An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.
- Director
- Writers
- Stars
- Nominated for 3 Oscars
- 16 wins & 49 nominations total
Yul Vazquez
- Julio
- (as Yul Vázquez)
Camillia Monet
- News Producer
- (as Camillia Sanes)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Stephen Spielberg took the 1953 classic War Of The Worlds and remade it for modern times and the modern techniques of special effects. A lot of things that could not be done back in the 50s are done now to show the havoc that the invaders reek upon the world.
He also did something else that possibly might have offended science fiction purists but I think gave the audience a better identification with the protagonists of the story. Instead of having his protagonists be scientists as Gene Barry and Ann Robinson were in 1953, Tom Cruise is a blue collar divorced father who has his kids visiting him, but custody is with their mother Miranda Otto.
The kids are no prizes and are played by Justin Chatwyn and Dakota Fanning. And Cruise himself is no bargain either. But when danger develops it's his idea to take them from New York to Boston where their mother and maternal grandparents are. The film as it was in 1953 is mostly concerned with their efforts to avoid the terrible tripod machines that the aliens use in their destructive path.
The film does follow the Barry/Robinson escape scenario closely. The two had a scene avoiding the aliens while they were trapped in a cellar. To that Spielberg adds survivalist Tim Robbins. I think Stephen Spielberg feels the way I do that a lot of these survivalists pray for their doomsday fantasy to come true. That was sure the case with Tim Robbins who is quite mad on the subject of the invaders.
Cruise himself centers and anchors the film with his portrayal of blue collar America who just wants for him and his family to survive the holocaust. This classic may yet see a remake or three in the future.
He also did something else that possibly might have offended science fiction purists but I think gave the audience a better identification with the protagonists of the story. Instead of having his protagonists be scientists as Gene Barry and Ann Robinson were in 1953, Tom Cruise is a blue collar divorced father who has his kids visiting him, but custody is with their mother Miranda Otto.
The kids are no prizes and are played by Justin Chatwyn and Dakota Fanning. And Cruise himself is no bargain either. But when danger develops it's his idea to take them from New York to Boston where their mother and maternal grandparents are. The film as it was in 1953 is mostly concerned with their efforts to avoid the terrible tripod machines that the aliens use in their destructive path.
The film does follow the Barry/Robinson escape scenario closely. The two had a scene avoiding the aliens while they were trapped in a cellar. To that Spielberg adds survivalist Tim Robbins. I think Stephen Spielberg feels the way I do that a lot of these survivalists pray for their doomsday fantasy to come true. That was sure the case with Tim Robbins who is quite mad on the subject of the invaders.
Cruise himself centers and anchors the film with his portrayal of blue collar America who just wants for him and his family to survive the holocaust. This classic may yet see a remake or three in the future.
"War of the Worlds" is Steven Spielberg's third movie in which extraterrestrials visit Earth, but the first in which their intentions are malevolent. It can't be coincidence that the arrival of the ETs is heralded with eerie lights flashing amid lowering clouds, as in "CE3K." From there, the similarity ends--no light show as friendly aliens come in for a closer look. These creatures (presumably Martians, as in the original H.G. Wells novel) aren't interested in making nice; nor is there any ambiguity about their ultimate objective (as there was for much of "CE3K"). They're here to wipe us off the face of the planet, plain and simple, a point we understand before the movie has played for even half an hour, and the giant walking tripods they deploy are remorselessly efficient. So, too, is the movie--at scaring the hell out of us, notwithstanding some gaping plot holes (what's up with that camcorder, anyway?) and a couple of sequences that are too reminiscent of other movies (particularly "Independence Day" and Spielberg's own "Jurassic Park").
That Spielberg uses imagery alluding to 9/11, the Holocaust, and perhaps the siege of London during World War II is, for me, less an exploitation than a reflection of how seriously he intends the audience to take the on screen mayhem. The atmosphere is heavy with threat, and the depiction of a populace numb with shock amid the devastation is chillingly convincing, despite a few moments of Hollywood cheese. We don't have Will Smith delivering snappy one-liners right after millions are massacred by the invading alien forces, a la "ID4." Nor is there much of a rah-rah, let's-kick-some-alien-ass mood as the outmatched Earthlings try fighting back. Even the ostensible protagonist (a low-key, effective Tom Cruise) crumples at one point under the enormity of what's happening.
I'm not really sure what the posters who complained of insufficient action and FX were talking about. Seems to me the tripods were pretty much a constant presence (if not always in the foreground) from about the 15-minute mark onward. And in fact the "war" of the title is waged from the beginning--it's just not on the level of humans vs. aliens combat that some viewers apparently were expecting.
That Spielberg uses imagery alluding to 9/11, the Holocaust, and perhaps the siege of London during World War II is, for me, less an exploitation than a reflection of how seriously he intends the audience to take the on screen mayhem. The atmosphere is heavy with threat, and the depiction of a populace numb with shock amid the devastation is chillingly convincing, despite a few moments of Hollywood cheese. We don't have Will Smith delivering snappy one-liners right after millions are massacred by the invading alien forces, a la "ID4." Nor is there much of a rah-rah, let's-kick-some-alien-ass mood as the outmatched Earthlings try fighting back. Even the ostensible protagonist (a low-key, effective Tom Cruise) crumples at one point under the enormity of what's happening.
