Les Cerfs-volants de Kaboul

Greetings again from the darkness. Based on the mega-best seller from author Khaled Hosseini, the film provides us a peak at the ugliness of post-Russia invaded Afghanistan and the terror of the Taliban. Director Marc Foster adds a gem to his resume, which already includes "Monster's Ball", "Finding Neverland" and "Stranger Than Fiction".

The story of young friends Amir and Hassan and the unknown bond they share into the next generation. This is a story of honor and courage and loyalty and is an unusual coming-of-age tale. Some great scenes of the boys when they are kids and then a couple of truly amazing scenes as Amir returns as an adult to find Hassan's imprisoned son.

This is tight, compelling story telling with a message. The acting is solid throughout, with no one actor stealing the screen. Although not a pleasant story to watch unfold, it is certainly meaningful and heart felt. Plus a quick shot of Midnight Oil playing in the pool hall is a welcome gift.

The Kite Runner was beautiful, poignant and very moving. I particularly loved the two child actors in the film as well as the actor portraying the father. It really made me want to go back and read the book again.

The music was a wonderful part of the fabric of the movie. If there is a soundtrack coming out for the film, I will buy it to accompany my second reading of the book. It is also a visually stunning film. The cinematography was gorgeous and really added to experience.

The Brazilian word 'saudades' is very descriptive of how I felt at the end of the film..."it is a deep feeling of longing for someone or someplace, which is very sweet but also tinged with an inescapable sadness" (definition provided years ago by Antonio Carlos Jobim).

Saw it at a small cinema here for an advance screening. I would love to see it again on a really large screen with a tricked out sound system.

Can't wait for the formal release. I will definitely recommend the film to friends.

I know that to include everything in the book, the film would have to have been several hours long, so I think they did their best to include things that were crucial and pivotal to the story. I thought the casting was great, the children who played Amir and Hassan were very good actors. And the guy who played Amir as an adult was great! The scenes between him and Baba were especially touching. I thought the locations they used were interesting... scenes set in Afghanistan were shot in China, and one scene that took place in Fremont, CA (the graduation scene) was actually shot on Treasure Island in San Francisco. I worked one day as an extra on "Kite Runner" and it was that day, the day they shot the graduation scene. We reported to Treasure Island in the morning, they checked everyone's wardrobe to make sure it looked like the late 80s, an then we took our places in the audience. They shot the scene over and over again until they were happy with it. It was cool to see the actors up close and also to see the book's author, who was on hand as a story consultant. I thought this book was excellent and I recommend both the book and the movie to anyone. This is a moving story about friendship, love, guilt and eventual redemption. "There is a way to be good again."

I have read both the book and saw the movie today. The storyline is so powerful that almost any script or screenplay would have done justice to it. So nothing much there. However, this is still a beautiful movie because it makes one think and feel, just like the book. Watching it is not like watching a documentary on a failed state and feeling sympathetic towards people suffering under an oppressive regime, but is like watching any other common man's story unfold, across generations, across continents. Amir's cowardice, his guilt, his dilemmas and finally his choosing a way of redemption could have been a story of any of us. There isn't a single infallible character to look up to and idolize but all of them are gray, just like all of us.

Another important observation is that the movie does a great job of chronicling the lives of Afghans through the twenty some years of turbulent political scenarios. The vibrant, care-free childhood represents Kabul before the Russian invasion and the desolate, shattered remains of the city echo what the Taliban has done to it.

The child actors deserve 'thumbs up' all the way. They can put any matured actor to shame.

If you have not yet seen the movie or read the book, just walk into the theater keeping in mind that you are going to witness a multi-layered story woven on a multi-colored fabric of human emotions and sentiments. This movie is not meant to stir anti-Soviet and anti-Taliban feelings but to feel the trials of human existence.

I read some of the external reviews linked to the site and I must confess I do not see the point in writing reviews that summarize the storyline like a distant spectator and point out technical details about amazing cinematography or something similar. At least for this movie, one should try to connect to it rather than judging it objectively.

After seeing the prosthetic legs dropping from the sky by parachute in Kandahar (2001), one of the most memorable images in all of cinema, I wondered why there weren't more stories coming out of such a tumultuous country, tied to Americans forever by 9/11. And now I think I know why.

Such a beautifully-wrought adaptation of the wildly-popular novel of the same name, The Kite Runner is a model of fine film-making in almost all respects except one: It's too pat. So maybe Charlie Wilson's War will show me that films about Afghanistan will not revolve around formulae and clichés.

The redemption of the protagonist, Amir (Khalid Abdalla), has been told forever in literature and film, just not in Afghanistan. So no matter how tear-jerking the film may be, it is still a story told many times of a man who commits an egregious sin as a child but redeems himself in the end with an act of courage. Meanwhile, director Marc Forster and screenwriter David Beniof lace the film with the major motif, kite running, to such an ingenious extent that it not only ties in the hero's youth with his maturity, it also provides a figurative way of showing the desolation and hope of the country mixed of course with contradictory elements such as cutting string and blessed artificial legs.

Thus the film as metaphor is a success in showing the dismal past of a struggling country and its hopeful future. The cinematic images also emphasize this duality: The vistas with snow capped mountains and endless plains deflect the vision of a barren land where trees that manage to grow have been cut down by invaders, in this case 1979 Russia. The titular activity flourishes in large part because the arid, stony land offers few other possibilities. When the land is revisited in 2000, the limited country seems almost completely bereft of color and resources, a gray prison that parades adulterers to be stoned in the soccer stadium and little boys abused by an out-of-control Taliban.

But true to the formula, Amir has a second chance. I hope Afghanistan shares a similar fate.