An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.
- Director
- Writers
- Stars
- Nominated for 3 Oscars
- 16 wins & 49 nominations total
Yul Vazquez
- Julio
- (as Yul Vázquez)
Camillia Monet
- News Producer
- (as Camillia Sanes)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie would be a whole lot better if the characters weren't so annoying *ahem* Fanning. The effects look great and the storyline is interesting. The characters lack depth and are so bad that you end up not caring if they live or die.
Ray Ferrier (Tom Cruise) is a divorced father with daughter Rachel (Dakota Fanning) and angry teenager Robbie (Justin Chatwin). Then a strange storm appears with numerous intense lightning. Suddenly machines rise out of the ground to destroy mankind.
Director Steven Spielberg uses all his tech skills to create great CGI of this H.G. Wells vision. It looks great. There are great individual scenes like the train. Tom Cruise is good as a father looking out for his family. But a couple of things keep coming back to nag at me. The kids are a bit too much to take. I'm willing to take Dakota Fanning screaming at everything, but I can't take the annoying rebellious teen. The constant fighting with the father is so petty and so childish. The family melodrama just diminishes the scale of the movie. Then there is the change of the origins of the alien machines. It is simply a stupid idea from Spielberg to be different. There is no reason for it. Worst it makes the movie questionable. And the blood idea just adds to the silliness of the story. These are changes for the sake of changing without improving anything.
Director Steven Spielberg uses all his tech skills to create great CGI of this H.G. Wells vision. It looks great. There are great individual scenes like the train. Tom Cruise is good as a father looking out for his family. But a couple of things keep coming back to nag at me. The kids are a bit too much to take. I'm willing to take Dakota Fanning screaming at everything, but I can't take the annoying rebellious teen. The constant fighting with the father is so petty and so childish. The family melodrama just diminishes the scale of the movie. Then there is the change of the origins of the alien machines. It is simply a stupid idea from Spielberg to be different. There is no reason for it. Worst it makes the movie questionable. And the blood idea just adds to the silliness of the story. These are changes for the sake of changing without improving anything.
I love the book and overall theme of the movie but Tom Cruise acting is annoying which is probably because he had to work with 2 most annoying kid actors ever seen on the film.
I mean almost every scene is ruined by hysterical yelling of the 3 main characters. Little girl is the worst but Tom and his movie son are not far behind.
I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting
I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting
It pays to have low expectations. Hearing nothing but negative remarks about this film, I never saw it until the other day when a friend offered the DVD for a free look. With nothing to lose, and being familiar with the story having seen the 1953 movie several times, I put it on.
Wow, I enjoyed it; the film was very entertaining. The only annoying thing to me was the bratty teenage boy, who needed some discipline and never got it. However, that type of kid seems to be stereotypical of teens among modern filmmakers. Other than him, and his little sister who I put with because it's Dakota Fanning, the film served its purpose beautifully, namely to 'shock and awe.' That it did.
The Martian tripods were awesome, particularly in the long scene when they first appear out of the ground. To really appreciate this film, you have to have a surround system because the sound is fantastic. In fact, earlier with the "lightning strikes," the sound gets attention in a big-way. In other words, special- effects-wise, it isn't just about visuals but the audio as well.
Although the story of the father (Tom Cruise) and his two estranged (is anyone pictured married in films nowadays?) kids is so-so at best, the film is all about the action. That "cute" family situation is just a sub-plot to give us some breaks from the intensity of the invasion.
Anyway, some of the action scenes were jaw-dropping good and, with the normal Spielberg garbage that always comes with the good stuff, too, it's still was a fun two hours. Now, I'll have to get the DVD because I would definitely watch this more than once.
Wow, I enjoyed it; the film was very entertaining. The only annoying thing to me was the bratty teenage boy, who needed some discipline and never got it. However, that type of kid seems to be stereotypical of teens among modern filmmakers. Other than him, and his little sister who I put with because it's Dakota Fanning, the film served its purpose beautifully, namely to 'shock and awe.' That it did.
The Martian tripods were awesome, particularly in the long scene when they first appear out of the ground. To really appreciate this film, you have to have a surround system because the sound is fantastic. In fact, earlier with the "lightning strikes," the sound gets attention in a big-way. In other words, special- effects-wise, it isn't just about visuals but the audio as well.
Although the story of the father (Tom Cruise) and his two estranged (is anyone pictured married in films nowadays?) kids is so-so at best, the film is all about the action. That "cute" family situation is just a sub-plot to give us some breaks from the intensity of the invasion.
