Gram Parsons: Fallen Angel

This film is a wealth of weird and sad detail narrated directly into the camera by Parsons' then (c. 2004) still-living relatives and cohorts, including Chris Hillman, Emmy Lou Harris, and Parson's siblings, managers, and, starring prominently *his academic advisor (a Baptist minister) from his single year at Harvard* ?!, etc.

Parsons was set to be the heir to a citrus plantation in Florida, and his family had tensions out of F. Scott Fitzgerald: a patrician, strong-but-doomed mother, and two fathers who were "merely" middle class and who fought to fit in to the mother's Florida oligarchy. Much of this story is handled in a way that is crushingly sad and strange but at times also funny and sweet, apparently like Parsons himself, especially onstage. But the movie itself is raw photographically and edited in a way that that makes Parsons' family history (his natural father died when he was 12; mom remarried; his mother died, the stepfather remarried; there are a half-sister and a cousin who complicate the narration) a bit more confusing than it needed to be. An interesting artifact, as its assembly seems like local news footage, intuitively assembled, thus raw; certain more elegant transitions, labeling and curating techniques for managing large casts of interviewees seem to have become standard documentary practice, even schooled, since this was made. Maybe any roughness, jumble, or loose ends in this are apt to the subject.

I already wrote a comment saying how i loved the movie Fallen Angel.

I wrote what a drip Gretchen seemed compared to Emmylou. Gram had already left Gretchen, i have know doubt he would have ended up with Emmylou, they were meant for each other.

The fact that Gretchen doesn't GET why Gram's body was taken out to the Joshua tree reinfects how little she knew the man. I do think that it could all have been handled better, the cremation should have been completed, but Gram's resting place will always be at the Joshua Tree, no matter what people like Gretchen and family members think.

I don't understand why you didn't print my last comment. Not only does "Love Hurt", but i guess "Truth Hurts" too.

Gretchen tried to make it seem that Gram had gone off to dry out, right, that's why he had drugs and a chick with him. He has already left Gretchen. If anything she drove him out rather than dried him out. Print the facts.

This is a slipshod documentary that is about as original and involving as an episode of VH1's Behind the Music. The production values are very poor, with much of the video footage shot erratically out the window of a moving car, and the editing is a clumsy, uninspired pastiche of quick pans and tilts across black and white still photos jarringly inter-cut with a relentless onslaught of meaningless talking heads (do we really need to hear from the girlfriend of Parson's manager or the best friend of Parson's dead stepfather?). We hear very little of Parson's music, most of which plays in the background under the interviews, and no one except Emmylou Harris manages to truly elucidate Parson's gifts as a singer and songwriter. Technically, the film is embarrassing, but it is even worse in its shameful final minutes, when it juxtaposes the bizarre circumstances of Parson's burial with the heartfelt grief of those who loved Parsons, and manipulates the audience into laughter when what we should be feeling is sadness. Fallen Angel is disrespectful of Gram Parsons' groundbreaking music, banal in its storytelling, and grotesquely insensitive to the people who knew and loved him.

Seeing this movie reminded me of the pitfall's that "stardom"can bring. I found this doc/ movie to further expand on the myth of Gram Parson musical legacy and influence in American music. It was profoundly sad that he had such a short stay. Yes the doc is shot at times with a lot of movement & at times the editing process is not smooth. Not much footage exists. The director made an effort to put together footage that was well over 20 years old! I found the content & tribute to Gram very tasteful & full of passion. It's been made with the best intentions. It projects the "sweet & sour" moments that human beings endure. I was moved to to tears seeing Emmy Lou talk about her "soulmate in music". I am glad that the director & friends who saw that this Doc was made brought forth many of the stories with them and shared with the fans his rise and fall in a manner that was both informative & entertaining. Kudos! It's a must see if you do love Gram Parsons. This is a tough story to tackle. I for one think that this tells a very HUMAN story.

I too wish there had been a little more depth in this movie. However, when my sister saw it at the screening at the Belcourt Theatre in Nashville, along with many of Gram's close friends and colleagues, she never heard anyone voice some of the complaints registered here.

I think calling Gram "obnoxious" is too simplistic. He obviously had his obnoxious moments, but most highly creative people do. It's part of that artistic temperament you've heard tell of. However, I don't think most people could have registered the emotion they showed had Parsons merely been a gifted jerk. This is where the movie shines. The directors show some of the people who genuinely cared about Parsons as a person, and how his untimely death affected them.

I understand the attempt to show Parsons as more than the very pretty face and voice idolized so often. I think the filmmakers wanted audiences to understand Ingram Parsons as a human being, a guy who had a lot of breaks in his life, but who also had a legion of demons chasing him. I actually found myself liking this man a lot by the end of the movie. Parsons was a basically nice, decent guy who had a lot of bad wiring, not the least of which included an inborn tendency to addiction. I felt incredible pity for him.

I hope this movie spurs viewers to listen to Parsons' music and to appreciate the influence he had on popular music. If it does that, it has done its work well.