I read the synopsis, so I had an idea, but I didn't expect any quality whatsoever. That was a huge element of the surprise; the performance and story quality. The execution was a bit choppy, and the racial theme was a bit off putting, but all in all, this was very well done.

A grad student discovers his distant, overly-white girlfriend has a few secrets. Secrets her mother will do anything to destroy.

This features some decent performances, a relatively unique story line, and a half-decent score. The dubbing is horrid, but I suppose it's difficult to sync French with English. This is a drama rather than an actioner, and is more suspense with horror elements than outright horror, so remember that if you decide to give this one a viewing.

All in all? This was very well done, considering lack of budget, and carries an innovative story I found entertaining. Perhaps you will, too.

It rates a 6.7/10 from...

the Fiend :.

The title of this film doesn't give you a clue as to what it wants to tell. "White Skin" opens with a conversation between two friends, Thierry and Henri (yeah, those of you who know me will know that I am grinning at this - Arsenal's star player is called Thierry Henry, but no, it doesn't make any inference here), they're talking about being coloured (Henri is black, Theirry is white), and touch on racism.

This film doesn't pretend that it's not preaching about this topic, but at times when they talk about it, you can't seem to help but think the filmmakers are trying, though without success, to deliver some kind of message across. Peppered throughout the show are conversations that touch upon skin colour, race, "The Original Man", etc.

But looking at the theatrical poster, one might be fooled into thinking it's an out and out horror film about new vampires. It isn't.

For those who dove head-on into this film, it'll be kinda confusing at first, as the narrative at times doesn't seem to lead anywhere. The first 5 minutes shows the chums engaging with hookers, and all hell breaks loose when Henri is stabbed with a knife by one of the prostitutes. It is also within this 5 minutes that we learn of Thierry's dislike for brunettes (again, not that it is a major plot point or adds to the narrative). However, he finds himself being drawn towards a brunette called Claire in his University, whom he fist laid eyes on when she was busking at the underground metro.

They become bed buddies, and although Thierry wants more than sex in a relationship, Claire seemed to be satisfied with the state of things - kind of a role reversal here. She's hiding something from him, and it's not until the last third of the film that we realize what it is, and it's not cancer as originally thought. Sticking to my concept of reviewing, I shall not dwell into the plot from this point on, as it'll lead to major spoilers.

This show positions itself more as a thriller and not your outright horror show with ugly monsters, musical crescendos, loud bangs at right moments and blood splattering all over. We are left with wondering what the big secret is, but the slow pace of the film makes it quite a stretch in a theatre seat. Many subplots go undeveloped, or gets lagged as a red herring. Things go full circle when the chums get figuratively haunted by the prostitute who stabbed Henri.

This is recommended for one of those lazy weekends when you really got nothing else better to do. So set your expectations right, and don't expect too many memorable scenes from this movie, though it is compensated by a relatively good looking cast.

La peau blanche, "The White Skin" is adapted from a dark fantastical (not fantasy) novel by Joel Champetier, a Quebecois writer. Two roommates pick up prostitutes in a bar, one of them being a pale skinned redhead and once in their respective rooms, one of the friends gets savagely attacked by the redhead. Months afterwards, the other friend starts becoming strangely fascinated with a red-haired female musician even though he suffers from a long-time phobia of redheads.

This is a low-budget fantastical horror thriller (less than a million dollars) that relies more on story and characters than on special effects to get the viewer involved. I found the story engrossing and well told as the mystery progressively unfolds. The friendship of the roommates was credible and made them likable. I watched it in the original french so cannot comment on the English dubbing but the french dialogues sounded very true and good for modern Quebecois people. If you have stereotypes about Quebec and want to see an accurate and well-shot representation of urban Montreal in winter, rent this film. If there's one thing I found lacking, it was the chemistry between the roommate and the redhead musician. Their relationship is supposed to be not quite right, kinda weird, so it succeeds there but the fascination and "romantic" elements didn't come off strong enough. I would tend to put the blame on the actress playing the redhead musician. Emotionally-wise, especially the expression in her eyes, she was unfortunately lacking even when she wasn't supposed to be cold and distant.

It's a slow build-up after the initial attack but I didn't find it boring in the least. This is a quality dramatic thriller that's more intimate and mysterious than flashy and horrific (although there are a few shocking moments). It shows you don't need a huge budget to make a good genre film provided you have good writing and a talented director. Having read the book previously, I would even say that the adaptation doesn't pale compared to the book and even that the ending of the film is better.

Rating: 6 out of 10

I saw this back at the 2005 Palm Springs International Film Festival. It was one of the few late night screenings that they show on the weekend so I like going to late night movies and choose to attend this but I really didn't know much beforehand on what it was about. Had I a better idea of it's storyline and plot I probably would have skipped it but I'm glad that I didn't because it was actually a pretty good movie and I got into and went along for the ride. The film's Director/Producer/Writer Daniel Roby was on hand to introduce the film. This is not a big film but it has a good look to it and a modern take on an old storyline that works. Good casting in this movie. I would rate it a 7.5 out of a possible 10 and recommend it but not for everyone.