The Dark Hours

Dr Samantha Goodman(Kate Greenhouse),an attractive psychiatrist in her thirties joins her husband and sister for a weekend at a winter cottage when an unexpected guest arrives.Harlan Pyne(Aidan Devine),a violent sexual offender is convinced that Samantha conducted unethical experiments on him while she was his doctor.With the assistance of his troubled yet eager protégé Harlan forces Samantha and her family to participate in a series of nightmarish games."The Dark Hours" pleasantly surprised me.The script is tight and the violence is pretty brutal and ugly.Aiden Devine's portrayal of Harlan deserves special mention for being wickedly understated and menacing.The cinematography is dark and moody and the finale is surprising and thought-provoking.Give this harrowing film a look.9 out of 10.

I just saw this film at the FanTasia film festival in Montreal and was blown away by it. I really didn't expect anything and was more than surprised with the professional quality of it. High praises go to the DP for amazing lightings and colours. The filmmakers were not shy on using efficient camera movements reminiscent of Kubrick's works. The music was discreet and up to the point, no cheap tricks were used here to scare us with a sudden raise in volume or other easy silly tricks we see way too often in Hollywood movies in recent years. The acting was flawless which is not only a sign of a great scriptwriter but of good direction of actors on behalf of the filmmaker. I have seen some pretty awful dialogue in some horror films which the actors obviously couldn't say with a straight face, so it's nice to see some great dialogues in a horror film! But my appreciation didn't stop with the technical aspects of it. It was a very efficient horror film in the sense that it produced raw emotions for the audience. It doesn't make us jump up in our seats, but it makes us cringe. This is why i call this a REAL horror film as opposed to an easy-to-do thriller. The ideas were original, the cutting of the scenes led us to think of different possible ways the story could unfold, and kept us interested till the end.

Really this is a MUST SEE film. Being a Canadian film, I do hope they will get good distribution and that the world will be able to see this. This team of filmmakers and actors will go far. Keep their names in mind because I would bet that we'll be hearing them a lot in the future.

The Dark Hours is one of those rare horror films that takes itself and its audience seriously. There is no black humour, no manic referencing of horror classics and no "someone-is-about-to-get-diced" eerie music. As a result, Paul Fox has succeeded where most American film directors have failed - in making a scary movie that is actually scary.

This film reminds me somewhat of Alexandre Aja's hugely over-hyped "Haute Tension". Both films contain violent home invasion scenarios, which are subsequently turned upside down by revelations about the sanity of the protagonists. In this case, the central character, Samantha, joins her husband and sister for a weekend in their remote cabin. Unfortunately, their stay is well and truly ruined by the appearance of Harlan; an ex-patient of Samantha's intent on revenge. As the story unfolds, it becomes increasingly ambiguous as to whether Harlan is real or a projection of Samantha's own psychosis. The reason why I find The Dark Hours superior to "Haute Tension" is that within this film's (albeit unlikely) parameters, the plot twist not only makes sense, it also serves to raise the suspense. Neither of which can be said for the events in Aja's film.

Gore hounds need not be concerned. This is not a lame "psychological" thriller. The Dark Hours contains a significant amount of gritty violence and one startling act of self-mutilation. The gore effects are uniformly well done and horror fans will enjoy several unexpectedly grim plot developments. The bloodshed is balance nicely by the terror of Harlan's games (his interpretation of "Truth or Dare" was a highlight) and the uncertainty about Samantha's own mental state.

The performances are generally very good. Kate Greenhouse is a revelation as Samantha. Hopefully she'll be leaving Canada for Hollywood in the not too distant future. Aidan Devine is another standout as Harlan. This actor has been under-appreciated for far too long. Harlan is yet another memorable character to add to his long list. The supporting cast is not as impressive. The actors who play Samantha's husband and sister are rather dismal. Their responses during the "Truth or Dare" game are unintentionally amusing, which was really quite a feat given the context. Paul Fox contributes to the film's success with his stylish direction, particularly his innovative use of sound effects and editing.

The Dark Hours leaves a number of questions unanswered. You do not have to scratch too far beneath the surface to find holes in the plot, even if they are neatly camouflaged by flashbacks and clever editing. Despite these faults, I enjoyed the film immensely. I just wish someone could tell me what that damn noise in the attic was meant to signify.

Disclaimer: I am Canadian so I may have a slight bias to my comments on this film.

This is a very very entertaining film, as it has all of the facets that an entertaining film should have. Great believable acting, interesting, twisting story with well developed characters and some light humor, the direction effectively created a sense of tension and suspense that is rarely seen these days in horror films and thrillers. In the end a job well done by all. I remember seeing a similar film at the Fantasia Festival in Montreal two years ago, called Dead End with Ray Wise. If you have seen that one and liked it as much as I did, then you will surely like this one.

Not to be missed and I really hope that this one gets out there and is seen by as many people as possible!

Some of the comments I've read about this movie so far seem to be a little too much on the positive side. While I'm not saying that this isn't a good film - as usual with obscure films made in countries other than the USA - there's a fair few people overrating it, when really it's just another variant on the idea used in Funny Games over a decade ago (which wasn't even original then), done with less panache and less to say. After a slow first twenty minutes, The Dark Hours finally gets going; and once it does get going, it does indeed become very thrilling, and it's easy to see why many people enjoyed it for that reason. The idea that the movie draws on mainly is the horror of having your space invaded by a maniac; and the film then dashes this central theme with ideas of immoral acts being justified and the horrors of the truth. The film follows psychiatrist Samantha Goodman as she travels to a small cabin in the woods to stay with her husband and sister. A young man who might be more than his mousy appearance suggests... soon interrupts their stay.

The thing I like most about this film is the isolated 'cabin in the woods' setting. Horror classic, The Evil Dead, proved that this setting is a great location for horror; and The Darks Hours is just one of the films to confirm that. The invaders force their innocent victims to partake in a series of macabre and terrifying games - and this too helps to add to the atmosphere that the movie is creating. Much like it did in Funny Games. The Dark Hours is brought to life by a talented cast of unknowns, and director Paul Fox proves his worth by getting good performances out of all of them. Kate Greenhouse takes the lead role and is backed up by the quartet of Aidan Devine, Gordon Currie, Iris Graham and Dov Tiefenbach. The acting here shows how good performances can enhance a script, as The Dark Hours works from a very basic plot that would be lost if the cast want up to the challenge of bring the characters to life. Overall, while you wont catch me describing this film as 'terrifying', 'brilliant' or even 'intelligent', The Dark Hours is definitely worth seeing as it pulls psychological horror together with shocking gore well, and represents a modest success for non-US obscure horror.