Le temps qui reste

Ozon is a strange figure. Strange in a sense that actually makes him normal: sometimes controversial, sometimes authentic, but always a great analyst of the emotion's spectrum.

It becomes clear really early that the film will be more of a contemplative portrayal of death than a daring fight lead against it. And sometimes it's better that way, to take things as they come. Thirty one year old Romain isolates himself from his family and friends and deals with several stages of the whole "accepting death" experience. A so dreaded experience. Consequently, the film is distant and may seem tedious at times, but all the means serve their purpose.

"Le temps qui reste" (gorgeous title, I feel obliged to emphasize this) is a difficult film: homosexuality, solitude and death are themes which few can bear light-heartedly. Still, Romain's process of severing himself from himself is intriguing at all times and the film's final sequence is of a most sincere impact. It's about adapting to the idea of dying in a glacial modern society.

We are generally alone in this world and all we have is our family. And if we lose that, we are left with thoughts, never to be forgotten. Le temps qui reste.

How someone can NOT like this film is beyond me. The emotions the lead character goes through feel completely genuine. This is one of the best movies about dying that I've seen. The lead actor is awesome, and the emotions and physical transformation he goes through are very realistic. This movie was out for about 2 weeks here in California and then it disappeared. Maybe it's too depressing. I don't know. It will make you think though, and occasionally, it will make you laugh, because when you know you have nothing to lose, you speak your mind, as the lead character does.

A great film.

Dying? Why? How? Do I have the chance to look at my own demise from where I'm standing and I'm given the chance, even if brief, to do what I can to arrive to the fatal randez-vous without a heavy heart. Is that possible? We live the question in painful, stunning moments of reflection. Melvil Poupaud's face is not merely beautiful but transparent. I decided very early one that he/his character and I were diametrically opposites and yet, I felt the communion, I was with him I sort of understood. I wept for him and for me, I wept for everyone I've lost and for all the ones I'm going to loose before I go. I've also decided that I like François Ozon very much. That his movies take me places in a brutally gentle way and I come out of this experiences with something new. Thank you very much.

This film's main theme is such a cliché and so simple: What would you do if you are told that you only have 2-3 months to live? How would you deal with things? Would you fight, and do everything in your power to, perhaps, experience that curing miracle, or would you accept things, as a matter of course... and wait for death to come. This film really makes you think. The main character, marvelously performed by Melvil Poupaud, is not really a sympathetic man, is he? Or is he? Aren't you master of your own life, especially when you have a short time left... He obviously wishes to solve some "personal problems" (relations with people around him which he doesn't find as they should be) in an accelerated, black and white way. To create something clear and defined before dieing... Obviously his life had been a mess. But relations are also about giving and taking, and about accepting imperfect things in relationships. Throughout the movie you get more sympathy with Romain. The telephone call with his sister (whom he had told some unkind things just before) is moving. 'It isn't about you, it's about me". Didn't Fassbinder tell us "Each man kills the thing he loves"... Do you want to protect others by not saying you are going to die... This is altruism in an egoistic way, isn't it? The film is a melodrama, but in my case it made me think... And that's the purpose of a good film, isn't it? All the characters are well typecast and performed. At times the film is even moving, but a tearjerker it never becomes... It's not a new "Love Story". Romain's "Pardon", a sorry softly spoken, with nobody around and never addressed to the person it was meant to, was a moving moment in the film. Also the fact that Romain being gay (and his gay life style) is no theme for the plot in the film, is absolutely refreshing. Homosexuality should just be one of the many facts of life (in the lives of many). (Joris, Amsterdam)

The first thing that strikes me as very unusual about this movie is that the main character is gay, and that that is not the subject of the movie, not even an issue. I don't know of any other movie like that.

Having said this, let's leave the subject of homosexuality, just like the film does, and not scare heterosexuals away. Of course the subject of the movie, saying goodbye to life, isn't new, neither original. But sometimes it isn't the story itself, but the way it is told that makes it worthwhile. To my opinion Ozon is a very good storyteller. I think tenderness, and the love for people and for life itself must have inspired him a lot.

Some scene's could be seen as provocative and politically incorrect, but the way they are woven into the story makes them credible and the way they are filmed makes them just beautiful. Ozon has a way of filming sex scene's as what they are; a nice part of everyday life.

The movie left me moved, but not sad.