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IMDbPro

Le scaphandre et le papillon

  • 2007
  • PG-13
  • 1h 52m
IMDb RATING
8.0/10
112K
YOUR RATING
Le scaphandre et le papillon (2007)
The official U.S. trailer for The Diving Bell and the Butterfly, directed by Julian Schnabel.
Play trailer2:19
6 Videos
99+ Photos
DocudramaMedical DramaPsychological DramaBiographyDrama

The true story of Elle editor Jean-Dominique Bauby who suffers a stroke and has to live with an almost totally paralyzed body; only his left eye isn't paralyzed.The true story of Elle editor Jean-Dominique Bauby who suffers a stroke and has to live with an almost totally paralyzed body; only his left eye isn't paralyzed.The true story of Elle editor Jean-Dominique Bauby who suffers a stroke and has to live with an almost totally paralyzed body; only his left eye isn't paralyzed.

  • Director
    • Julian Schnabel
  • Writers
    • Ronald Harwood
    • Jean-Dominique Bauby
  • Stars
    • Mathieu Amalric
    • Emmanuelle Seigner
    • Marie-Josée Croze
  • See production info at IMDbPro
  • IMDb RATING
    8.0/10
    112K
    YOUR RATING
    • Director
      • Julian Schnabel
    • Writers
      • Ronald Harwood
      • Jean-Dominique Bauby
    • Stars
      • Mathieu Amalric
      • Emmanuelle Seigner
      • Marie-Josée Croze
    • 217User reviews
    • 198Critic reviews
    • 92Metascore
  • See production info at IMDbPro
    • Nominated for 4 Oscars
      • 68 wins & 107 nominations total

    Videos6

    Theatrical trailer: The Diving Bell and the Butterfly
    Trailer 2:19
    Theatrical trailer: The Diving Bell and the Butterfly
    The Diving Bell And The Butterfly: Clip 1
    Clip 1:26
    The Diving Bell And The Butterfly: Clip 1
    The Diving Bell And The Butterfly: Clip 1
    Clip 1:26
    The Diving Bell And The Butterfly: Clip 1
    The Diving Bell And The Butterfly: Clip 3
    Clip 1:08
    The Diving Bell And The Butterfly: Clip 3
    The Diving Bell And The Butterfly: Clip 5
    Clip 1:28
    The Diving Bell And The Butterfly: Clip 5
    The Diving Bell And The Butterfly: Clip 4
    Clip 1:05
    The Diving Bell And The Butterfly: Clip 4
    The Diving Bell And The Butterfly: Clip 2
    Clip 0:59
    The Diving Bell And The Butterfly: Clip 2

    Photos124

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    Top cast44

    Edit
    Mathieu Amalric
    Mathieu Amalric
    • Jean-Do
    Emmanuelle Seigner
    Emmanuelle Seigner
    • Céline
    Marie-Josée Croze
    Marie-Josée Croze
    • Henriette Roi
    Anne Consigny
    Anne Consigny
    • Claude
    Patrick Chesnais
    Patrick Chesnais
    • Le Docteur Lepage
    Niels Arestrup
    Niels Arestrup
    • Roussin
    Olatz López Garmendia
    Olatz López Garmendia
    • Marie Lopez
    Jean-Pierre Cassel
    Jean-Pierre Cassel
    • Père Lucien et le Vendeur
    Marina Hands
    Marina Hands
    • Joséphine
    Max von Sydow
    Max von Sydow
    • Papinou
    Gérard Watkins
    Gérard Watkins
    • Le Docteur Cocheton
    Théo Sampaio
    • Théophile
    Fiorella Campanella
    • Céleste
    Talina Boyaci
    • Hortense
    Isaach De Bankolé
    Isaach De Bankolé
    • Laurent
    Emma de Caunes
    Emma de Caunes
    • L'Impératrice Eugénie
    Jean-Philippe Écoffey
    Jean-Philippe Écoffey
    • Le Docteur Mercier et Nortier de Villefort
    Nicolas Le Riche
    • Nijinski
    • Director
      • Julian Schnabel
    • Writers
      • Ronald Harwood
      • Jean-Dominique Bauby
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews217

    8.0112K
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    Featured reviews

    8simonlitton

    A moving story told in an intriguing fashion

    Saw this last night in Brussels (it's been on release for a while now). I was worried that it would be arty and depressing, but I was pleasantly surprised by how absorbing and moving it was. The opening scenes are striking, and communicate well the main character's feelings of claustrophobia and helplessness in the immediate aftermath of his accident, but as he attempts to rebuild his life and learn how to communicate, the film (and the visual style) opens up, even making room for some welcome flashes of humour. Performances are excellent, but the real stars here are the writer(s) and director, for taking us so convincingly into the character's world.
    8mistarkus

    Inspiration

    The immersion into the life of a man that is a part of a horrific event, where just about all seems lost and where he becomes literally trapped with in his own body can be heart-achingly depressing, however, it was actually, due to poetic direction, a mesmerizing, stylistic and somewhat uplifting story. The air was a little sweeter, after the viewing since life becomes more appreciated. This movie helps you appreciate the finer things in life and realize all that we take for granted.

