Underworld 2 : Évolution

Selene (Kate Beckinsale) wishes to expose the truth about the death of Viktor to the first true vampire Marcus (Tony Curran) that is hibernating. However, Marcus has already awakened and wants to release his savage Lycan brother William (Brian Steele), who has been imprisoned for centuries. When Marcus tries to get the medal possessed by Lucian from the hybrid Michael (Scott Speedman), Selene decides to visit Andreas Tanis (Steven Mackintosh), the exiled official historian of the covens, to understand his interest. When Selene and Michael meet Tanis, they disclose the truth about their bloodlines, and later with the support of Alexander Corvinus (Sir Derek Jacobi), Selene faces the powerful and evil Marcus as the last hope left for the mankind.

It is very difficult to see good sequels, but "Underworld – Evolution" gave me the sensation that together with "Underworld", they are one good movie split in two parts. The viewers like me that enjoyed "Underworld" will certainly like this sequel very much. My vote is eight.

Title (Brazil): "Anjos da Noite – A Evolução" ("Angels of the Night - The Evolution")

Note; On 28 January 2017, I saw this film again.

More gory and more enjoyable, this opus is much more action oriented than the first one. Obviously, the scenario is less interesting although quite correct. The special effects are better than the first, the actors play well and the action scenes are much more watchable. On the other hand, the film is a little short but it's still a very good continuation of a good saga.

Good Start up to the new saga of movies. If you are a fan of horror and the underworld series themselves then it's worth a watch, action packed from pretty much start to finish and delivers a good story that moves on for the first lot. Kate is great as always and brings along others to perform a good hour and forty minutes of vampire/werewolf mayhem!

Let's face it. If you're going to see this movie, you probably enjoyed the original and are looking for more. You want high doses of fight scenes, vampire and lycan lore, blood, violence, and Kate Beckinsale wearing leather or less. In short, this movie delivers all of the above in great excess, so if you liked Underworld, you're going to like Underworld: Evolution as much or more.

On the other hand, if you don't like blood, violence, action, mythology, or using a sword in a world full of guns, this movie is not for you, and it's NOT MEANT to be for you, so don't complain about it.

This movie surpasses the original as far as story development. We learn a good bit about each character's past, which helps justify all the extreme violence they engage themselves in. We're also introduced to some new characters and plot lines that add interest and new twists, rather than just rehashing all the familiar faces from Underworld.

This movie fails to get a 10 rating from me for the following reasons:

1) Not quite enough "stuff" to fill the time. Too many shots of Kate Beckinsale "looking intense". The movie could have been 10 minutes shorter if the number of these shots had been reduced from seemingly infinite down to 10 or so. Minor problem.

2) A few glaring continuity errors.

3) Too many flashback/explanation shots from the original Underworld. I suppose this is necessary so as not to alienate viewers who didn't see the original or who forgot it. However, this movie is obviously targeted to people who liked the original and want more, so give us a quick refresher and then hit us with new stuff. No need to keep providing Cliff's notes throughout the movie. Make us think a little!

4) There wasn't a standout power move comparable to the spinning/shooting through the floor in the original Underworld. Let's face it, half the people that went to that movie did so because that shot was in the trailer. This movie had lots of power moves, but none that stood out as the winner.

Just imagine if your brother was lupine, while you devoured blood, like it was claret wine, he loved to howl and bark, you just loved being in the dark, a psychotic and neurotic frater line.

Selene is being hunted for her blood, batty Marcus needs to find where William's stood, he wants to build the family, there's some new anthropology, to explain why they enjoyed their childhood.

It's only downhill from now on, as the franchise ruptures, the bloods gone, not quite knowing when to stop, perpetually draining a good plot, leaving a husk, a shallow spectre of what was.

Be nice to know what the point of it all is too, aside from megalomania.