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I was surprised to find that this wasn't 'Must Love Dogs' director Gary David Goldberg's first attempt at film direction and feature screen writing. The steering of his own script adaptation was plodding at best, only made passable by the spirited and professional performances from the stars Diane Lane and John Cusack. Less surprising is the fact that much of Goldberg's experience comes from television comedy. The irregular cadence of the dialog almost leads the audience to listen for a canned laugh track, ironic given one of the character's penchant for poetry.

Additionally, Goldberg should return his directing credentials for allowing the flat and unflattering interior lighting especially inflicted on Lane. The technical direction would have been more appropriate on a three-camera TV set. Feature release of this film amplifies the shortcomings of the vision behind this work.

The sweetness in the film, no doubt, comes from Claire Cook's novel of the same name. Justice should have been paid to the book by assigning a true film director. There were many future-classic one-liners loosely strung together with flat dialog more appropriate to the legend of a map. I doubt this was the result that Lane and Cusack expected from the promising elements at the outset of this project, but no one can fault their admirable attempts to deliver a heart-warming film.

Pairing attractive actors with cute dogs is something Hollywood loves to present, again, and again. This is a film that has that "cute factor" written all over it. Fortunately, we caught it in the form of a borrowed DVD, never having the stomach to spend full price on this formula comedy.

Director Gary David Goldberg's take on this situation doesn't bring anything new. The film is harmless enough not to offend anyone, but in retrospect, one has to wonder why was the film made in the first place? Poor Diane Lane, she keeps showing up in these inane comedies that don't do anything for her. She is a beautiful woman who could do better, but whoever is advising her keeps steering her in the wrong direction, unfortunately. Ditto for John Cusack. One wonders what attracted actors of the stature of Christopher Plummer and Stockard Channing to appear in a movie that will certainly not add anything in their C.V.s.

The cute Newfoundland puppies that were used in the movie should have been given more opportunities to show their talents.

Divorcée Diane Lane, a teacher going on eight months without a man, meets a divorced boat-maker through her personals ad on the internet; it's a tremulous courtship, hindered by her resistant attraction for the father of one of her students. Writer-director Gary David Goldberg, working from Claire Cook's novel, pitches this familiar material a bit high, and the whole scenario is rather unlikely. The boat-maker (a nicely restrained John Cusack) must have won the Lotto since he has never sold one of his handmade creations, and, except for a few early scenes at her school, Lane seems to be on a permanent vacation. However, it is escapist fare; one doesn't watch a popcorn-and-roses romantic comedy such as this looking for realism. The two stars share a dryly frazzled, witty repartee which is engaging, and Goldberg's old-fashioned comic timing works exceptionally well here. Although her role doesn't call for great modulation, Lane gamely plays up to the 'cute' writing and creates a fetching character. Her bustling, busy, family-friendly world looks so comfortable to live in, it is a little perplexing why she feels so alone. Set that aside--as well as the comic book finale--and there's a good movie here, one with a warm heart and put-downs (when they come) which are gentle and in tune with the overall playful spirit. *** from ****

Based on the novel by Claire Cook, the plot centers around a kindergarten teacher named Sarah Nolan (Lane), a divorcée who swears off men after a devastating divorce. However, her close-knit Irish-American family decides to 'help' her along by signing her up for a number of online dating programs. She then finds herself caught between two men, as she starts seeing the father of one her students (Mulroney) and a man who she meets through the dating service who seems far too perfect (Cusack).

Must Love Dogs is a familiar yet enjoyable romantic comedy that should keep you entertained for a while. The plot is nothing new and there are many clichés to be found here yet the film is still funny. The film works well because of its two stars John Cusack and Diane Lane. They both give good, funny performances and they have nice chemistry together. If you enjoy watching these actors on screen then you should like the film. The supporting cast is also strong except for Dermot Mulroney. The good thing is that Dermot is not in the film very much so he does not suck out too much from the picture. This is his third film from 2005 and he was horrible in every one of them yet he keeps getting hired. The rest of the supporting cast consists of Elizabeth Perkins, Christopher Plummer, Stockard Channing and Julie Gonzalo.

A few things are keeping me from rating the film higher. One of the reasons is of course Dermot Mulroney. The film also has a few annoying clichés that are hard to ignore. There were also a few bad stereotypes that were not needed and they were not funny at all. Even though the film does have its share of funny moments, it becomes dull from time to time. The film, for the most part, is safe and this movie could have easily been an episode of Friends or something. That does not mean it's a bad film, it's just a little sitcom-ish. If you do give the film a shot, don't take it too seriously and try to have a little fun with it. In the end, Must Love Dogs is a surprisingly enjoyable romantic comedy. Rating 7/10

My company publishes The New York Dog Magazine and The Hollywood Dog Magazine and some of our staff (four women in their 20s) saw a preview of the movie yesterday (we have Diane Lane and John Cusack on the cover of our new issue). Now, they are a little biased (being dog lovers and all) but they were very taken by the movie. Diane Lane was real, vulnerable and more beautiful than ever (even without make-up as she is at times). The chemistry between her and John Cusack was truly believable. Although the story line is slightly predictable ( hey. it is a romantic comedy) the dialog sparkles. And the dogs, needless to say, are Oscar worthy.