    Giving the film a surreal feel as though in a dream we witness a collage of memories, imaginations and actual dreams. From this, along with actual visits from loved ones we get an understanding of the man's life before the accident. It is filmed from the stroke victim's point of view. You see exactly what he sees, such as when his eye gets weak and things get blurry. We are also exposed to the man's thoughts as we hear him talking to the people about his feelings and what he wants to say despite being mute, and not being heard by the people. His thoughts give realness to the character and show us that he is still human. He even finds humor in his situation and says, to the nurse that doesn't hear him, "you need to get a sense of humor".

    Overall a message about life. At the peak of this mans life an extremely severe paralysis befalls him. At first understandably pitying himself he is able to find some humor in his situation, (and parts of the movie actually make you laugh) and then inspiration. Inspiration stemming from realization that his imagination and memory are in tact. He can feel good using his mind and can even be creative and productive.
    9Chris_Docker

    One of the best films I've seen for a while

    How much do we really communicate? Can you tell me what you're thinking? What you're feeling? Not an approximation, but exactly? To find a common language, a window of trust, and to communicate experience! To see inside the mind of an artist. Or for the artist, ours. If we find that common wavelength, can we dive in? Let the 'butterfly' take flight from its dark chrysalis? The interior world of another. The inscrutable depth of another person's individuality.

    The first movie I saw by neo-expressionist painter Julian Schnabel was Before Night Falls. In that film, the artist was trapped in prison, quite literally. Which presented great communication difficulties for him (in giving life to his novel in the world). In this film, we have examples of people trapped or imprisoned in different ways. A man who had been taken hostage in Beirut. An ailing father who has difficulty climbing stairs to and from his apartment. Both are trying to reach out to the main protagonist. Bauby. An amazing and successful socialite who's in his very own 'prison.' Bauby has secured a publishing contract when tragedy hits. A stroke causes 'locked in' syndrome and he reviews his options as an author. The book he writes, and on which this film is based, is the one he is remembered for. I haven't read it. But his powers of expression, glimpsed in the film, make me want to buy it. The book he nearly wrote - a re-write of the Count of Monte Cristo - would probably be pulped. (But I wonder if that was poetic embellishment - Dumas was the first person to describe locked in syndrome in the person of Monsieur Noirtier de Villeforte, a Cristo character).

    How many people know of Jean-Dominique Bauby, former editor of Elle fashion magazine? It doesn't matter. But what does matter is experiencing his ability to discern, his articulate vision of beauty. Not as science, but as an education of the senses (and this is a sensuous and evocative film).

    Why is The Diving Bell and the Butterfly so successful? A French language film picking up four Oscar nominations is remarkable. (The American director insisted on authenticity and made it in France and in French.) I suspect the consummate vocabulary of metaphor it uses is partly responsible. It makes the challenge facing Bauby a global one and relevant to everyone's life. None of us communicates perfectly, after all. Words left unsaid, to friends, to lovers, because we didn't find the 'right' words.

    The speech therapist who breaks through Bauby's barrier is excellent. Her motivation is, here is a man she respects and admires. It is also the biggest challenge of her career. Bauby's sense of humour, voiced as interior dialogue, is scathing. His lecherous thoughts about the therapist are tempered with good taste and his incorrect jokes about his own condition.

    Bauby starts to write his novel and his sense of poetry bursts through. We feel a glimmer of a mental rush associated with artists, explorers and adventurers. The Diving Bell and the Butterfly is the adventure of life and death. Not in Hollywood terms with big explosions. But with sensitivities, with meanings. It has a 'reach out and touch' quality. A Laughing Buddha whose joke we've missed (but might catch on another occasion). It is the most awesomely beautiful film I have seen for a long while.

    Schnabel's thing might be helping us taste something we might otherwise let go unnoticed. In Basquiat, he introduced many people to the artist Basquiat, but also to the revered and misunderstood Warhol. (And if you want to understand someone as weird as Warhol, understanding the contemporaneous – and only slightly weird - Basquiat is maybe a good place to start.) Here, his insight is transcendent. The film is a work of art. About a work of art. The use of visual metaphor and an excellent script lets us use Bauby's condition symbolically. Ingenious editing keeps us on the edge of our seat, especially towards the resolution, as we race to work out how a drive in the countryside will end.

