On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes l... Read allOn the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
- Awards
- 3 nominations total
- Mike Stempt
- (as Benjamin McKenzie)
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Al plays the role of a psychologist consultant for the police who is also a teacher of forensic psychology. The movie starts the day a serial killer who was convicted based on his testimony is about to executed. But it is a bad day for Al's character because there is new evidence that suggests he helped convict the wrong man. Oh, not only that, but he receives an anonymous phone call telling him he has 88 minutes to live.
Al Pacino plays a hardcore guy in most of his films, that is usually what makes them great. It seems like they tried to do the same thing with this movie and accomplished the opposite. His character is surrounded by bimbo 20-year-olds throwing themselves at him and guys with leather jackets for him to beat up. But it just ends up feeling like a desperate attempt to prove he "still has it." The only thing floating this movie is a gimmick for a plot (the whole 88 minutes to live thing) which sort of ends of being a subplot anyway. Al Pacino fans are going to hate me for saying all this until they see it for themselves.
The story is a bit extreme, but the pace really did help me not to question that (too much) in the final analysis. The character played by Al Pacino is unsympathetic even though he harbors a terrible past that haunts him. That changes as everything falls apart around him in just over an hour. His struggle to find a killer that he believes will kill him, as well as others, overshadows his obnoxious ego. Has he met his match? Does he have some moral issues that either way are going to be his downfall? It makes for a pretty interesting plot.
This isn't the best psychological thriller...but, it's respectable enough to warrant a solid 6 and that is due to Al Pacino largely.
Gripping, original action movie with Al Pacino desperately trying to find the means avoid to be murdered. Acceptable thriller full of intrigue and tense, this is a fast-paced, stylized action-suspense film. The tension of this picture keeps snowballing as the clock ticks ever close for continuous killings. The tale appears to unfold in real time as the many on cellular calls will verify. Most unusual is the device of having the victim play desperado and hunt the killer, and saving himself, as time runs out. The flick is well filmed in Seattle, Washington State and Vancouver ,British Columbia , Canada. Casting is frankly magnificent, Al Pacino as tormented psychiatrist, unsettling when approaches his last minutes of life, though Neal McDonough takes honors as a psychopath who attempts to turn the tables on the victims before Pacino can save them. Plus, a good secondary cast, such as William Forsythe, Deborah Kara Unger, and Stephen Moyer, among them. Adequate musical score accompanying the action by Ed Shearmur and inventively photographed by Denis Lenoir, both of whom share his skills in the following John Avnet's movie ¨Righteous kill¨ also with Al Pacino and Trilby Glover who again plays a defense attorney. The motion picture is regularly directed by John Avnet because of it contains some gaps and flaws. Avnet is a nice director who achieved his greatest success with ¨Fried green tomatoes¨ and ¨Up close and personal¨ and failures as ¨The war¨. He directed and produced some hits, though today also making TV movies as the excellent ¨The uprising ¨ and television episodes.
Let me start with the plot: typical race thriller. Personally involved strong character (usually a cop) is on the clock to solve some problem or else. No one helps him, sometimes they even stand in his way, while he battles the odds. In this particular version the hero is personally involved, but does not show it, the people around him try to help, but they are either completely incompetent or pushed away by the very person they are trying to help or (most of the time) Pacino's character doesn't even tell them he is in need of help. As for the time limit, it is an arbitrary time limit that he can completely ignore if he really wants to. And as for the strength of the thrill... I guessed the killer in the first 10 minutes of the film. And not just by looking at the cast or reading magical runes. It was blatantly obvious.
Then the acting. Everyone acts sub standard, but Al Pacino is the worse. He doesn't seem to care a bit about anything in the movie. He is supposed to be a rational FBI profiler that puts logic before his feelings, but he comes out as slightly bored by the badly written intricacies of the plot.
So, shame on people that use clichés and aging famous actors to win some easy money, but even more shame to people that can't even get a cliché right. Watch some movies first, then make others. Gee!
In '88 minutes' Al Pacino plays Dr. Jack Gramm, a forensic psychiatrist known for handling cases of serial killers. This time, a convicted psycopath is hours away from his death and raises doubts on Jack's veredict on him, claiming he's innocent, and Jack receives a call warning him he has 88 minutes to live.
In the first place, the initial scene is absolutely unnecessary and predisposed me into thinking the film was going to be a huge mistake, where Al would be behaving like a young man, which is kind of ridiculous at his age. But it wasn't so; it was an isolated scene.
The plot is well built, coherent, and there are no unbelievable facts in it. The atmosphere around the time fading until Jack's death is overwhelming; there isn't a moment in which the viewer won't be excited, waiting for the next move.
Al's acting isn't special; at times I felt like he was numb, sleep-walking, with no reactions whatsoever, but his acting does get better throughout the film, as the suspense gets more intense the interesting part is he does show that old energy from his classic films every now and then.
What really doesn't do it for me, actually, is that, lately it seems that, with very few exceptions, Al's characters not only have pretty much the same personality, but the same looks. He's always tan and wearing black, even in real life ! It sucks because to me, one of the greatest things about Al is his great capacity in characterization. He gets deep into every little detail in his parts, which is why each character looks and acts so different from one another. It seems like that's been lost lately.
Overall '88 minutes' is a good thriller, but I'd recommend it mostly for Pacino fans.
Did you know
- TriviaThe film runs in "real time" meaning that at the moment Jack Gramm is first told he has only 88 minutes to live, the remaining running time of the motion picture until the identity of the person who set Gramm up is exactly 88 minutes.
- GoofsWhen Jack reaches the 7th floor of the Stearns Bldg, he racks the slide on his pistol. But he had just fired a warning shot past the student's head a few minutes earlier, there was no need to cock the pistol. And when he does cock it, the slide locks back, indicating the pistol is now out of ammunition.
- Quotes
Shelly Barnes: Just don't ask me to marry you again.
Jack Gramm: Why not? We're perfect for each other.
Shelly Barnes: Yeah, yeah... except I'm a lesbian and you're a commitment-phobe.
Jack Gramm: That's why we're perfect.
- Alternate versionsThe movie ends with Professor Gramm speaking on the phone to Jon Foster and telling him that he's just got 12 hours to live, mimicking the menacing tone he's been given throughout the movie. Some copies of the film end there, while in some DVD versions, there is a scene afterwards in which Professor Gramm tells his class that Forster was killed via lethal injection.
- ConnectionsEdited into The Clock (2010)
- SoundtracksQuit Playing Games (With My Heart)
Written by Max Martin (ASCAP), Herbie Crichlow (as Herbert St. Clair Crichlow) (ASCAP)
Performed by Backstreet Boys
Published by Zomba Enterprises Inc. (ASCAP) / WB Music Corp. (ASCAP) obo Megasong Publishing
Courtesy of Jive Records
By Arrangement with Sony BMG Music Licensing
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- 88 minutos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $17,213,467
- Opening weekend US & Canada
- $6,957,216
- Apr 20, 2008
- Gross worldwide
- $32,593,385
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1