Two FBI agents attempt to clarify the murders occurring in a desolate region. They approach the witnesses of the latest incident with the help of the local police. All of them hide something... Read allTwo FBI agents attempt to clarify the murders occurring in a desolate region. They approach the witnesses of the latest incident with the help of the local police. All of them hide something and all have wildly different stories to tell.Two FBI agents attempt to clarify the murders occurring in a desolate region. They approach the witnesses of the latest incident with the help of the local police. All of them hide something and all have wildly different stories to tell.
- Awards
- 3 wins & 5 nominations total
- Drug Dealer
- (as D.R. Haney)
- Coroner
- (as Gerald Layton-Young)
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Featured reviews
Jennifer Lynch is not her father, and it is not fair to her for everyone to compare them. However, for those who are concerned, this is not on the level of David Lynch (but few things are). In its own right, it's a very entertaining and suspenseful film, and it might keep you guessing until the end. For the first half, we are only given a small part of the story, and it works well... I just had to know the rest.
Bill Pullman is fantastic as always (though he's beginning to show his age). I can't see anyone else in the role. Julia Ormond is not familiar to me, but she is also excellent. Cheri Oteri and French Stewart did a great job in serious, and in Stewart's case menacing, roles... a nice adjustment from their past.
I haven't seen anyone compare this film to the crimes of Charles Starkweather (which inspired "Natural Born Killers"), which strikes me as odd. Two killers driving through Nebraska? Seems like a connection... but then, maybe I'm just crazy.
This film is worth seeing and a fine piece of work. It may not be remembered in a few years (it has already begun to fade quickly), but hopefully word of mouth keeps the attention on it for a while.
FBI agents Anderson and Halloway for months have been investigating a series of interstate serial killings. The latest chapter in their investigation brings the stories of two odd-ball cops, a dis-communal family on a road trip, and a couple of coke-snorting kids, together in Rashomon fashion.
I like the way Surveillance plays out. Lynch keeps everything slow and mannered, unlike Boxing Helena which is over-blown from the beginning. Lynch is able to keep the film under control, but unfortunately is unable to pull the wool over the viewer's eyes. The answers we are looking for become obvious too quickly, making one question whether her intention was to have the viewer fooled or not. Survaillance is not designed to be conventional thriller. It is too deep and psychological for that, but it sort of ends like one.
If I was gonna label Surveillance in a word, it would be 'bitter'. When it's over, you come to realize that none of the characters (save one or two small roles) are all that respectable. Lynch's screenplay breaks them down into those who mistreat and those who get mistreated, sometimes both. On a positive note it contributes significantly to the drama or tension of the picture. There is a major lack of heart to the film, although at the same time, there is a certain lack of credibility as a side effect. Any attempt to explain may be a spoiler so I wont go that far, but that raises another question...
If I don't intend to spoil it, does that mean I am recommending it? Well, truth be told, I didn't dislike Surveillance. It is eerie and grim, which is certain a plus for a thriller, but the outcome is kind of disappointing. My advice: watch it only if you are curious, but it is not a movie that needs to be seen.
I hadn't realised that the tendency to make disturbing movies is hereditary, but Jennifer Lynch's Surveillance is every bit as disturbing as anything Dad David has made. It starts with a moderately familiar scenario - two FBI agents arrive at a small police station (4 officers, one captain, one dispatcher) in the back of beyond to tape video interviews with the survivors of some sort of incident: the nature of what happened is revealed during the interviews. To say any more is to spoiler, so I'll shut up about the plot.
But I will say that "disturbing" is the best word to describe almost all of what follows. And not just one lot of disturbing, but several. The film is gripping, visceral, and features some stunning performances, notably from Bill Pullman who is not someone who I would normally have put high on my list of those I expect to surprise me performance-wise.
Not an easy film in many ways, but definitely worth catching.
Now I will tell you exactly WHY: Almost from the very onset, the underlying tension, the nail-biting, sparks-flying friction between characters is hypnotic and entrancingly numbing. Surveillance is beyond dark, to the point of being "Non-commercial"! Now.....is that good? Well, you'll just have to decide that for yourself!
Lots of reviewers have mentioned the "surprise ending". Can't really say anything about that now... Can I???.... Beacuse, obviously, it would cease being a surpuise!!! So.... Without going into any detail... IMHO there are quite obviously 2 back-to-back, from-out-of-left-field plot twists at the end of the movie. Well 3, if you count the...OOPS! I can't really say, now can I? Ms. Lynch is really up to snuff on her movie-making technique. Editing, camera-angles, photography, close-ups, and pacing; SUPERB, ALL of them! WOW!
SURVEILLANCE wasn't a .22 bullet to my brain...it was a .45! Blew my mind in one fell swoop! But this film has "POLARIZING" written all over it! From all soul-searching reviewers, we should see lots of either 8 to 10* ratings, or 2* and 3* Ratings! The violence, although mostly not extremely graphic, nor taking up much on-screen time... To be PRECISE my EXACT rating is 8.5********* but since the only way to express that clearly is putting it in writing...as I am doing right now! This film will really HAUNT YOU!..... ENJOY!
Did you know
- TriviaThe song during the roll of end credits is sung by the director's father, David Lynch ('Speed Roaster').
- GoofsThe closing credits state that the cast is listed in alphabetical order, but Daryl Haney's name is listed after Kent Harper, Michael Ironside, and Pell James (despite the fact that it precedes all of them alphabetically).
- Quotes
Sam Hallaway: You probably read the end of a book first, don't you?
Bobbi Prescott: Yeah.
Sam Hallaway: That is no way to live.
- Crazy creditsAfter the credits the title appears, but now blood splattered
- ConnectionsReferenced in Surveillance: The Watched Are Watching (2008)
- SoundtracksSpeed Roadster
Written by David Lynch
Performed by David Lynch
Published by Bobkind Music Inc. (ASCAP)
Courtesy of David Lynch Music Company
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Mặt Trái Sự Thật
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $27,349
- Opening weekend US & Canada
- $4,590
- Jun 28, 2009
- Gross worldwide
- $1,138,322
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1