Anyway, some of the action scenes were jaw-dropping good and, with the normal Spielberg garbage that always comes with the good stuff, too, it's still was a fun two hours. Now, I'll have to get the DVD because I would definitely watch this more than once.
Stephen Spielberg took the 1953 classic War Of The Worlds and remade it for modern times and the modern techniques of special effects. A lot of things that could not be done back in the 50s are done now to show the havoc that the invaders reek upon the world.
He also did something else that possibly might have offended science fiction purists but I think gave the audience a better identification with the protagonists of the story. Instead of having his protagonists be scientists as Gene Barry and Ann Robinson were in 1953, Tom Cruise is a blue collar divorced father who has his kids visiting him, but custody is with their mother Miranda Otto.
The kids are no prizes and are played by Justin Chatwyn and Dakota Fanning. And Cruise himself is no bargain either. But when danger develops it's his idea to take them from New York to Boston where their mother and maternal grandparents are. The film as it was in 1953 is mostly concerned with their efforts to avoid the terrible tripod machines that the aliens use in their destructive path.
The film does follow the Barry/Robinson escape scenario closely. The two had a scene avoiding the aliens while they were trapped in a cellar. To that Spielberg adds survivalist Tim Robbins. I think Stephen Spielberg feels the way I do that a lot of these survivalists pray for their doomsday fantasy to come true. That was sure the case with Tim Robbins who is quite mad on the subject of the invaders.
Cruise himself centers and anchors the film with his portrayal of blue collar America who just wants for him and his family to survive the holocaust. This classic may yet see a remake or three in the future.
He also did something else that possibly might have offended science fiction purists but I think gave the audience a better identification with the protagonists of the story. Instead of having his protagonists be scientists as Gene Barry and Ann Robinson were in 1953, Tom Cruise is a blue collar divorced father who has his kids visiting him, but custody is with their mother Miranda Otto.
The kids are no prizes and are played by Justin Chatwyn and Dakota Fanning. And Cruise himself is no bargain either. But when danger develops it's his idea to take them from New York to Boston where their mother and maternal grandparents are. The film as it was in 1953 is mostly concerned with their efforts to avoid the terrible tripod machines that the aliens use in their destructive path.
The film does follow the Barry/Robinson escape scenario closely. The two had a scene avoiding the aliens while they were trapped in a cellar. To that Spielberg adds survivalist Tim Robbins. I think Stephen Spielberg feels the way I do that a lot of these survivalists pray for their doomsday fantasy to come true. That was sure the case with Tim Robbins who is quite mad on the subject of the invaders.
Cruise himself centers and anchors the film with his portrayal of blue collar America who just wants for him and his family to survive the holocaust. This classic may yet see a remake or three in the future.
Did you know
- TriviaWhen the aliens are investigating the junk in the basement, one of them plays with a bicycle wheel. This is a reference to the original book; the main character observes that, with all the advanced technology the aliens possess, they do not use any wheels, and wonders if the alien life form had skipped the invention of the wheel.
- Goofs(at around 25 mins) A camera is seen filming the alien despite all electronics being disabled earlier in the film.
- Quotes
Robbie Ferrier: What is it? Is it terrorists?
Ray Ferrier: These came from some place else.
Robbie Ferrier: What do you mean, like, Europe?
Ray Ferrier: No, Robbie, not like Europe!
- Crazy creditsThere are no opening credits after the title is shown.
- Alternate versionsFor the U.S. theatrical release, the Paramount logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Paramount Pictures and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Paramount logo, and the back of the box's cover art says, "Dreamworks Pictures and Paramount Pictures present." In the European version, the original order of the logos and studio names is preserved (and the DVD is released by Paramount).
- ConnectionsEdited into The Arrivals (2008)
- SoundtracksFlatline
by Jeffrey Scott Harber, Jayce Alexander Basques, William Peng & Drew Dehaven Hall
Performed by Aphasia
Courtesy of Luke Eddins at Luke Hits and Joint Venture Recordings
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Guerra de los mundos
- Filming locations
- JF Kennedy Blvd., Bayonne, New Jersey, USA(Ray's house - soundstage)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $132,000,000 (estimated)
- Gross US & Canada
- $234,280,354
- Opening weekend US & Canada
- $64,878,725
- Jul 3, 2005
- Gross worldwide
- $603,873,504
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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