Lemming

The latest festival in Cannes (2005 that is) was opened by the French movie "Lemming" which meant a lot for the French cinema as after all, it was directed by Dominik Moll. Moll has already been described as the French equivalent of Alfred Hitchcock and even if 4 movies are a bit too less to speak of such a comparison, the symptoms are there. Moll's previous masterpiece ("Harry") was already one of the finest pieces of French cinema you'll ever going to see and in "Lemming" Moll just goes on the path that suits him best. We are witnessing a modern couple, Benedicte (Charlotte Gainsbourg) and Alain (Laurent Lucas), who are building their luck. Everything's got pretty disturbed when one day Alain decides to invite his boss (Andre Dussolier). The wife's boss (Charlotte Rampling) seems at first a shameless bitch who is fed up with her husband's flirts but a deeper look, let us see that the woman is more than just a tragic figure. Coincidence or not, but all problems started when the couple found a lemming in their sink. A lemming is a sort of rat which only lives in Scandinavian countries (and we're somewhere in France) whose way of living is determined by its suicidal character. It's business as usual that people start to compare one movie to another but Moll made a great effort which can compete with the best things François Truffaut has done. The viewer is like some peeping tom who sees the high and lows in a marriage and it goes hand in hand with genius acting from both Charlotte Gainsbourg and Laurent Lucas. Now already one of the movies of 2005!

A thrill from beginning to the end, constant tension keeps you wide awake. I like the way the tension is kept in a sort of mysterious Hitchcock kind of way. Better than Moll's film with a friend like Harry. I am becoming a fan of the work of Dominik Moll. The set is well chosen and the modern day French suburban houses are like real life . The acting by Charlotte Rampling is like she really breathes down your neck. I like the way the film was shot and the symbols that come out of the backgrounds. The shape of the mountain, the light by the lake, Charlotte Gainsbourg's eyes and the lemmings in the kitchen, suicide is not painless in this film, it takes you on a roller-coaster ride to where you never thought to end up in a movie theater. Good film, looking forward to the next Moll

The automation engineer Alain Getty (Laurent Lucas) and his beloved wife Bénédicte (Charlotte Gainsbourg) have just moved to the suburb of Bel-Air. Alain has developed the prototype of a flying web-cam for Pollock S.A., a high-tech company. After a successful presentation of his project to their clients, Alain invites his boss Richard Pollock (André Dussollier) and his wife Alice (Charlotte Rampling) for dinner at his home. The couple arrives late, and Alice is extremely rude, insulting her husband and the young couple, and forcing Richard to leave the house earlier. During the night, Alain finds a rare Scandinavian lemming stuck in the siphon of the sink in the kitchen. On the next night, Alice unsuccessfully tries to seduce Alain after-hours in the laboratory of the company. On the next afternoon, she visits Bénédicte to apologize her behavior and cynically tells her sexual harassment to her husband. Then she locks herself in a room and commits suicide. On the next days, Bénédicte changes her behavior and relationship with Alain, seeming to be possessed by Alice.

"Lemming" is an engaging and intriguing surrealistic thriller. The screenplay follows the school of David Lynch, with a mysterious metamorphosis of Bénédicte into Alice, at least in her behavior. The development of the original and suspenseful plot is fantastic, making impossible to guess what is exactly happening. The beauties of Charlotte Rampling, with almost sixty years old, and Charlotte Gainsbourg are impressive, and the seduction of Alice is an extremely sexy, erotic and beautiful scene. "Lemming" was a great surprise for me and I highly recommend this film for viewers that aim to see a challenging movie where it is impossible to find what is daydream or reality. My vote is eight.

Title (Brazil): "Lemming, Instinto Animal" ("Lemming, Animal Instinct")

I've recently been going through a couple of French films that lean heavily on the suspense. The French know their business. They make dozens of these every year. One might label them simply as thrillers. Some recent ones; this one, Haneke's CACHÉ (2005) (half-Austrian, all right), THE BEAT THAT MY HEART SKIPPED (2005) together with Chabrol's - mostly late '60s - work. This dream-like suspense-yarn compares rather unfavourably to the other films mentioned. This is mostly due to the rather ridiculous subtext of the titular Lemming (the framework is built around the mysterious appearance of a dead lemming in the kitchen sink of a young couple). Furthermore, Charlotte Rampling's character behaves in such an abnormal way, it becomes too much to swallow. In a dream sequence, thousand of lemmings appear in the home of Alain Getty, the central character. But his wife, played by Charlotte Gainsbourg, has an almost equally important part. Perhaps I misread the whole thing and this was all a highly associative nightmare sprung from the main characters' minds. In that case, not a very pleasant one. It's quite suspenseful up to a point, but after a while the characters begin to behave in such an irrational (and stupid) fashion, it becomes very tedious. I just wanna know what happened to the lemming?

Camera Obscura --- 5/10

I saw this film today and thought it was beautifully constructed with layers of metaphor and 'reality' that one can choose to attend to at will. I don't think the film was Hitchcockian - the pace was much more leisurely and atmospheric than most Hitchcock or American films. However, if there is any point of comparison, i would say it is with Val Lewton, who seemingly loved making stories about the supernatural aspects of human relationships (and the screeching train reminded me of the braking bus in 'Cat People'). By the end of 'Lemming' i totally accepted the bizarre rationality implied as an explanation for the whole thing - those actors and Moll made me believe it.