Dead Man's Shoes

As powerful a film as ever. This one is a builder, so if you're not convinced by the beginning, the chances are you will be by the end.

Perhaps the type of revenge film that append more to the British public than the U.S, as I remember reviews from there, cladding this as a slasher and it certainly isn't that.

There are dark humour moments, but this really is about the past catching up.

Both Paddy Considine and Toby Kebbel were excellent and the considine/meadows collaboration was a match we'll made.

I was already a huge fan of Meadows' work (A Room for Romeo Brass, 24/7) before going to watch this film and had extremely high hopes for it. Another reviewer hit the nail on the head when he said he was manipulated from the off with deep anxiety and anticipation. It recently came out to rent on DVD and I must have watched it about six or seven times now and loved every viewing and there are very few films that I can say that about. It is superb, if you have not seen it, don't read on, just go and watch it. It is obviously not technically the best film of all time, but I don't care what anyone says, it has become my second favourite film ever made, its that good. My reasons for loving it are probably very personal, so excuse my if you think I'm overrating it. I showed it to my mates though and they all loved it.

SPOILERS AHOY Its a dark, yes very dark film, but Meadows has a knack of using humour to ensure his work is never miserable or too depressing. The scene where Sonny accidentally shoots his mate in the head with a sniper rifle is gloriously farcical. I even had to chuckle during the scene where Richard shows Herbie the mangled body of Tuff because of Paddys fantastic acting- 'D'ya wanna give 'im kiss?', 'D'ya want me t' shut it? yeah', unbelievable. The drug scenes are some of the most realistic I've ever scene; whoever suggests they aren't needs to go out and drop some trips and say that again.

Just like all his films (except Once Upon A Time In The Midlands), the soundtrack is spot on. Perfect songs used with impeccable timing create a distinct, moody atmosphere. All the acting is fantastic (even the little kids at the end) the improvisation works a treat and you genuinely feel as if you know these characters, or have met them somewhere before.

I feel sorry for anyone who didn't like this film, you really are missing out. There's a few small continuity mistakes, but I only noticed them after watching it a few times and you've got to be a miserable git to let that spoil the experience. Shane and Paddy (if you're reading this), you are the best thing to happen to the British film industry since Loach, forget cockney gangsters. I can't wait for 'Le Donk'. 'thtweet boys and girth'. 11 out of 10 from me.

Dead Man's Shoes has been compared to Get Carter by critics, which while a good comparison, Dead Man's Shoes is a different breed of revenge film.

Naturlism is the order of the day, a common feature in Shane Meadows' films (A Room For Romeo Brass, 24/7) where Richard, an ex-marine, returns to his home town to exact revenge on the petty drug dealers that abused his retarded brother. Far more than your average revenge movie, Considine elevates it into a terrifying area, electrifying every frame he is in. You will laugh at the drug dealer's talk of porn and "al fresco" - but the minute Considine enters, the laughter stops. Totally believable, and the drug dealers (Gary Stretch and others) are fantastic support too.

The story is not as developed as I hoped it would've been, sometimes creating frustrating anti-climaxes here and there, but this is only a minor problem. The killings are well thought out, scary and well paced throughout. The plot, although simple (initially) does become a more twisted prospect towards the end - so it is a highly rewarding movie. Being only 86 minutes long helps a lot too, as the movie runs at a brisk pace, just right for it's genre.

Along with Get Carter, this is one of the best revenge films, and one of the best thrillers to come out of the U.K. The cinematography is bluntly physical and realistic, the music well implemented and the acting spot on. To add variety, the movie adds dark humour to create a great film. People who are expecting a blood-fuelled rampage of retribution ala Kill Bill will be disappointed. Dead Man's Shoes is an expertly delivered thriller, with subtle tension and great performances.

Well worth a watch.

8/10

On paper I can see the argument that there is little morally redemptive quality to a film like Dead Man's Shoes, no diamond polished by the end credits to reward an audience going through the trauma. But to actually sit through the film, and most importantly, to be subjected to another of Paddy Consadines' electric performances, is an extra-ordinarily vital, if viceral experience.

In 'A Room for Romeo Brass' Considines character shifted from comical to threatening in a truly unsettling way, although in the end his promise 'to go dark on you' is easily thwarted by the decisive action and confidence of a father-figure. In this film, again, there is some uncertainty on the audience's part as to how far the character will go, as until the end, we are uncertain of exactly what he is revenging.

Rest-assured, Considine delivers an absolutely convincing depiction of a man struggling to balance his desire for revenge and redemption, he invokes sympathy and fear from the audience in a performance to rival DeNiro in 'Taxi Driver'.

I judge a film on the value of the experience it gives you, and 'Dead Man's Shoes is more than worthy of your time.

'Dead Man's Shoes (2004)' might just be one of the bleakest films I've ever seen, a near-nihilistic revenge story in which there are no real heroes and violence begets no satisfaction. It really is grim, putting Paddy Considine's angry ex-army-man on a path of no return and painting him as just as much a monster as the thugs he's after. A large part of this is due to the fact that lots of screen-time is given to the no-good, small-time gangsters who find themselves hunted by the protagonist. Even though they're nowhere near likeable - or, even, empathetic - you can't help but identify with their sheer terror as they're picked off one by one in an unrelenting, merciless fashion. The violence of the movie truly is shocking, yet never overly gratuitous. It's frank, ferocious and, sometimes, difficult to stomach. It's also never glamorised, even if it is focused on somewhat. The effect of the picture is palpable. It isn't enjoyable, per se, but it's compelling and challenging. Without offering so much as a sliver of hope, the piece pulls you into its seedy world of wrongdoing and revenge and doesn't let you out until it's well and truly finished with you. 7/10