Jarhead: La Fin de l'innocence

I was reluctant to see this movie. As a veteran of Desert Shield/Storm, I spent my first 90 days in-theater in the Weapons Co of A Swofford's Battalion. I later was moved to the 1st Bn of 7th Marines, but having been in the same unit for some of the same time I felt I could offer readers a unique perspective on the film's accuracy.

From a purely aesthetic perspective I thought the film was well done. The acting was very good, and the script was well written, witty, and accurate. The actors were well suited to their roles. My personal preference for a good plot would have been disappointed were it not for my personal interest in the film. In my opinion this film is an outstanding dramatic-documentary, so adjust your expectations accordingly. If you are expecting a driving plot line and all the accompanying dramatic tension, then I think you will be disappointed (as many whose comments I heard exiting the theater certainly were). But if you think of it as a chance to take a glimpse into a point in history, and see it as some of those who lived it did, then I think you will be impressed.

Many people may think that the obscenity of some of the interactions was overdone for effect. But whatever anyone's personal judgment of that behavior, that is the closest portrayal of Marines (or soldiers) being themselves I have yet seen on screen. Marines are vulgar. They do watch porn. They do fight among themselves. They do both hate, and love, the Marine Corps. There is an omni-present anti-war conspiracy theorist. The do say ridiculous things. There are some who are over the line. The reality of the Marine Infantry is that things happen there every day that are well beyond conventional sensibility, and which strain credibility to the average civilian. It's all true. I love the Marine Corps and I am still serving - I don't have an axe to grind. It just happens to be true.

Are there parts of the film that I find incredible? Yes. But they are not the essential things. There is a scene, it's even in the trailer, in which everyone is firing their weapon into the air. I wasn't there, but I can't fathom a breach of discipline on that scale. I can't say it's impossible, but I am doubtful. But whether it's true or not is not important. At its essence this is a film about Marines, how they adjusted to the Marine Corps, each other, and a war. If there are a few incredible details, then we can just be grateful that Hollywood didn't impose a car-chase on us.

This is a film about Marines. At that time, there were very few who turned down scholarships to Ivy League schools to come in. We were from strange backgrounds. We were obscene. We did want to get our kills. Many of us were frustrated that our war was only 100 hrs long. We knew we were filling the footsteps of giants - the Marines of Iwo, The Chosin, Belleau Wood - and I think we all wanted a chance to earn a place next to those men. In our wild, adrenalized youth, those aspirations just took the crude form of looking for a kill. Or at least that's how I've put it in perspective 15 years later.

If you go and see this film, try to recall yourself at 18 (as I was). Suspend your judgment of the obscenity and vulgarity until you're sure you would've done it differently. I can't speak for Swofford, but I am still incredibly proud of my service there. The insanity of this film reminds me why: because it is characteristic of the immense hardship that our youth bears on behalf of the rest. Do the characters look stressed? It's not hyperbole. We were 18 and we thought we were going to die over there. Still, at H-Hour, everyone marched North. In my opinion, you better fill some big shoes before you judge that.

So don't go into this film champing at the bit to pigeon-hole it as "Anti" or "Pro" war, with all the pre-fab rhetoric that comes with such a judgment. You have an opportunity here to look back into our little moment in history. Swofford has invited you into our memories. They are not Right, and they are not Left, they are just our story as Swofford lived it. If that kind of thing interests you, then go and see this movie.

"Every war is different," says Anthony Swofford as the movie "Jarhead" comes to a close. "Every war is the same." Looking back on his experience, he sees that the first Gulf War and the Marine Corps have become ineradicable parts of who he is: "Every jar-head is me." The screen shimmers and shifts into a scene of a desert patrol dwarfed by distance and hazed by heat waves. "We are still in the desert," he says. The screen darkens. The credits begin to roll.

A critic once observed that audiences emerge from a comedy talking animatedly with one another, but after a tragedy they come forth subdued and solitary, each absorbed by his or her own thoughts.

"Jarhead" is not a tragedy but a tragic coming-of-age story. As in "The Last Picture Show," a young man discovers what a cruel, destructive business life can be. Swofford emerges from a war that has consisted of a long, maddening wait followed by a hard march through the surreal aftermath of battles already won by jets dropping smart bombs, toward a horizon blackened by Saddam's burning oil wells. He returns home to find that his girlfriend has left him for another man. His best friend, who suffered with him through the combat that never came, dies as a civilian, possibly a suicide, as he was thrown out of the Corps with a dishonorable discharge.

Subdued and solitary, I waited outside the theater for my wife.

"So, what did you think?" I asked her when she came out. "Definitely not a John Wayne movie," she said. "No," I responded, reminded of Clint Eastwood sharing a victory cigar with a young Marine beneath an American flag raised atop a hill in Grenada in "Heartbreak Ridge."

"It wasn't as dark as the book," I said. "In the book," she replied, "you couldn't see Swofford's smile."

