Ricky Bobby, roi du circuit

You still get plenty of fast paced action, muscle cars, and massive car crashes. You just get to laugh a lot too.

Will Ferrell really doesn't get enough credit for his acting. As mindless as it seems, he still manages to make it believable. You have to keep in mind it's usually during over-the-top parodies, so it's supposed to be carefree and with complete disdain, yet he still manages to make it intelligent most of the time (at least in this film), so the result is far more than simple fart and gross-out type jokes.

He also had the benefit of writing this film, cast members like John C. Reilly and Sasha Baron Cohen, and a focus for the film in deep need of parody. NASCAR has been long overdue.

This movie does something that is rarely done successfully done, pokes fun at the modern NASCAR circuit. Without detailing all the gags, this is pure fun which doesn't offend the tastes too often. Will Farrell is patently absurd as Ricky Bobby & the support he receives in this film from the entire cast is excellent. Gary Cole is very solid as Ricky's dad, & so is Jane Lynch as his mom. Amy Adams is solid too. In fact, the entire cast including John C. Reilly seems to have been fit into their roles like gloves.

Sasha Cohen comes off better in this as Ricky Bobbys French nemesis than he does in even Borat. He is used perfectly & fits his role really well. The story line works really well as the evolution from speed too shake & bake too magic man & me helps keep the film focused on something besides the jokes. There is just enough plot to hang the jokes on.

The script is lots of fun with references to lots of things besides NASCAR & Sex (which is all too often the only thing done as comedy today). This film proves that outrageous is much better than sex when done right as comedy. Thank goodness this is much better than the ill conceived BETWITCHED Farrell did in 2005. This film is really an excellent showcase for everyone involved. If your a NASCAR fan, you should even get some extra fun out of this one.

Get ready for the checkered flag Ricky Booby, this film is a winner all the way.

Talladega Nights is one of those movies I was rather shocked I hadn't seen, it was high profile, I don't mind Ferrell's work and you see it referenced all time yet it's taken me this long to get around to it.

I expected generic Hollywood drivel and it is, but thanks to some decent writing (In places) I'd say it's an above par effort (Just).

With a vast who's who cast and co-written by Ferrell himself this tells the story of Nascar driver Ricky Bobby as he reaches the pinnacle of the industry only to lose it all when a rival turns up and takes his spot.

With Greg Germann playing the same character he always does, namely the really easy to hate villainous type and Sacha Baron Cohen whom I simply cannot abide for some reason. Regarding him I have to say I admire his work and him as a human being, I just can't stand him in anything I've seen thus far!

The film adopts all the usual tropes you'd expect and is hugely paint by numbers, it's incredible cast feel rather wasted though it was really nice to see Gary Cole as it always is.

Some of the writing caught me off guard with how good it was, sadly that only happened 3-4 times and the rest is really generic stuff.

If you like standard Hollywood comedy you can do worse, if you want something you haven't seen a hundred times before then hop, skip and jump over it.

The Good:

Gary Cole

Some surprisingly good humor

Some great songs on the soundtrack

The Bad:

Sacha Baron Cohen

Usual formula

In Talladega Nights, Will Farrell and Jon C. Reilly head a nicely assembled cast (without a lot of star power) in a story about a fool who happens to be a race car driver and who has based his entire life philosophy around a phrase uttered by his alcoholic father during a drunk - "If you ain't first, you're last". Ricky Bobby rides high in his largely unexamined life until, predictably, he eventually crashes hard when confronted with a gay French intellectual who just might be a better driver than he is, and a boss who does not appreciate his arrogance.

Talladega Nights uses a narrative and editing style reminiscent of the brilliant Deathrace 2000 to create an entirely different effect - unlike Deathrace 2000's intellectually challenging political and social commentary, Talladega Nights is a simple absurdist comedy played out by several stereotypes in the contemporary racing entertainment industry. The film is successful largely because of it's careful plotting and occasional substitution of slap-stick for (dumb) dialogue driven comedy. The script is nothing special, but was probably well edited in the final construction of the film in order to emphasize its occasional moments of brilliance. If you go into this without much in the way of expectations, you just might enjoy it.

Ricky Bobby grows up to become a big-time race car driver. With the conflict of having no father to raise him, life was not always easy. And now, as an adult, he is finally ready to meet his match: a French driver from the Formula Un series. Can Ricky make him surrender? Shake and bake! I really don't want to like this film, because I think Will Ferrell is past his prime already and on his way out. The bigger a role he receives, the less likely he is to make a good movie, because he is just such a dumb actor. Popping in for a brief time ("Wedding Crashers") is alright, but a full movie ("Elf")? I don't know. Yet, he took the whole film here and ran with it.

The help came from John C. Reilly, who was fantastic as Cal Naughton, Jr. While he is not the usual co-star of Ferrell (such as Vince Vaughn, or one of the Wilson brothers) he was a dominant force. Seeing some new faces was very good, although having "Crash" from "Anchorman" was a nice touch, as I would consider "Anchorman" to be Ferrell's best film.

Stealing the show was Sacha Baron Cohen as Jean Girard. I did not even recognize him until the movie was almost over. Cohen is a master of disguise ("Alig G", "Borat", "Bruno") and I would say this was his best performance yet. All the French references were great (Albert Camus, Perrier, crepes) and this character was so much more than just a simple parody of French culture. Why he was hanging out with Elvis Costello and Mos Def is unknown to me.

This film has the comedy that other films by these creators have, with constant pop culture references that pay off if you get it. And heck, if you don't, there's a good amount of really stupid humor, too (such as the imaginary fire). My favorite scene might be where they try to figure out how to pry out a knife from a man's leg.

If you want a cheese fountain at your wedding with nachos and seven different kinds of cheese, you need to see this movie.