Poséidon

I went in expecting the least, but was pleasantly surprised by a handful of qualities the movie had to offer. Once you get past your formulaic introduction of characters, which honestly felt gratituous by the movie's end, the high-end production played its cards right, showing off some solid CGI in bursts, and relying more on the people to carry the tension. Not to mention Josh Lucas as the lead, laudably so, with Kurt Russell co-piloting the adventure, engaging as usual. Most of the drama was pretty meh to me and my biggest gripe revolves around a certain plot point that chewed up an unnecessary 15min, meanwhile we never get an explanation for why so many explosions occur on the ship throughout the entire movie. Past those, Dreyfuss and Emmy Rossum carry their own, even Freddy Rodriguez and Mike Vogel were good. There's some cheese, some eyerolling, and maybe even some unintentional humor, but if this type of flick is up your alley to begin with, you're bound to enjoy it. I just wish the ending had offered a glimpse of the survivors back home, how their lives turned out. A high 6 from me.

In 'Poseidon' Josh Lucas plays Dylan Johns, a professional gambler. When a freak 'rogue wave' incident causes the Poseidon cruise ship to capsize, Dylan has gamble for his life. Deciding not to listen to the captain (Andre Braugher), Dylan tries leads a group of passengers (Kurt Russell, Richard Dreyfuss, Emmy Rossum, etc.) to safety.

This is a modern remake of the 1972 'The Poseidon Adventure'. I do not remember the original, but I think this one live up to its name. It is like 'Titanic' meets 'The Towering Inferno'. There is a lot of intense action that keeps one on the edge of their seat.

There is not much drama and I do not think it will add too much to the original story. I also noticed that the movie is just over an hour and a half, it is not very long. However, I think audiences will enjoy the intensity of this film.

This formula disaster movie from Wolfgang Petersen deals about the famous luxury cruise ship turned over by giant tidal wave leaving group of survivors and hopefully scape, attempting save themselves. One time of wreckage of Poseidon during New year's eve the survivors from liner passenger looking for dangerous ways to survive. Meanwhile is developed romance and emotional byplay between various couples, Emily Russum-Mike Vogel, Josh Lucas-Jacinda Barrett, Richard Dreyfuss-Mia Maestro and relationship among parents and sons : Kurt Russell-Emily Russum and Jacinda Barrett-Jimmy Bennett.

This high budget remake mingles action, intrigue, disaster spectacle , suspense and quite entertaining though plenty of clichés. Our heroes get stuck in the ship before it sinks and suffering risks, dangers and death. The protagonists spend most of their time devising grisly ways for avoid to die like in the original picture based on a novel by Paul Gallico.The movie isn't bad but the events were also spectacularly filmed in classic version, previously winner several Oscar Academy Award.Introductory sequences are a little boring but one soon gets caught in the tale when the vessel is capsized by tidal wave.The explosions, pyrotechnics and floods are sensational but the movie is just another habitual blockbuster product and resulted to be a box office flop, in spite of a million dollars production. Furthermore, displays a sensational soundtrack by Klaus Badelt and enjoyable cinematography by John Seale.The picture is professionally directed by Wolfgang Petersen. It's a rehash of the previous disaster movies and fairly watchable story.

Especially one that sinks Titanic in special effects...

This is a remake of The Poseidon Adventure (1972). Before you jump on the bandwagon and start bashing it on this basis alone, keep it mind that the original film was not exactly a masterpiece. It was a film that sacrificed scientific reality to propel an inane plot, filled with one-dimensional characters and compensated for it with action-overload. Poseidon is exactly the same -- ridiculous plot, intrepid characters and big slice of adventure. What is different in this version is the masterful CGI. This is a perfect time to remake a film like this (much better than in 1972) -- just go overboard with special effects and no one will notice the flawed writing (which is basically a sketchbook mess).

