Tony Kleinman and his partner, former professional athlete Bernie Widman, co-host a television talk show in Philadelphia devoted primarily to sports and athletes of all disciplines.Tony Kleinman and his partner, former professional athlete Bernie Widman, co-host a television talk show in Philadelphia devoted primarily to sports and athletes of all disciplines.Tony Kleinman and his partner, former professional athlete Bernie Widman, co-host a television talk show in Philadelphia devoted primarily to sports and athletes of all disciplines.
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I have watched all the "Listen Up" episodes to date. It started, as most TV sitcoms, rather slowly, but now the cast have hit their stride. The teenage son, Mickey, played by Will Rothhaar, has gradually become a main character of the ensemble cast. Rothhaar is a gifted comedian with truly inspired deadpan delivery. He's on his way to becoming a Major Talent, someday! The show's episodes are now well-crafted plots acted out by cast members who are really "clicking" together. In one recent episode, Mickey dated a girlfriend who turned out to be into Civil War Reenactment; she took him to Gettysburg in full 1860's regalia, and when he walked into the room dressed as a Confederate soldier, I nearly fell out of my recliner laughing. The look on his face was perfect! The boyfriend who can't believe he's really doing this for his girlfriend. Every show is a gem, now. Watch "Listen Up!" regularly and you'll find yourself becoming a delighted fan.
This is by far the worst sitcom, since My Mother the Car. Jason Alexander is a fine actor, but his George Costanza routine does not work outside of Seinfeld. It's grating and more embarrassing than funny. I tried to give the show a chance, but after four shows I gave up on it. It gets old, seeing the same idiotic, unbelievable behavior show after show
This is the First Monday night CBS sitcom I have refused to watch in many years. With their tradition of excellent sitcoms, it's beyond comprehension why they put this clunker between such fine shows as Still Standing, Everybody Loves Raymond, and Two And a Half Men. I prayed that the show wouldn't make it past mid-season, but my prayers weren't answered. One can only hope that somebody at CBS comes to their senses, and realizes that there is absolutely no substance to the show, and that it is "not" entertaining.
This is the First Monday night CBS sitcom I have refused to watch in many years. With their tradition of excellent sitcoms, it's beyond comprehension why they put this clunker between such fine shows as Still Standing, Everybody Loves Raymond, and Two And a Half Men. I prayed that the show wouldn't make it past mid-season, but my prayers weren't answered. One can only hope that somebody at CBS comes to their senses, and realizes that there is absolutely no substance to the show, and that it is "not" entertaining.
I've spent some time reading the comments on this site about "Listen Up." The show, although doing well rating wise, does not appear to be a favorite amongst IMDb users.
I think the show is a decent show. There are some great lines (i.e. "I had no idea this little hair could produce this much debris") among others. The show has good jokes. But it does lack something. One thing I can say is that if someone were to tell me what the first two episodes were about I wouldn't be able to provide the answer. The first two episodes haven't really been about anything. The daughter bans her father from her soccer games in episode 1. In episode 2 she defies him and gets more earring holes. These are not story lines with which to base an entire episode on. There's little substance there. The show doesn't have any meaning. Yes, comedies are supposed to be funny and are not to be mistaken for films that are supposed to inspire or deliver some great message. But there needs to be something.
"Seinfeld" didn't really have meaning either but the jokes centered around the little quirky things we do in our lives. This helped us relate. It made us interested. One of the better sitcoms we've had over recent years has been "Frasier" (mostly in its early years) but one thing that "Frasier" managed to do was to blend jokes with substance. Many episodes featured a serious conversation between characters that put life into perspective and revealed some truth. "Listen Up" has yet to provide something for us to grab onto. Each episode needs a conflict - one that can provide some humor but at the same time be resolved in the end such that Tony Kleinman learns something.
As for Jason Alexander and his acting thus far I have to say he's done a fine job. The little things he does is what makes his performance great - His pump of the fist when his son tells him that he's reading a book of zip codes for instance. The only thing I could perhaps fault him for is going into his yell voice too often and always with the same tone. But for the most part I have enjoyed his performance.
