The Dark Hours

The Dark Hours is one of those rare horror films that takes itself and its audience seriously. There is no black humour, no manic referencing of horror classics and no "someone-is-about-to-get-diced" eerie music. As a result, Paul Fox has succeeded where most American film directors have failed - in making a scary movie that is actually scary.

This film reminds me somewhat of Alexandre Aja's hugely over-hyped "Haute Tension". Both films contain violent home invasion scenarios, which are subsequently turned upside down by revelations about the sanity of the protagonists. In this case, the central character, Samantha, joins her husband and sister for a weekend in their remote cabin. Unfortunately, their stay is well and truly ruined by the appearance of Harlan; an ex-patient of Samantha's intent on revenge. As the story unfolds, it becomes increasingly ambiguous as to whether Harlan is real or a projection of Samantha's own psychosis. The reason why I find The Dark Hours superior to "Haute Tension" is that within this film's (albeit unlikely) parameters, the plot twist not only makes sense, it also serves to raise the suspense. Neither of which can be said for the events in Aja's film.

Gore hounds need not be concerned. This is not a lame "psychological" thriller. The Dark Hours contains a significant amount of gritty violence and one startling act of self-mutilation. The gore effects are uniformly well done and horror fans will enjoy several unexpectedly grim plot developments. The bloodshed is balance nicely by the terror of Harlan's games (his interpretation of "Truth or Dare" was a highlight) and the uncertainty about Samantha's own mental state.

The performances are generally very good. Kate Greenhouse is a revelation as Samantha. Hopefully she'll be leaving Canada for Hollywood in the not too distant future. Aidan Devine is another standout as Harlan. This actor has been under-appreciated for far too long. Harlan is yet another memorable character to add to his long list. The supporting cast is not as impressive. The actors who play Samantha's husband and sister are rather dismal. Their responses during the "Truth or Dare" game are unintentionally amusing, which was really quite a feat given the context. Paul Fox contributes to the film's success with his stylish direction, particularly his innovative use of sound effects and editing.

The Dark Hours leaves a number of questions unanswered. You do not have to scratch too far beneath the surface to find holes in the plot, even if they are neatly camouflaged by flashbacks and clever editing. Despite these faults, I enjoyed the film immensely. I just wish someone could tell me what that damn noise in the attic was meant to signify.

Disclaimer: I am Canadian so I may have a slight bias to my comments on this film.

This is a very very entertaining film, as it has all of the facets that an entertaining film should have. Great believable acting, interesting, twisting story with well developed characters and some light humor, the direction effectively created a sense of tension and suspense that is rarely seen these days in horror films and thrillers. In the end a job well done by all. I remember seeing a similar film at the Fantasia Festival in Montreal two years ago, called Dead End with Ray Wise. If you have seen that one and liked it as much as I did, then you will surely like this one.

Not to be missed and I really hope that this one gets out there and is seen by as many people as possible!

Dr Samantha Goodman(Kate Greenhouse),an attractive psychiatrist in her thirties joins her husband and sister for a weekend at a winter cottage when an unexpected guest arrives.Harlan Pyne(Aidan Devine),a violent sexual offender is convinced that Samantha conducted unethical experiments on him while she was his doctor.With the assistance of his troubled yet eager protégé Harlan forces Samantha and her family to participate in a series of nightmarish games."The Dark Hours" pleasantly surprised me.The script is tight and the violence is pretty brutal and ugly.Aiden Devine's portrayal of Harlan deserves special mention for being wickedly understated and menacing.The cinematography is dark and moody and the finale is surprising and thought-provoking.Give this harrowing film a look.9 out of 10.

I started to watch the movie with the thought to go to sleep in the middle of it. This was about to happened because the first part of the movie is not so "catching", but I don't regret staying awake to watch it.

But, including this, at the end I can say that the first half was better than the second. Once you understand what is happening, you may as well not watch the movie to the end.

The interesting here is more the psychological part, which is mostly at the beginning. Once when you start to think what is really happening, it is not so hard to get 2+2. I can say, after all bad movies, supposed to be horror this year, this was not a disappointment, but however, the movie could've been done much much better. This movie goes far away from the caches, created in this year, but i still think the script was written too fast, instead of making the movie go further and may be even a bit more complicated. It is annoying watching the rest of the movie knowing what is gonna happened, and at the end realizing you were all right, but despite all the bad things I wrote, the movie succeeded keeping me awake and I think that the movie deserves to be watched.

If you're a Horror fan such as myself, you must have noticed by now that this profound underrated genre has a few different types of films, other than having a few sub-genres. The Dark Hours, a Canadian production, is much like a combination between Funny Games (where two psychopathic killers take a family hostage and forces then to play sadistic games) and any film (take your pick) where the protagonist can't tell fantasy from reality due to a mental condition.

In some films, the effects of fear and unpleasantness are achieved by frightening and startling the spectators, often using cheap cheats like sudden loud music. Not such is the case in The Dark Hours. In this film, the audience is, in a way, tortured along with the characters.

Nothing makes a good Horror film great like some unexpected and surprising twists. In this film - what at first bothered me was the fact that the questions asked aren't fully answered. Meaning, the audience can't know for sure what really happened, and what didn't. Eventually, I realized that this feature was exactly what made this film what it is.

What's real? What really happened, and what happened only in the protagonist's imagination? Come the film's end - you'll be debating with your friends (or yourself), as the film provides "half-proofs" to support or disprove any theory.

Personally, I prefer it when the twists and endings of films do in fact answer all the the questions the original story plants in the spectators' minds, making us go "Ohhhhhh, now I get it!". Still, I really appreciate the M.O this film uses to invoke confusion and despair.

I do think tagging this film "sci-fi" is pretty inaccurate, but I guess this is a matter of personal interpretation like almost everything else about it.

All in all, The Dark Hours proved to be an original and mind-blowing film, taking the audience for a ride of questions and confusion. For me - that has really done the trick. Very highly recommended for any Horror fan who enjoys it when films successfully mess with their minds!