Boston Justice

I'm going to make this as short as possible short, as I have little to say. As far as "pure" drama series' go, Boston Legal is the one that had it all right.

Fabulous actors, writers with imagination and a sense of humor, and most of all, the series had a soul. It had an opinion, and the nerve to bring it forth. Entertainment that is afraid of making a statement can be relaxing, but relaxing entertainment that manages to make a statement, whether the viewer agrees with the statement or not, is something much greater.

5 seasons is a lot better than a lot of worthy series have done, but still, the cancellation is a huge injustice and I will sorely miss the wits that this series had to offer. It is a shame that a series such as Boston Legal does not reach the grand audience that it well deserves.

If the first episode is any indication, Boston Legal will continue what it started as "The Practice" last year and remain on the air. Given the splash made by James Spader on the waning Practice, this spin off was developed. And last night's episode was clever and funny, with a black woman charging racial discrimination for her daughter who was not cast as Annie. Every time anyone looked at this kid, she sang "Tomorrow." The episode sported a cameo appearance and a hilarious bit by the Reverend Al Sharpton. There were other subplots, but for me, Annie stole the show! Rebecca de Mornay seems missing from the cast, but there is the neat addition of Mark Valley, from the ill-fated, also excellent "Keen Eddie." I look forward to future episodes to see what Spader, Shatner and the able cast will be up to.

Considering all the crap that is normally on Sunday(e.g. football and Nascar), this show is a refreshing change of pace. Spader and Shatner are an excellent duo. Spader already received an emmy, and hopefully Shatner will receive one too, if for no other reason than to silence the ignorant critics of this well-rounded show. Rarely will you find a legal show, that is humorous and poignant at the same time. Denny Craine's succinctness and Shore's coolness make this show a stand out. If ABC is smart, they will hold on to this show and try to replicate it's success, while in the meantime dumping all their worthless reality shows(redundancy I know). In conclusion, the great story lines and skillful acting make this show one of the best current series on television.

Boston Legal is one of the best takes on a TV legal drama that I have seen. It manages to mix drama and comedy pretty well for the most part and introduces us to Alan and Denny who are magnetic characters, played to perfection by James Spader and an incredible William Shatner. To review this whole 5 season series (which i have steadily worked through on DVD over the last 2 months) would take forever, so let me highlight a few good and bad points as i see them.

Season 1 & 2 had a sharper edge and better dialogue than subsequent seasons. It felt almost as if they were searching for better ratings from season 3 onwards and chose to introduce characters and plots which would deliberately jazz things up a bit. In my opinion the show suffered because of this.

The characters Jefferey Coho, Claire Simms, Lorraine Weller and Clarence / Clarice Bell added virtually nothing to the show that wasn't there already (other than the cross dressing element) and as they failed to perk up ratings its almost as if David E Kelly thought "well... tried some new faces, didn't work, lets write them out and try something else."

I also felt that the writers seemed to ignore the more obvious direction that they could have taken, which would have been to flesh out the Denny and Alan characters even more. You are treated to some glimpses of their past when they are discussing their lives on the balcony, but Dennys brilliant former career is never seen first hand and Alans many previous painful issues are only represented in the narrative. Perhaps if even more screen time had been given to these two instead of trying to continually bolster up the supporting characters, the show would have been more successful.

The recurring theme of the lawyers in the show standing trial for their various indiscretions and always getting away with it was an over used plot and began to wear a bit thin. Similarly, I can only recall one trial verdict of any kind that didn't go in favour of Mssrs Crane, Poole and Schmidt.

There were flashes of poetry with this show that i felt genuinely moved by. To name a few .....

• Alans closing argument to allow Shirleys father the right to a dignified death

• Dennys dominant yet tender legal confrontation with his "son" Donny.

• Alans arguing against the death penalty in front of the supreme court

• Paul's fatherly approach to everyone at the firm.

• Alans good and honest heart (which he tries hard to conceal)

• The brilliant portrayal of Jerry Espenson by Christain Clemenson

• The unbreakable friendship between Denny and Alan, and subsequently between most of the characters at Crane, Poole and Schmidt.

In summation (may as well use the legal terminology), despite the shows many lulls and obvious flaws, I absolutely loved it. William Shatner is a revelation in his role and James Spader is Perfect in his.

On a personal note, I have lost count of the times my wife has gone ballistic because I have responded to a situation or question by simply saying in the appropriate tone ................. "Denny Crane!"

I think you should watch this show.

It's delightfully weird.

Totally unrealistic, it has just enough I-don't-know-what to enable the all important willing suspension, and once you got that, you're golden.

Here's the little stuff, the stuff that you'll enjoy but don't need to go out of your way for:

1) It has Candice Bergen! Bergen fulfills her role (uber-classy uber-MILF) perfectly. (Plus, she's Candice Bergen. To this date, no one does Bergen as well as Bergen.)

2) Clemenson/Espenson is likable and offbeat. One of the best "spice" characters since, oh, I dunno, Hill Street Blues.

3) Sometimes John Larroquette shows up, and he's so tall! He doesn't have to actually say anything funny. He's John Larroquette. It's a grin just for him to show up. (That sounds dismissive and snarky, but it's not meant to be. I honestly believe this is Larroquette's great comic gift: he shows up. That's all he needs to do. That's what he does. It doesn't matter what he says, because all the humor is in the wry, sardonic (and tall) presence. On Night Court, he had some funny lines, but that was actually a distraction. Remember The West Wing and The Practice... he had no funny lines there, but the effect was the same: Larroquette's wry, sardonic (and tall) presence = a grin. (Although, to be fair, in The Practice he did actually play a character in addition to showing up.))

4) It has William Shatner!

And here's the big stuff, the stuff you'll never experience if you don't go out of your way to watch a few episodes:

1) It has William Shatner! Star Trek gave us William Shatner giving us Captain James T. Kirk. Boston Legal gives us William Shatner giving us William Shatner (as Denny Crane)... the intelligent goof we always suspected was playing Captain Kirk. Even if you weren't a Trekkie, it's such a cool feeling to feel like you're getting to hang out with the *real* Captain Kirk, the (intelligent, goofy) man behind the myth.

2) Despite -- or rather, alongside -- the show's unabashed unrealistic stance, it takes an honest stab at depicting honest emotions, especially (but not only) in the traditional closing scene, where Spader/Shore and Shatner/Crane share a Scotch, a cigar, a presumably rather nippy Boston evening, and a friendship.

3) It has James Spader! Who? James Spader! Who's Jame's Spader? I don't know, I never heard of him before I saw this show, but he's incredible. His character (Alan Shore) brings something unlike anything I've ever seen on television... a character that is, I think, truly Shakesperean in its immediacy and otherness.

In fact, I believe this is the secret ingredient of Boston Legal's success. Spader's Shore has a Shakesperean otherness, and once we accept this otherness (as we are compelled to do), it doesn't matter how unrealistic (or compressed or reductive) the rest of the show is. Once we (the audience) have signed up for this otherness, once the writers have that signature on the dotted line, they're free play around and cut corners as they like. Thankfully, they often (though not always) do so to good effect.