Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the real performances were over) th... Read allHaving failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the real performances were over) the diminutive Klaus Nomi headed for NYC in 1972. The vibrant New Wave/avant-garde gestalt o... Read allHaving failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the real performances were over) the diminutive Klaus Nomi headed for NYC in 1972. The vibrant New Wave/avant-garde gestalt of the mid/late '70's East Village proved to be fertile ground for the development of his u... Read all
- Awards
- 1 win & 1 nomination total
- Self
- (archive footage)
- Self
- (archive footage)
- (uncredited)
- Self
- (as JJ French)
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Featured reviews
What completely set this man apart, including from the people listed above, was his bizarre singing. Having had aspirations to do opera and having a very, very high-pitched voice (almost like one of the castrati), his singing was something unmatched then or today. Some of this could be because few could imitate the style and some because it was so strange and outside the mainstream you wonder if there'd even be a market for this sort of music. It was interesting and wild--though, to me, not especially something I would like to listen to for long.
This documentary is about his life--particularly after he came to America in the early 70s. His life in Greenwich Village among the artsy crowd, his rise to prominence in what was to be termed the "New Wave" and his ultimate fall when he just started to achieve fame are all chronicled here. A sad piece, but I also appreciated how the film makers didn't just whitewash the man--giving a hint to the darker aspects of this strange man (such as the repeated theft of his friend's music).
How the story was told was done well, though there were limits since the video recordings of Nomi were often of poor quality due to the technology of the time. Also, in a VERY strange move, old audio interviews with his aunt were used but in an odd way. Since they had no video, they created sets and used a large cut-out of her! Weird, but considering Nomi's legacy, probably appropriate.
Considering that I didn't know about Nomi and was not so taken by his music, you'd expect I wouldn't really care for the film, but this would be mistaken. It was nice from a nostalgic point of view for this 40-something guy and the film was well-constructed. Well worth a look if you like documentaries AND want something different....VERY different.
Though it seems blatantly low-budget, it keeps in vein with the atmosphere of the time and the storyline falls into place artfully but logically. I was very impressed by the vast amount of material that was found to put into this documentary; being a Klaus Nomi fan myself I know it's extremely hard to get your hands on this sort of thing... well, here it is!
The only thing I could've asked to improve as far as this movie goes was a better remaster of the audio - a lot of it was out of sync, a common problem that is easily fixed. Maybe we can look forward to that on later releases or perhaps the DVD? In any case, I still love it, 9 out of 10 stars.
The archive footage is a treat and includes unseen home video, rare performance footage and obscure TV appearances. It's fascinating to see videotape as the primary archive source in a documentary of this kind - so crude, so unstable, so immediate. The sourcing of this material is Andrew Horn's principle achievement.
But 'Nomi Song' is crude in other less interesting ways - as though a few more days in the edit might have helped. The interviews are unimaginatively staged and shot and some of the junctions between scenes jar.
The first hand accounts are illuminating, but sometimes petty and it would have been useful to hear some contemporary artists and more objective commentators weigh Klaus's achievement and influence to provide some perspective.
That said, this the only Nomi documentary available and we should be grateful for it. If you're curious to know more about this wonderful artist, this is a good place to start...
Did you know
- ConnectionsFeatures Le météore de la nuit (1953)
- SoundtracksForgive and Forget
Words and Music by The Marbles
Performed by The Marbles
© Marbles Music/You Tomorrow Music (BMI)
1979-2003
Recording courtesy of The Marbles
Details
Box office
- Gross US & Canada
- $74,631
- Opening weekend US & Canada
- $14,510
- Feb 6, 2005
- Gross worldwide
- $74,631
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix