Dreamland

With echoes of Allison Ander's "Gas, Food, Lodging", "Dreamland" tells a believable and engaging coming of age tale through the eyes of Audrey, a recent high school graduate caught at a personal crossroads. She lives in the ironically titled trailer park in the middle of the desert called Dreamland, which acts as a place to dream of something more, but few hold the hope required to get anywhere else. It's a stunning work with a muted visual canvas, showing images that evoke the desolation and abandonment the characters feel. Agnes Bruckner, who gave a stand-out performance in the little seen gem "Blue Car", again shows true skill as she keeps her highly conflicted character from becoming maudlin.

This film premiered at Sundance.

It is a beautifully photographed, sensitively presented, leisurely paced drama set in "Dreamland", a trailer park in New Mexico. Unlike most coming-of-age stories that focus on young males, this is one that centers on an 18-year old female. The main character, Audrey (Agnes Bruckner), is a recent high-school graduate who gets involved in a love triangle that includes her ailing best friend, Calista (Kelli Garner), and Mookie (Justin Long), a newcomer to Dreamland.

John Corbett's nuanced portrayal of Audrey's concerned but agoraphobic father is the best film acting he's done yet. The young actors all have good screen presences and create believable characters.

Although the main audience for this movie may be teen-aged girls, it may also be appealing to young men (Audrey and Calista look quite fetching as they hang out in a hot tub). The film may provide valuable insights to anyone who deals with teens and their issues--and it may strike an emotional chord with adults who went through loyalty or love-triangle issues when they were teens.

I saw it again at the Gen Art Film festival in NYC last night, and appreciated it even more the second time around. Most of the people in the audience (an almost full house at the Ziegfeld Theater) seemed to respond to it favorably, and the overall "buzz" sounded enthusiastic to me.

This is one of those movies that chills the heat out of your bones. It depicts a world in which white trash circles within its own boundaries and can't seem to escape from it. It's a movie about feelings and how to handle them in your daily business. Two young girls seem to be stuck in a provisionary trailer park called "Dreamland", those two girls only have themselves to cling to until a new family moves in, one of the new members is a college boy that aims at being a star at pro-basketball at a the local club. He's just a jerk with little prospects but he impresses both girls and hooks up with the one who has MS and is due to die soon. Maybe it's his compassion, that is not clear, she's the most beautiful of the two (not to my opinion), well if you like big breasts then maybe. However, the relation those two girls had, after the boy arrived deteriorates; for the girl with MS spends all of her time on him (who doesn't recognize that?) so the two girls don't have these long hours together reminiscing about their future anymore. But it's about more than that, it's about loyalty, caring for the ones next to you without consent, longing for an escape to break the inevitable circle of life. Despite some cheap scenes this movie is a desolate cry for help to the humans next to you, a solemn oath to the ones closest to you.

This is a compelling, evocative coming of age story that has uniformly terrific performances and expert cinematography. The film invites and earns comparison with indie landmarks like GAS FOOD LODGING and RUBY IN PARADISE but is far more than a mere imitation. The stunning photography eschews the grainy, hand-held look of many independent films in favor of a classical expressionism that beautifully conveys the emotions at the story's core. Those emotions are in turn beautifully portrayed by a flawless cast that is given solid support by an unusually strong score and collection of source songs. For viewers looking for a solid character-based dramedy, this is a must see.

This is cliché-ridden nonsense not worth the time of day. Why even bother making a movie when the story is almost non-existent and the characters are thin retreads from a thousand other films? What on earth convinced a fine performer like Gina Gershon to take such a tiny, nothing role? Why on earth would the filmmakers hire a short and petite actor like Justin Long in the role of a potentially hot college basketball prospect? And how could the director not realize that exposing Kelli Garner's enormous chest in bikinis and plunging necklines would take attention away from everything else in her scenes? Regardless, nothing could cure this film from its essential ailment of triteness. C'mon, a coming-of-age love triangle? The intertwining lives of struggling dreamers in a small community? Ugh, Sundance/IFC Storyline Class 101. In fact, a small town young-people-in-love-triangle is as old as silent movies. Even getting past that, the filmmakers don't even have enough courage to make the characters tougher. They're all so soft, especially Corbett as the disconsolate alcoholic father. He's supposed to be such a handful that Agnes Bruckner's character feels the need to take care of him rather than go off to college, but he's such a mild drunk (no wild jags, no barking at the moon, no violence, no buried in his own vomit, etc.) and written without any clinging neediness for his daughter, that we never get any sense that he needs her around as his keeper. And when Garner needs watching over later in the film, Corbett drops the emotional burnout routine in thirty seconds flat and comes to her aid with barely a ripple of personal struggle. We also simply get told that Bruckner is brilliant and in demand as a potential college student with acceptances pouring in the mail, even though she lives out in the middle of nowhere in a trailer park. And with Long going back to college and Bruckner's nerdy work buddy going off to college, it seems Dreamland could create its own fraternity. Then there's poor Kelli Garner stuck with the cliché "sick-girl" role straight out of the Hallmark Channel (although there's no Sally Field-type mom/aunt rubbing her forehead). Sure she's got MS, and is supposed to be doomed, and even gets to be in the climactic accident, but she's filmed in swimwear and other revealing outfits and never looks less than quite healthy and voluptuous. And she gets to fool around with various absurd gimmicks to relieve her MS, including bee swarms and clutching live power lines. It's such nonsense that I half expected the filmmakers to take it to its ultimate combination at the finish -- by having Garner clutch a power line while in the middle of a bee swarm while wearing a bikini (and maybe a tin foil hat, too). Wait, perhaps I'm all wrong: could this film just be a bad joke played on the audience? You can only hope.