Ricky Bobby, roi du circuit

This movie does something that is rarely done successfully done, pokes fun at the modern NASCAR circuit. Without detailing all the gags, this is pure fun which doesn't offend the tastes too often. Will Farrell is patently absurd as Ricky Bobby & the support he receives in this film from the entire cast is excellent. Gary Cole is very solid as Ricky's dad, & so is Jane Lynch as his mom. Amy Adams is solid too. In fact, the entire cast including John C. Reilly seems to have been fit into their roles like gloves.

Sasha Cohen comes off better in this as Ricky Bobbys French nemesis than he does in even Borat. He is used perfectly & fits his role really well. The story line works really well as the evolution from speed too shake & bake too magic man & me helps keep the film focused on something besides the jokes. There is just enough plot to hang the jokes on.

The script is lots of fun with references to lots of things besides NASCAR & Sex (which is all too often the only thing done as comedy today). This film proves that outrageous is much better than sex when done right as comedy. Thank goodness this is much better than the ill conceived BETWITCHED Farrell did in 2005. This film is really an excellent showcase for everyone involved. If your a NASCAR fan, you should even get some extra fun out of this one.

Get ready for the checkered flag Ricky Booby, this film is a winner all the way.

One of Ferrell's stronger, fearlessly idiotic films, with the style his career is built on: comedy surrounding moronic characters doing stupid stuff.

Ricky Bobby, showcasing all the stereotypical characteristics of a redneck, is a loudmouth NASCAR driver of immense talent, who either wins or crashes trying. When a sophisticated but snooty French Formula One driver encroaches on Bobby's territory, he goes all out to stay number one.

Ferrell has a great chemistry with Reilly, a connection to be visited later in their careers. In general, it is a fairly star-studded cast, Adams thrown in with a fairly minor impact role for most of the film. Cohen is recruited to lean into a daft foreign stereotype, his speciality, but with no need for subtlety on this one, blunt jokes revolving around how the character's supposed superiority and often his homosexuality is responded to by the world of NASCAR.

Much like Anchorman and Step Brothers, the film is really ridiculous, loud and brash. Something Ferrell's fans will love, and that others would hate. Honestly though, the bloopers at the end are probably the funniest part.

Talladega Nights: The Ballad of Rikcy Bobby is an incredible comedy that's gleefully stupid whilst also cleverly mocking the tropes and conventions of racing dramas. Will Ferrell and John C. Reilly are both incredible and have fantastic chemistry. Sacha Baron Cohen, Jane Lynch, Gary Cole and Michael Clarke Duncan are all great. It's consistently extremely funny even if a few jokes don't land. It's also well paced and Adam McKay's direction is excellent. Both the music by Alex Wurman and the soundtrack are really good.

Talladega Nights: The Ballad of Ricky Bobby is rather significant. Why? Because it is the first team up of Will Farrell and John C. Reily on the big screen. Released in 2006, Talladega Nights was released at a great time. Back when Will Farrell was at his height in the film industry and back when NASCAR was pretty popular. It only seemed that a movie should be made in hopes of making lots of money. And it did. Talladega Nights had a budget of $72.5 million and made back over double that amount. For the longest time I thought that Step Brothers was the better team up but since my opinion has slightly changed over that film alone, will Talladega Nights see a change in opinion?

Ricky Bobby has lived his whole life by the motto of "If you ain't first, you're last". Ricky Bobby is also a NASCAR driver and possibly the best there is. When a new race driver named Jean Girard comes to race, it seems that Ricky has met his match. A wreck occurs and Ricky is thought to be done with racing, but the Talladega race is coming around the corner, and Ricky wants to race. But most importantly, win.....

Again, for the longest time, I always saw Step Brothers as the better Reily and Ferrell film. But that has changed. I am not saying that this is leaps and bounds better than Step Brothers. I like Step Brothers and I like this film. But this film is not really a piece of art. The acting is fine. The actors feel right in their respective roles and to a point that I honestly forgot that Will Ferrell does not have a southern accent. Oscar worthy? No, considering the tough competition and what not, but still good. The characters themselves are fine too. They mostly follow the typical sterotypes which is something that some people say made NASCAR look bad. But, they all have chemistry and are loads of fun to watch. Especially Reily and Ferrell which is great that they did Step Brothers together. The story is considerably better in this film than Step Brothers as it is more complex and has an actual plot and what not. The comedy is good. Whereas Step Brothers took the really potty mouth approach, Talladega Nights is not quite as potty mouth with it's humor. Again, it is that dumb smart humor which actually works best in this film. Almost because it is a sort of satire in a way. I found myself laughing more than in Step Brothers which was the big deal about me changing my mind about how this film compares to Step Brothers. Not nearly as quotable as Step Brothers, but just the scenes by themselves are memorable.

Talladega Nights is a funny film. Some prefer Step Brothers over this film which is fine. If you are a fan of Will Ferrell and/or racing, this film should entertain you.

Ricky Bobby grows up to become a big-time race car driver. With the conflict of having no father to raise him, life was not always easy. And now, as an adult, he is finally ready to meet his match: a French driver from the Formula Un series. Can Ricky make him surrender? Shake and bake! I really don't want to like this film, because I think Will Ferrell is past his prime already and on his way out. The bigger a role he receives, the less likely he is to make a good movie, because he is just such a dumb actor. Popping in for a brief time ("Wedding Crashers") is alright, but a full movie ("Elf")? I don't know. Yet, he took the whole film here and ran with it.

The help came from John C. Reilly, who was fantastic as Cal Naughton, Jr. While he is not the usual co-star of Ferrell (such as Vince Vaughn, or one of the Wilson brothers) he was a dominant force. Seeing some new faces was very good, although having "Crash" from "Anchorman" was a nice touch, as I would consider "Anchorman" to be Ferrell's best film.

Stealing the show was Sacha Baron Cohen as Jean Girard. I did not even recognize him until the movie was almost over. Cohen is a master of disguise ("Alig G", "Borat", "Bruno") and I would say this was his best performance yet. All the French references were great (Albert Camus, Perrier, crepes) and this character was so much more than just a simple parody of French culture. Why he was hanging out with Elvis Costello and Mos Def is unknown to me.

This film has the comedy that other films by these creators have, with constant pop culture references that pay off if you get it. And heck, if you don't, there's a good amount of really stupid humor, too (such as the imaginary fire). My favorite scene might be where they try to figure out how to pry out a knife from a man's leg.

If you want a cheese fountain at your wedding with nachos and seven different kinds of cheese, you need to see this movie.