Everyone seems to be talking about how he's acting like George Constanza from "Seinfeld" and I'd have to say that he is. But this isn't necessarily a bad thing. Actors aren't generally supposed to act like a million different things. Actors are selling themselves. A director looks for a certain look, a certain quality in the actor's voice, and checks to see if the actor can act. Jason Alexander is Jason Alexander and he's going to be himself when he performs. He was cast to be the character he has always been. He's not a character actor. He's not going to seem like an entirely different person with each show or movie he is in.
I think the show is a decent show. There are some great lines (i.e. "I had no idea this little hair could produce this much debris") among others. The show has good jokes. But it does lack something. One thing I can say is that if someone were to tell me what the first two episodes were about I wouldn't be able to provide the answer. The first two episodes haven't really been about anything. The daughter bans her father from her soccer games in episode 1. In episode 2 she defies him and gets more earring holes. These are not story lines with which to base an entire episode on. There's little substance there. The show doesn't have any meaning. Yes, comedies are supposed to be funny and are not to be mistaken for films that are supposed to inspire or deliver some great message. But there needs to be something.
"Seinfeld" didn't really have meaning either but the jokes centered around the little quirky things we do in our lives. This helped us relate. It made us interested. One of the better sitcoms we've had over recent years has been "Frasier" (mostly in its early years) but one thing that "Frasier" managed to do was to blend jokes with substance. Many episodes featured a serious conversation between characters that put life into perspective and revealed some truth. "Listen Up" has yet to provide something for us to grab onto. Each episode needs a conflict - one that can provide some humor but at the same time be resolved in the end such that Tony Kleinman learns something.
As for Jason Alexander and his acting thus far I have to say he's done a fine job. The little things he does is what makes his performance great - His pump of the fist when his son tells him that he's reading a book of zip codes for instance. The only thing I could perhaps fault him for is going into his yell voice too often and always with the same tone. But for the most part I have enjoyed his performance.
Everyone seems to be talking about how he's acting like George Constanza from "Seinfeld" and I'd have to say that he is. But this isn't necessarily a bad thing. Actors aren't generally supposed to act like a million different things. Actors are selling themselves. A director looks for a certain look, a certain quality in the actor's voice, and checks to see if the actor can act. Jason Alexander is Jason Alexander and he's going to be himself when he performs. He was cast to be the character he has always been. He's not a character actor. He's not going to seem like an entirely different person with each show or movie he is in.
Did you ever watch the very earliest episodes of Seinfeld back in 1990? I can remember seeing them when they were new, and thinking that the show was nothing to get excited about. It improved at an almost imperceptible rate, until I eventually realized I was watching something inspired. I think this show, too, has shown gradual improvement in the quality of its scripts and the interaction of its cast. The show is really built around its star, Jason Alexander, and as an old Seinfeld fan I have a lot of good will toward Alexander and am willing to give any project of his a fair chance. Is there a certain amount of George Costanza in the role of Tony Kleinman? Undoubtedly, but it's a shtick that I still enjoy.
You can't go far wrong with Malcolm-Jamal Warner, a seasoned sitcom veteran and just plain likable guy. The interaction between him and Alexander is fun to watch, and they make a good team.
I know almost nothing about sports, and absolutely nothing about Tony Kornheiser, so that element of the project means nothing to me. To me it's not important, anyway, because as an earlier commentator pointed out, the show isn't about sports in the slightest. Although every once in a while a sports figure is trotted on to add a bit of color to the show, these scenes are just brief distractions.
I will admit, though, that the very tired sitcom stereotype of "smart wife and kids, dumb dad" is a little grating at times, and I'd appreciate it if this formula was not quite so overstressed in the show. One kink in that formula, though, is Will Rothhaar as Tony's son Mickey. This character started out as a cipher because of the scant amount of lines and screen time accorded him (the earliest plots seemed to be dominated by the relationship between Tony and his fairly obnoxious daughter). But Rothhaar, a highly experienced young actor, seems to bring a much-needed element of calm and softness amidst the more grating personalities of the other characters. The delivery of his lines are never overdone in the slightest but always note-perfect, and always get a laugh out of me. He turns what could be a cartoonish stereotype of a simple-minded slacker kid into an interesting, likable, and funny character, and I get a big kick out of the scenes where he's intimidated by his harpy sister.
