Checking Out

The timing of this film being released could not be better, particularly in light of all the turmoil in this world today. The film is a heartwarming, endearing and witty a piece. If you have siblings and still have parents alive, this will hit home well for the viewer. If you've lost your parents, then it will touch you deeply. The laughs come frequently, the ensemble cast works very well together and are believable. This film is intelligently written and the lines that come from each of the actors make the viewer laugh out loud frequently. There are moments that will bring tears to your eyes as well. I would recommend this film to anyone who respects the importantce of family and can follow an intelligent film.

'Checking Out' is an extraordinary film that towers above most film production. Its refreshing, witty humor is never an excuse to remain superficial. To the contrary, the film explores multifarious facets of the human spirit and human relations. Its warm approach promotes tolerance and acceptance of diversity and recognition of that which unites all people. The characters are charming and amusing, reflecting those idiosyncrasies that we can all laugh about in ourselves. The quick dialog and witty banter will keep you on your toes, and you may find yourself trying to contain your own laughter, as you won't want to miss a single phrase! You'll probably want to see it in the cinema and then again (over several more times) on video, and each time you will discover something new. After each viewing, you are sure to feel warm and uplifted.

This wonderfully witty comedy-drama wowed the crowd at the Philadelphia Film Festival, whipping them into wild applause at its conclusion. Buttressed by adept performances by a nuanced cast, sturdy execution by director Jeff Hare, a brisk pace, and one of Peter Falk's best performances in years, the film emerges as a loving homage to the highs and woes of family life.

Falk excels as Jewish ninetysomething Morris Applebaum, a wildly eccentric Shakespearean thespian who decides to end his life, but not before rounding up his three grown children and throwing a "big fat Jewish suicide party." The film brims with indelible delights. There's Morris's "tushy room"; Laura San Giacomo's passionate rendering of Morris's cynical daughter; rapid-fire comedic dialogue that recalls the work of Neil Simon and Woody Allen; the wry timing of David Paymer, who plays Morris's tightly wound psychotherapist son; and Morris's patented egg creams (but be careful, drinking them too fast will cause a nasty brain freeze). It's all enveloped in a feel-good, intimate atmosphere set in New York City.

Director Jeff Hare proves to be a master craftsman, drawing out memorable performances from his cast and lending the film a mirthful humanity. I was fortunate to see an earlier film by Hare: the dark and powerful "Perfect Little Man," starring Neal McDonough ("Minority Report") as a Los Angeles man spiraling into madness. The visceral grit of "Perfect" and the nostalgic breeze of "Checking Out" are a testament to Hare's eclecticism and wide-ranging talent. I'm looking forward to checking out his future work.

I heard "Checking Out" lacks a distributor at this point. Some wise company would do well to pick up this crowd-pleasing gem, for it's a potential box-office titan in the vein of "My Big Fat Greek Wedding." Most nobly, it would give people around the world a chance to experience the joys of this movie.

I was fortunate enough to catch this film at the Phoenix Film Festival and I must say that I very much enjoyed it. When I asked the Director if he had attended Film School I was very much impressed that he had not. Films like these don't come from people without talent. To get a start in commercials and then produce a heart felt family comedy like this shows real range. I'll certainly be keeping an eye on what he does next. As a good indie movie should, the film is very character driven. As apposed to your average Hollywood movie, which are mostly plot driven. The Film centers on a Jewish family in New York, the Applebaum's, who have all been invited back for their fathers "suicide" party. The film is stock full of witty, quick, jabbing, dialogue. The fact the small Jewish family is obsessed with being Jewish and anyone who is Jewish grounds the unrealistic situation of a "suicide" party in reality. Director Jeff Hare does a wonderful job at pulling the characters out of the actors and bringing them to life on screen. The production design brings the sets to life with lots of attention paid to small details making the setting feel like a home that's been lived in for 40 years. The editing keeps up with the dialogue in such a way that it makes you sit on your seat wondering who's going to stab who with the next witty phrase or punch line. And when appropriate the film slows down to let the audience dive a little deeper into the meanings and motivations hidden inside these lovable characters. If you're a fan of Woody Allen or films like "As Good as it Gets" go see this film.

I too was fortunate enough to see "Checking Out" with Peter Falk at The Phoenix Film Festival. This is an extremely sweet character driven film that leaves the audience enthralled in the Applebaum's plight in life. More than funny, each character in the family contributes priceless comic relief that not only spurs laughter but inspires a few joyful tears as well. Peter Falk was born to play this role. He plays a 90ish "young" father of three who brings his adult children together in what could possibly be one of the most important times in his and their lives. The 2 day journey that the Applebaum family takes though the delightful backdrop of New York (with carefully selected characters), not only leaves the audience wanting more, but nourishes ones own sense of family. "Checking Out" is a must see film, not only for all those who cherish family, but also all those who don't!!! My thanks to the director who took the chance to bring this GIFT to its audience. Robin Sly, Scottsdale, Arizona