Il tramite

'VERSO NORD' ('Without Conscience') is one of those unheralded Italian films that deal with controversial subjects while retaining a story of human compassion and love. It is a film with equal parts brutality and tenderness and the direction and writing (Stefano Reali) and cast that make it work exceedingly well.

Mauro (Maurizio Mattioli) is an emotionally needy and lonely middle-aged male nurse, working for a physician (whom he wishes to impress) who connects Mauro with a group of questionable types led by Gino (Claudio Bigali) dealing in the transport of undocumented children from Morocco and other countries to 'buyers/adoptive parents'. When Mauro meets the smarmy crew and the boy Eddi (Mohamed Ismail Bayed) is selected, he is joined by a strangely quiet, powerfully brutal fighter, but exceptionally handsome young man Rollo (Valerio Foglia Manzillo). Mauro is the guardian, the driver of his boss' Mercedes, and the verbal member of the unlikely trio as they begin their drive from Rome to the Swiss border. Rollo is mysterious, seems to react to stimuli in a Pavlovian way, gets in to fights and trouble from the start, but becomes increasingly devoted to the mute Eddi in the back seat.

Mauro and Rollo gradually form an alliance out of need and out of mutual growing love for Eddi and for each other. Mauro senses a feral quality in Rollo, realizes through his inappropriate behavior towards bar girls that he has never experienced intimacy, and finds a prostitute Elena (Ana Papadopulu) who not only fills the sexual void in Rollo's life but also begins to teach him the gentle quality of intimacy. But with her comes the baggage of criminal pimps who further hamper the safety of Mauro's delivery mission. The film develops into a chase film with the now quartet of Mauro, Rollo, Eddi, and Elena madly striving to reach the safety of the Swiss border and the reward of delivering Eddi to adoptive parents. The manner in which the movie ends is best left to the discovery of the individual viewer: the unlikely pairing of Mauro and Rollo serves as the nidus for one of the more beautiful friendships on film.

The acting is exceptional in this film: Maurizio Mattioli creates a gay character impossible not to love while the inordinately handsome and charismatic Valerio Foglia Manzillo brings a presence to the screen that promises an exciting career! Stefano Reali finds just the right balance between the always popular gangster atmosphere films and the intensely personal views of unexpected human love stories. The pacing is breathtaking, the cinematography is magnificent, and the message is timely and universal. In Italian, French, Bulgarian, etc and with English subtitles. Recommended. Grady Harp

I was all set to turn off the DVD just at the beginning due to the fact that it remind me of typical gangster movies "Italian style" and American ones too, but I stuck with it and I was so glad I did. First, I never heard of these actors, but talk about realism. Reminded me of some those great Italian movies of the 50's and 60's, and the stars of that era...Managni Mastronomi and De Sica. The actor playing Mauro was fantastic. If this was an American movie, he would be a shoo in for best actor award. He was some character. Another viewer here was commenting that this is not a 'homosexual' movie. I never got that impression at all when I rented it....just because you see a chest baring photo of one of the stars, makes you think that way? I could show a list of many actors doing the same pose....advertising their movies...Brando,Mature,Lancaster to name a few...and those movies were not a 'homosexual" movie. Sounds like someones disappointment. LOL And where did another reviewer mention that Mauro was a gay nurse male. Again, I must have missed something along the story line that indicated his character was gay. Was it taken for granted that he was a male nurse, so he has to be gay? Aside from that, this was a tough, provoking cinema. The girl was excellent too.