    The only scene I could find a flaw in was where he shaves his father. The sound of the rasping blade as he shaved his dad troubled me – if it was added afterwards I think it was overdone and distracting. But the scene was an emotional building block. And much of our story is told like this, through flashbacks. With his beautiful ex-wife. With his children. With his lover. And with his father. People with whom, like most of us, he still has one or two little unresolved issues. They made me wonder if we make too little effort to communicate when it seems easy to do so.

    The film successfully mixes a down-to-earth style, great special effects to see through Bauby's one remaining eye, and jaw-dropping montage. As we observe mundane details of our hero's life falling apart or reaching fulfilment, the camera cuts to ice fields collapsing into the sea or winding back in reverse motion. Or there will be a sudden switch to sensuality as he guzzles wine and oysters in a swank restaurant, feeding and being fed by his lover. Janusz Kaminski, the cinematographer for countless Steven Spielberg's, excels, as does Oscar-winning screenwriter Ronald Harwood.

    It should perhaps be noted that the film has not been immune to attempted high-jacks by groups with their own agendas. The Catholic News Service hailed its 'life-affirming qualities' compared to another great film it denigrates, The Sea Inside. Although locked-in state is a rare condition, few individuals experiencing it are likely to have the wealth and resources, public acclaim and reason to live that Bauby had. The situation of Ramon Sanpedro (The Sea Inside) might be a more common one.
    9bbrown8870

    Do yourself a favor

    The inadequacies of the descriptions of this movie emphasize the gulf between the written (or spoken) word and the work of art itself. I could write all the spoilers and it wouldn't make a difference, because the riveting quality here doesn't depend on plot surprises. It is the improbable story, a story that will touch you and then executed by actors who seem like their lives depend on being true to the story.

    This is an anti-Hollywood, anti-formula movie. Those have their place, but this is a great antidote to the silly decisions made by inappropriately powerful studio execs.

    See it. You'll be thankful you did.
    1023pictures

    Cinematic Art achieved

    One of the best films in years, and in artistic cinematic terms, one of the best films I've ever seen. That's a heavy statement to make, but off the top of my head, I cannot think of another film that explores the inner workings of a character so intimately and believably, while blending cinematography, sound effects, and musical score in such harmony -- but in a fashion we (as American's at least) are not trained to enjoy. I felt the French influence strongly cinematically and, of course in the dialogue, but the writing and acting was so fluid it felt like the subtitles weren't even there.

    The film deals with a rare physical condition, and I was physically there with the character from start to finish. I felt each moment as if it were my own. That is a rare accomplishment in cinema. Julian Schnabel directed a stellar cast. Mathieu Amalric was unusually charming as Jean-Dominique Bauby, and Max Von Sydow was heartbreaking as his lonely widower father. The female leads were all equally impressive as they were beautiful. I don not mean to generalize them, but they were all so excellent that they blend seamlessly in my mind, in terms of performance.

    Overall, this film was as pure a cinematic experience as I've witnessed in a long time. A true artist turns out a film that is truly a piece of art. Julian Schnabel takes his time in between films, but with work like this, there's no need to rush. Like a good painting, one can enjoy it for a lifetime.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      To familiarize himself with Bauby's sheltered existence, director Julian Schnabel made the movie in the same hospital where Bauby was treated, meeting many of the orderlies who had treated him. He also shot scenes on the same balcony where Bauby relaxed, and on the same nearby beach to which his family had taken him.
    • Goofs
      When Jean-Dominique goes on a boat ride, a 'Speedferries' vessel can be seen in the background. Speedferries started business in 2004, years after the movie was set.
    • Quotes

      Jean-Dominique Bauby: I decided to stop pitying myself. Other than my eye, two things aren't paralyzed, my imagination and my memory.

    • Connections
      Featured in Siskel & Ebert & the Movies: Juno/Starting Out in the Evening/The Savages/Hitman/The Diving Bell and the Butterfly/Redacted (2007)
    • Soundtracks
      Theme for The Diving-Bell and the Butterfly
      Composed by Paul Cantelon

      Studio recording The University of Victoria

      Engineer / Producer Russell Dawkin

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    FAQ

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    • Is 'The Diving Bell and the Butterfly' based on a book?
    • How closely does the film follow the book?
    • What caused Bauby's stroke?

    Details

    Edit
    • Release date
      • May 23, 2007 (France)
    • Countries of origin
      • France
      • United States
    • Official site
      • Official site
    • Language
      • French
    • Also known as
      • El llanto de la mariposa
    • Filming locations
      • Berck, Pas-de-Calais, France
    • Production companies
      • Pathé
      • Renn Productions
      • France 3 Cinéma
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $6,003,227
    • Opening weekend US & Canada
      • $75,721
      • Dec 2, 2007
    • Gross worldwide
      • $19,780,116
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 52 minutes
    • Color
      • Color
    • Sound mix
      • DTS
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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