I hope this show is given a chance to continue to grow and improve. I like its progress.
You can't go far wrong with Malcolm-Jamal Warner, a seasoned sitcom veteran and just plain likable guy. The interaction between him and Alexander is fun to watch, and they make a good team.
I know almost nothing about sports, and absolutely nothing about Tony Kornheiser, so that element of the project means nothing to me. To me it's not important, anyway, because as an earlier commentator pointed out, the show isn't about sports in the slightest. Although every once in a while a sports figure is trotted on to add a bit of color to the show, these scenes are just brief distractions.
I will admit, though, that the very tired sitcom stereotype of "smart wife and kids, dumb dad" is a little grating at times, and I'd appreciate it if this formula was not quite so overstressed in the show. One kink in that formula, though, is Will Rothhaar as Tony's son Mickey. This character started out as a cipher because of the scant amount of lines and screen time accorded him (the earliest plots seemed to be dominated by the relationship between Tony and his fairly obnoxious daughter). But Rothhaar, a highly experienced young actor, seems to bring a much-needed element of calm and softness amidst the more grating personalities of the other characters. The delivery of his lines are never overdone in the slightest but always note-perfect, and always get a laugh out of me. He turns what could be a cartoonish stereotype of a simple-minded slacker kid into an interesting, likable, and funny character, and I get a big kick out of the scenes where he's intimidated by his harpy sister.
I hope this show is given a chance to continue to grow and improve. I like its progress.
I'm a sports guy and I watch ESPN rather regularly, including Kornheiser on PTI. I also was a HUGE Seinfeld fan. So naturally, I thought this would be a show worth watching. Boy, was I wrong. "Tony" is one of the most wimpiest characters ever created next to Screech from Saved by the Bell and Mark from Step by Step. His character and his relationship with his daughter really give parenting a bad name. This show pretty much follows the new age mantra of "don't punish your kids, listen to what they have to say" BS. In one episode, Tony punishes her daughter only to feel - you guessed it - bad about it. So he tries to find ways to reward her so he wouldn't have to go through with the punishment. My God!
It seems they are really only trying to develop two characters in this show, Tony and his daughter. The "son" has a handful of lines in each episode and is portrayed as semi-retarded or highly addicted to the wacky weed. The mother hardly says a word and seems overly passive towards her kids. If someone was walking down the street and saw this group of people together, they wouldn't think they were a family. The show hardly talks about sports (Gee, wouldn't you think that a show based on a sports writer would have something to do with sports). I give this show the rest of the season and then the Axe. Side note: The opening credits sequence....LAME. Feels like something out of the 80's.
It seems they are really only trying to develop two characters in this show, Tony and his daughter. The "son" has a handful of lines in each episode and is portrayed as semi-retarded or highly addicted to the wacky weed. The mother hardly says a word and seems overly passive towards her kids. If someone was walking down the street and saw this group of people together, they wouldn't think they were a family. The show hardly talks about sports (Gee, wouldn't you think that a show based on a sports writer would have something to do with sports). I give this show the rest of the season and then the Axe. Side note: The opening credits sequence....LAME. Feels like something out of the 80's.
Did you know
- TriviaMark Harmon had been in contention for the role of Tony, but he was deemed "way too good-looking" for the role. Tony Kornheiser, whose life was the basis of the show, was asked to read for the role, but the sportswriter turned down the offer, stating that he did not want to move to Los Angeles.
- Quotes
Tony Kleinman: [meeting former Seinfeld costar Wayne Knight] Boy, you look really farmiliar. Have we met somewhere?
Buddy: I can't imagine where.
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- Shut Up and Listen
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