Kamikaze Girls

This a well-done girls' coming-of-age tale, like a Japanese 21st-century Alice in Wonderland - one Lewis Carroll would probably have liked. And I presume whoever gave the Kamikaze Girls title to the American edition would have titled the Alice work Kamikaze Alice. The underlying themes are independent thinking, the value of friendship, and the need to pursue one's creative impulses while critically evaluating surrounding people and opportunities.

Most the adult figures in the film are - in one way or another - failures. Though seen in an exaggerated, humorous, or empathetic light, they serve as guideposts to the two girls who come to realize that salvation (or "sallvation" as Ichigo misspells it for emphasis) lies not in following the crowd, not in seeking leaders' approval, but in following one's own dreams - as much as they can be realized in this limited, 3-dimensional, mortal world.

Early in the film, I feared it was headed to be too sweet, especially with the main characters being Momoko (Peaches) and Ichigo (Strawberries). But this sweetness is quickly counterbalanced with the challenges and adventures they face.

This is a fun and very unique film, good for people of all ages. In ways, it's set in a society that seems closer to the U.S. of the 1950's - around the "beat" and the James Dean eras, when youth could be wild without police being called, and yet neighborhoods could leave front doors unlocked without fear and kids could even hitch-hike - an age of greater homogeneity when America had some cultural unity and - with exception of its black-white scar - was not afraid of itself.

I obtained this film, by the way, in VCD format (not the best, but adequate), I believe, from HKFlix. I couldn't find it anywhere in DVD format.

Nakashima Tetsuya's wonderful "Shimotsuma Monogatari" (Shimotsuma Story) is quite a unique and charming film. I had my doubts at first but the film turned out to be a refreshing surprise. Mixing anime, quirky narrative, inventive storytelling, outrageous comedy and Japanese Pop Culture charm this movie is a really endearing movie.

Stylistically, as others have noted, it does recall movies like "Trainspotting" and "Run, Lola, Run" but I think "Shimotsuma Monogatari" is much closer in style to Yaguchi Shinobu's "Swing Girls" and "Waterboys", both of which are also really wonderful.

J-Pop singer/actress Fukuda Kyoko is infectiously cute as Momoko, the "Lolita" fashion obsessed girl with a naive yet surprising take on life. Her French 17th Century (Rocco) styled fashions are at times oddball and avant-garde and yet surprisingly cool looking that it's little wonder why American Pop Singer Gwen Stefani has drawn inspiration from this fashion trend for her L.A.M.B. fashion line and to dress her Harajuku Girls.

Anna Tsuchiya is also a wonderful surprise as Ichiko/Ichigo, the tough talking "Yanki" Sukeban with a heart of gold. She has most of the best lines in the movie and is also quite a cutie (behind the Sukeban makeup).

The only criticism I have for the film is the stupid American title "Kamikaze Girls". It really doesn't do justice to the film at all and is a real turnoff as it brings to mind a "Yakuza" film or perhaps a war picture in a stereotyping tongue-and-cheek way. Why not just call it simply "Momoko and Ichigo" (i.e. Peaches and Strawberry) or some other title that is a bit more relevant.

Other than that this film is a pure joy and delight and a welcomed change to Japanese cinema.

'Kamikaze Girls' is adapted from a comic book; it contains some short animated scenes, but in fact the entire movie is made in a comic-book style, even when it employs real actors, with exaggerated physics and characterisation. It's unlikely story pairs a girl who dresses in rococo outfits with a tough biker chick (the supporting cast includes a man with a four-foot quiff); for those who aren't Japanese, it may come as a shock to learn, however, that the boutique rococo retailer that features in the film is actually a piece of product placement - it really exists, and there's some popularity to this bizarre style of dress. The film zips along, and there are some nice humorous touches, although it never feels deeper than a comic. But the tone is right for the material - and it's infinitely preferable to countless Hollywood comic adaptations that futilely try to tell us there's something profound in the their stories.

A completely enchanting and engrossing comedy-drama about two 17 year old girls, vastly different from each other (one a self-absorbed dreamer with a love for Rococco period fashion and behavior; the other a rebellious biker chick), who become friends and change each other's lives. The film makes the most of this simple plot line, and it's the compelling personalities of the characters, beautifully overplayed by Kyoko Fukada and Anna Tsuchiya, respectively. The film is told through a color-saturated visualization and stylish direction by Tetsuya Nakashima, who adopts a manic style not unlike that of Jean-Pierre Jeunet in AMELIA or Tom Twyker in RUN LOLA RUN, with jump-cut flashbacks, bizarre cut-aways and edits; the effervescent vitality of Nakashima's direction coupled with the performances of the lead and supporting cast really make this film a fascinating and repeatedly watchable experience. Also of note is a terrific score, which varies from J-Pop to American hard rock and punk, to classical (one fight scene is set to Strauss' Blue Danube) and really sets the film's aural tone and pacing; Yoko Kanno (MEMORIES, ESCALFLOWNE, GHOST IN THE SHELL: STANDALONE COMPLEX, and Nakashima's previous SUMMER TALE) is responsible for the underscore and several of the songs.

Maybe the one and only movie with a theme about Embroidery, that still can be considered "cool". Kyoko Fukada as cute Lolita-look Aficionado and Anna Tsuchia in a tough Biker-Gang Wardrobe make up a most strange, yet sympathetic pair of friends. Makes you laugh, makes you feel warm, yeah, even nostalgic. "Kamikaze Girls" is the archetypal essence of Manga-Culture come alive, pure J-Pop Fanservice in psychedelic, overbidding videoclip visuals (including one hysterical Anime story sequence), and one of those rare movies, where you don't ever want to see the credits. Also features a great entrance by my favorite Pin-up Idol Eiko Koike.