This is the reason Poseidon does not fail in entertaining the audience. I'll admit that I was skeptical when Fergie of the Black Eyed Peas appeared in all her plastic surgery glory and Josh Lucas spouted out some cheeseball line ("Where is the disco?" "Why, you feel like dancing now?"), but I set its cringeworthy dialogue aside early on and focused my energy on not wanting to kill Fergie. The giant tidal wave capsizing the luxury liner Poseidon would take care of that, leaving only a small group of people fighting to reach the top and get out.

Another thing, besides special effects, that is by far better in this version is that the characters are actually interested in surviving and do not stop every few minutes for a petty argument as in The Poseidon Adventure (1972). Make no mistake however, these characters are still dumb to the core, getting by on lucky circumstances, occasional heroic feats and conveniently appearing objects and hatches – you've seen it all before, but damn, this is sensationally quality action.

Overall, Poseidon is bathed in a militantly hectic mood and is as fast-paced as any action film you'll see. It features mind-numbing special effects, overdoses of excitement and just typical Wolfgang Peterson overkill. It definitely won't disappoint you if you're looking for cheap but solid adrenaline kicks. I'd even happily sit through this experience again.

6.5/10

It all starts off so well too. The opening shot of Wolfgang Petersen's Poseidon is beautiful. A single take that begins beneath the surface of the ocean that swings up and out of it as the underside of the ship slices through the waves, before pivoting round the colossal cruise liner and zeroing in on Josh Lucas running on the deck. With the sun setting in the distance and the immense size of the vessel itself contrasted with the deep blue of the water, this is a visually astounding entrance to a movie that is unfortunately very shallow indeed.

A remake of the classic disaster movie The Poseidon Adventure, this tells much the same story with a small group of passengers trying to escape a doomed ocean liner after it capsizes due to a freak wave. Given the beloved status of the original, besting it was going to be tricky from the start so how to do it? Bestow the characters with as much depth and humanity as possible, arrange it so that you don't want any of them to die just as the original film did? No. That isn't the 21st Century Studio Approach to blockbusters at all, the trick is explosions! Lots of explosions! And dangerous stunts that happen in very quick succession with no set up whatsoever.

As a result, things happen very quickly. We've hardly got to know anyone on the ship before the wave strikes and sends their world tumbling upside down in a hail of glass and debris. Trapped beneath the waves, there is no debate on the best means of survival but instead a bull headed rush to escape as soon as possible and before you know it, barely any time has elapsed before we have our luckless nobodies dangling from lift shafts, diving through burning oil slicks or scrambling up air vents rapidly filling with water. This could all be very entertaining if it wasn't so empty and if only they'd eased back on the throttle a little bit, we could have had a much more successful film.

Kurt Russell for instance is wasted. As an ex firefighter and former Mayor of New York with a failed marriage behind him, they could have crafted the image of a troubled man going through a midlife crisis who finds himself tested beyond his limits. Instead, the only hints at any characterisation are him protesting his daughter's cleavage bearing dress to leave no doubt that theirs is a strained relationship. Then there is Richard Dreyfuss (who has finally found a bigger boat), whose character might as well be listed in the credits as "depressed, elderly gay man." Everyone else is just as vacuous and while Josh Lucas is certainly a charismatic focal point, it cannot make up for the two dimensional stereotypes of Kevin Dillon's gambler Lucky Larry or Mike Vogel's performance as Christian, the fiancée of Russell's daughter who manages to put in perhaps the worst attempt at acting you will see in a blockbuster this year.

It does have a few commendable points though. One death scene involving a lift shaft, jagged metal spikes and an explosion is an adrenaline pumping crowd pleaser and the aforementioned scramble through the flooding ventilation shaft is really quite tense, the ensemble cast squeezed together in a claustrophobic nightmare as the water bubbles up around them. Ultimately though, it is not enough to save it. Poseidon may make for a diverting hour and a half but Hollywood needs to learn a valuable lesson about plotting: bigger explosions and insane stunts are nowhere near as impressive if we don't care about the people involved. The original version made an entire generation terrified of getting on a boat with Ernest Borgnine, this is just laughable.