Jake Gyllenhaal does display an engaging, youthful grin in the early part of the movie. He plays the twenty-year-old Swoff very well. And Jamie Foxx does Sgt. Sykes brilliantly. Against the backdrop of a night made at once hellish and spectacular by blazing oil wells, the Sergeant tells Swoff that he (Sykes) could have joined his brother and had a nice safe job stateside, but with no chance to see such sights as this. "I love this job," he says. "I thank God for every day he gives me in the Corps. Oorah... You know what I mean, Swoff?" Foxx's delivery is flat, point blank, neither sarcastic nor enthusiastic. He is an exhausted soldier giving himself a pep talk he scarcely believes in any longer. Get out your Oscar Nomination forms.

At dinner we tried to recall what was book and what was movie. I did not remember the scene in which the soldiers are interviewed by a TV journalist from the book, but from Kubrick's "Full Metal Jacket." From "Full Metal Jacket" also, I believe, came the bizarre business of a soldier's sardonically making a corpse his buddy. The war-is-surreal-hell moral of the movie reminded me of Coppola's "Apocalypse Now" - a film the young jar-heads watch with sexual intensity in Mendez's movie. But the scene in which the soldiers sit down to enjoy a home movie one Marine's wife has made - of herself being humped by their next door neighbor - that, we all agreed, was in the book.

I remember when "Battle Cry" came out in 1955. Unlike the Boy-Scout-clean soldiers of most WW II movies of that era, these Marines said Hell and Damn. And one of them actually shot the finger at some troops riding past - What a shocker!

A Jacksonville, NC Daily News reporter interviewed several Marines from the local base who saw the movie. Excerpt:

Their reviews seemed to be positive, especially concerning the portrayal of the relationship between Marines and how deployments and war are mostly about sitting around and waiting.

"I thought it was good," said Lance Cpl. Richard Usher, 19, from Tampa, Fla. "From what I know, it's accurate. They did say 'Oorah' way too much."

Lance Cpl. Josh Rader, 29, of Georgia, said he thought the movie was one of the more accurate portrayals of the Marine Corps, with the only more accurate movie being Stanley Kubrick's "Full Metal Jacket."

"A lot of the training, they dramatize it more," Rader said. "I'd say it's probably more accurate."

Lance Cpl. Adam Blades, 20, with 1st Battalion, 2nd Marines, agreed, but took exception to the actors' ages.

"The actors were a little old," he said. "The majority of guys going over there are like 18 and 19. But it was pretty cool. As accurate as I've seen." +++

Just saw an advanced screening of this tonight. While it isn't the film that has been so brilliantly advertised, it's a very solid film. It feels a lot like "Full Metal Jacket" early on, but with more humor. Then, it becomes an entirely new animal. More of a psychological study. I would actually call this the "Blair Witch Project" of war films in that you (and the characters) know the Boogeyman's "out there," you're just waiting for him to strike. And the longer you wait, the more stir-crazy you become within your own mind.

The acting is superb and the cinematography is stellar. It's an anti-war film without being distinctly liberal about it. It's a true story, and for the most part, Mendes tells it like it is. So, you can make your own judgment about it. But based off what you see, and all that happens, you have no choice but see the absurdity, not only in war, but perhaps in some of the USMC's tactics as well. It's heartbreaking to see what an experience like this can do to young men.

If you're looking for action, this is not the film you're looking for. No heroism, judgments, insight, or hope. Just the documentation and reflection of build up, the destruction of lives, psychological torment, boredom, camaraderie, and...waiting.

The old war movies are so simple. Our heroes are eventually going to meet that adversary and finish the issue. This is a film about the boredom, the alienation, the disconnectedness that takes place in wartime. The men in this film are hung out to dry in the desert. Remember the first gulf war was fought mostly with high tech weapons and bombing runs. Of course, there were ground casualties and close fighting in some places, but this film is more about the tension that develops when those with their fingers on the triggers are made to stand down. I think the most gripping part of the film is when the oil fields are burning a and sludgy rain of oil ash and black particles rain from the sky. These guys suffocate on this. It's like a plague from the Bible. All they can do is trudge through it. There is much more to this film, but the bottom line is what the heck is the enemy and what do we poor soldiers have to do to confront it? The answer in this case is to wait and see.

As someone who is in the military, I thought this movie was perfect. If you are looking for a message about war or politics you won't find it here. This movie is strictly a story told by the main character about his time serving in the Marine Corps and his tour in the Gulf. It is true to life. From the language, situations, to the way the characters interact, the film is right on with accuracy.

The film is shot with striking cinematography. Scenes in the desert, especially with the oil fires, are breathtaking. The shots are done perfectly and originally throughout while the score and soundtrack takes it to a powerful emotional level.

The film will receive bad reviews from a political standpoint. I read a couple before I saw the movie that all stated they didn't like the movie because it had no message or stance. To that I say good. It was refreshing to see a movie as a movie. I was glad that it was just a story, and there wasn't any motivation underneath it. That's not to say that the movie is one dimensional. There are many undertones, just none of which are attempting to reassert or defame the current war in the East.

See this film if you want to see a humorous, sad, psychotic, intense, and most importantly REAL story.