Koma

"Koma" is a wonderful thriller that is as intense as they come.The two leading ladies are not only stunningly beautiful,but extremely talented as well.Karena Lam of "Inner Senses" fame stars as Ling,a young woman who may be the kidney thief.Angelica Lee plays Ching,a frail woman who suffers from renal failure.She becomes a witness of kidney stealing and Ling may be involved into it.It quickly turns out that Ling had an affair with Wai,Ching's boyfriend.Ling gets cleared of the kidney thefts by the police and she starts to harass Ling."Koma" is filled with enough surprising twists to satisfy fans of suspenseful mysteries.The direction by Law Chi-Leung is flawless,the cinematography is astounding and the script is fresh and original.The film is stylish and offers plenty of mood and nail-biting tension,so I wasn't disappointed.Give it a look.10 out of 10.

A tense psychological thriller with horror overtones, this film stars Lee Sinje as Ching, a successful woman with kidney problems and Karena Lam as Ling, a healthy lady who resents Ching because she is successful. Ching is dating Wai and, it turns out since they can't be intimate due to Ching's problem, Wai is cheating on her with Ling. If that was all there was to it, it would be enough, but the film is also about someone who cuts kidneys out of people so they can be sold on the black market. Ching thinks Ling is behind it. However, before Ching leans about Wai and Ling, she tries to befriend Ling, since both of them are kind of lonely. The pairing of Ms. Lee and Ms. Lam is superb. Any scene they are in together elevates the film. I think the fact that they became friends during the production (they both said so on the Making Of featurette on the DVD) makes their acting together much more natural and interesting. Ms. Lee has become a very good actress over time and she gets to stretch a bit, gasping in terror and surmising the goings on (or, think she has) admirably. Likewise, Ms. Lam is very good. The other carriers are minor, this is Sinje and Karena's film. I recommend it to anyone who likes tense thrillers. Since its about the cutting out of kidneys, it can get bloody, but its not really a horror film, so that makes it better. I'd like to see these two ladies reunite for another film. They work very well together. Watch this.

Traditionally, Asian films have been sticking more to the classic horror styles and elements. What I'm saying is that in general, they are deeper, more frightening, and overall much better than American horror films. But I found something odd about "Koma." It seemed to be a combination of a slasher film, a psychological horror film, and a family drama. True, this has worked before, in much better films such as "The Silence of the Lambs", but there is something different about "Koma." It almost seems as if the filmmakers wanted to make an "American slasher flick" rather than an "Asian horror film", and to be blunt, they found something in-between.

It is hard not to notice some American influence in the film. There are several shots ripped straight out of "Fight Club" and "The Evil Dead", and the musical score is taken directly from M. Night Shyamalan's "Signs" (Though it is a computerized version of the music, not the original studio recording), with only minimal original music.

But still, it manages to tell a rather absorbing (If not genre-confused) story about friendship, betrayal, and redemption, all revolving around the idea of kidney-theft. (Yum!) Unfortunately, the movie is only 88 minutes long, and all of the interesting ideas are condensed into lesser versions of what they could be. Perhaps if the movie was longer, and took more time to explore it's characters and stories, it would have been better. Hey, it might have even become a modern classic... But because of uneven direction (Zooming cameras and quick cutting in the beginning become long, steady shots as the movie progresses) and a compressed story, what we get is marginal.

Sure it is memorable, but that is only because of it's odd vagueness in what it wants to be, transforming it into a mish-mash "referential" horror film. Overall, even though it is only "pretty good", and there are much better films out there, but be sure to at least give this one a shot, you might like it.

Never knowing which twist is coming next, Koma keeps viewers on their toes the entire film. As both leading ladies are living a life lacking that which they truly desire, only to discover it in the other, the develop a friendship in each other that has a cliff dive at every turn. The film keeps excellent pace, while keeping you guessing throughout, with an ending that makes you keep thinking of the characters after it's over. Who really won? Did anyone? Did everyone?

This Hong Kong production takes the old urban legend of a person waking up in a bathtub of ice with their kidney removed and spins it into a pretty solid and very well photographed thriller. Angelica (The Eye) Lee stars as a frail woman who gets caught up in the situation when she witnesses Karena Lam in the vicinity of a kidney theft that occurs at a hotel where she was attending a wedding. Several interesting (but predictable) plot twists are thrown in quite frequently. The musical score by Chan Kwong-Wing is very strong and most of the time punctuates the jumps well. The sound design helped to give "Koma" several scenes of creepiness. The photography was very strong with a lot of wonderfully lit scenes. The script is a step above what you usually see for a slasher type film with acting being a very strong component of the film.