Le neuvième jour

This movie has been unduly panned by IMDb critics as being Catholic propaganda, when there is hardly any. It's actually an exploration of questions on faith and morality, viewed from the perspective of Rev. Henri Kremer, a priest who has been "on leave" from Dachau to convince the Bishop of Luxemburg to support Nazism, who has been a silent opponent all throughout. At one point the film even mentions that the Pope however congratulated Hitler on his birthday - that clearly indicates the acquiescence of the Catholic world - to me that's quite the opposite of propaganda.

**** SOME SPOILERS AHEAD **** The movie chronicles each of the 9 days that Rev. Kremer is allowed, and his conversations with Gestapo officer Gebhardt. When Kremer fails to convince the Bishop, he is persuaded to write a memo himself, given his own respectability due to his family status. In return he can have all the priests in Dachau released. Kremer at one point thinks he is being like Judas betraying the Christian cause (also to be noted that his personal cash upon release amounted to 30 marks), which Gebhardt, a former theology student himself, argues is a necessary evil, because without Judas there would be no martyrdom of Christ, and hence no Christianity. Rev. Kremer also learns that by giving Nazi policies the official blessing of Catholicism, he can be responsible for the deportation of thousands - although some 40 priests could be let go from Dachau. The resulting dilemma of Kremer dominates the movie.

Ulrich Matthes is very convincing in the role of Kremer with his sunken cheeks and eyes, and watch the young actor August Diehl in the role of Untersturmfuehrer Gebhardt.

After reading some of the reviews below, I could not resist the frustration and decided to register and express my own opinion on the subject. First of all, it is a great movie, very humanistic and powerful. It is a movie about inner human struggle, it has nothing to do with church propaganda or any other nonsense so cheaply expressed by some "commentators". Being myself raised and atheist (in the former Soviet Union), subsequently going through Christian transformation but eventually abandoning it and becoming a naturalistic pantheist, I found the movie extremely resonating and devoid of any propaganda at all. It is a story about life the way it was, about people cast into the horror of the state machine, powerless and nearly broken. You will see no heroics, no pretty faces, no romantic interludes, only the bleak atmosphere and a masterful portrayal of the events. The most persistent feeling the movie leaves inside is the torturous question "What character could I actually be had I lived back then?" – and the chilling realization of the answer – "anyone of them." I only hope that the History is not going to repeat itself the way it always persistently did over the past millennium.

Most people are "conditioned" with the false sense of Hollywood "reality" in movies, but the real life is very different and this movie provides a great example of it. It actually is a big plus that the language is German, it adds a lot to the authenticity of the feeling. I have no difficulties following the English subtitles, the dialogs are sparse and do not divert from the main flow (needless to say, my native language is Russian). Finally, the soundtrack is simply incredible. The morons who call it "weak" should check the credits at the end – the bulk of the sound uses Alfred Schnittke's symphonic works – a perfect ornament to the gloomy and hopeless flow.

If you are looking for a movie to entertain yourself, you are definitely in a wrong place. By if you are like me, looking for a movie to enhance your soul and understanding of the drama of our life, then it is definitely worth checking out. 10/10

In World War II, after a period living hell on earth in the concentration camp of Dachau with other catholic priests, Father Abbé Henri Kremer (Ulrich Matthes) gets a nine days leave to return to his home town for his mother's funeral. Along this period, the SS Gestapo lieutenant Gebhardt (August Diehl) tries to persuade Henri, who was born in silver-spoon and member of an influent Luxembourgian family, to convince the local bishop to give-up resisting to the Germans and write a letter to the Vatican in the name of the Catholic Church of Luxemburg convincing the Pope to support Hitler and the Nazi regime. The ambivalent Henri questions himself and the bishop what he shall do.

Based on a true story, "Der Neunte Tag" is an awesome movie and another impressive example of the powerful German cinema, of which I am a great fan. The philosophical duel between the characters of Ulrich Matthes and August Diehl is simply fantastic, with magnificent silence and dialogs. Sometimes, silence associated to the expression of the face is more significant than words. The direction is stunning and very realistic, particularly in the concentration camp; the music score and the cinematography are very beautiful; and the performances are perfect, with the two lead actors deserving nominations to the Oscar. My vote is nine.

Title (Brazil): "9o Dia" ("9th Day")

"The Ninth Day" is one of Volker Schlondorff's finest directorial feats. It covers an episode of the Nazi concentration Camp of Dachau in which there was a lesser known group of Catholic priests who were incarcerated and half of them exterminated by the oppressive regime that had enveloped Germany in the 30's and 40's during WW II. It particularly revolves around a priest from Luxemburg, Father Henri Kremer, who is released for a nine day period from the camp in order to develop positive relationships between the Bishop of Luxemburg and the Pope and Adolph Hitler's Nazi goals of extermination of specific groups of peoples. Ulrich Matthes plays Henri Kremer and he is very convincing in his strength of faith and love of family in his struggle to accomplish what he has been requested by the Gestapo to do. August Diehl is brilliant in his portrayal of Unterstumfuhrer Gebhardt, the demanding and ruthless Gestapo leader who degrades and tortures his victims to the nth degree. The cruel treatment and crucifixions of the priests is difficult to watch, yet this is a true recollection of events documented by the writer of the book by the same name. He was one of the few Catholic priest survivors of the camp. This film was released in 2004, and it is now on DVD and well worth the viewing for an historical standpoint with a different twist.

The basic idea of this film is rather interesting. There was a catholic priest from Luxembourg imprisoned in the concentration camp Dachau during the Second Word War. He wrote a diary describing daily camp life. But for 9 days he is allowed to get back to his family for the funeral of his mother. It is known that he is interrogated by the GESTAPO. But he does not tell anything about it in his diary. So the film fills the historic gap with some fiction. We are told the story of a young Nazi official who tries to convince the priest to get his bishop to stop his passive resistance. So far so good. Quite conceivable that this actually happened. But. The whole thing is just not believable. The dialogs are weak, so far as there are dialogs at all. Most of the time Uli Matthes, who is supposedly one of the best German actors, is silent. You just see his face with an expression that you can put anything into. That of course is impressive. But it is not acting. We are told that he is brilliant, but it is never shown. He just has switched uniforms. He recently played Goebbels in the Downfall. What I had expected was some real intellectual argument between the Nazi guy and a catholic intellectual. There is next to nothing of it. Some argument about Judas but it is never clear what this is supposed to proof. There is never a moment of doubt about the outcome of the "intellectual battle". And because of this the film is a failure. Very good music, though and some good scenes of the concentration camp life.