I'm not really sure what the posters who complained of insufficient action and FX were talking about. Seems to me the tripods were pretty much a constant presence (if not always in the foreground) from about the 15-minute mark onward. And in fact the "war" of the title is waged from the beginning--it's just not on the level of humans vs. aliens combat that some viewers apparently were expecting.
I love the book and overall theme of the movie but Tom Cruise acting is annoying which is probably because he had to work with 2 most annoying kid actors ever seen on the film.
I mean almost every scene is ruined by hysterical yelling of the 3 main characters. Little girl is the worst but Tom and his movie son are not far behind.
I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting
I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting
'War of the Worlds' had a lot going for it, considering the story, that it was directed by Steven Spielberg and a decent cast on paper. It turned however to be a frustratingly uneven film, with a good first half and a pretty lousy second half.
Starting with what's good, the film looks fabulous, the atmosphere that the cinematography and lighting evoked is just incredible and the special effects are without complaint too. John Williams can be relied upon to compose a good score and he does here, being both rousing and spooky. Spielberg does an impeccable job directing the first half of the film, giving a lot of the first half thrills, suspense and genuine scares.
Tom Cruise does a good job in the lead and Tim Robbins is eerily eccentric. As said, the first half has many great moments and is filled with unnerving suspense and scary chills. Truly imaginative details like the burning train, the birds/tripod scene and the river of the dead bodies burn in the memory for a long while after.
However, the human drama was not as transfixing as it should have been, being hurt by the dysfunctional family subplot being rammed down the throat with no subtlety at all with nothing relatable at all and especially by the kids.
Spielberg has demonstrated before that he is capable of directing great child performances, prime examples being Haley Joel Osment in 'AI' and Christian Bale in 'Empire of the Sun', but the performances of both Dakota Fanning and Justin Chatwin are incredibly irritating. Not sure which is more so, Fanning's constant screaming or brattiness or Chatwin made to act throughout the film but especially the second half like an indecisively written character who makes stupid decisions and acts rebellious in the most insufferable of ways. The dialogue is often insipid.
After a lot of promise in the first half, 'War of the Worlds' is let down significantly by the second half where the pace slackens (a notable example being that overlong scene in the basement) and the suspense dramatically wilts (such as when the aliens are introduced, and they are not menacing in the slightest) and is replaced by ridiculousness, frustrating character decisions and sentimentality. The Hollywood schmaltz kicks in and keeps assaulting the viewer at full throttle, while the ending is up there as one of film's most false, cloying and anti-climactic.
In conclusion, a frustratingly uneven film that starts off quite well and then completely falls apart. 5/10 Bethany Cox
Starting with what's good, the film looks fabulous, the atmosphere that the cinematography and lighting evoked is just incredible and the special effects are without complaint too. John Williams can be relied upon to compose a good score and he does here, being both rousing and spooky. Spielberg does an impeccable job directing the first half of the film, giving a lot of the first half thrills, suspense and genuine scares.
Tom Cruise does a good job in the lead and Tim Robbins is eerily eccentric. As said, the first half has many great moments and is filled with unnerving suspense and scary chills. Truly imaginative details like the burning train, the birds/tripod scene and the river of the dead bodies burn in the memory for a long while after.
However, the human drama was not as transfixing as it should have been, being hurt by the dysfunctional family subplot being rammed down the throat with no subtlety at all with nothing relatable at all and especially by the kids.
Spielberg has demonstrated before that he is capable of directing great child performances, prime examples being Haley Joel Osment in 'AI' and Christian Bale in 'Empire of the Sun', but the performances of both Dakota Fanning and Justin Chatwin are incredibly irritating. Not sure which is more so, Fanning's constant screaming or brattiness or Chatwin made to act throughout the film but especially the second half like an indecisively written character who makes stupid decisions and acts rebellious in the most insufferable of ways. The dialogue is often insipid.
After a lot of promise in the first half, 'War of the Worlds' is let down significantly by the second half where the pace slackens (a notable example being that overlong scene in the basement) and the suspense dramatically wilts (such as when the aliens are introduced, and they are not menacing in the slightest) and is replaced by ridiculousness, frustrating character decisions and sentimentality. The Hollywood schmaltz kicks in and keeps assaulting the viewer at full throttle, while the ending is up there as one of film's most false, cloying and anti-climactic.
In conclusion, a frustratingly uneven film that starts off quite well and then completely falls apart. 5/10 Bethany Cox
Ray Ferrier (Tom Cruise) is a divorced father with daughter Rachel (Dakota Fanning) and angry teenager Robbie (Justin Chatwin). Then a strange storm appears with numerous intense lightning. Suddenly machines rise out of the ground to destroy mankind.
Director Steven Spielberg uses all his tech skills to create great CGI of this H.G. Wells vision. It looks great. There are great individual scenes like the train. Tom Cruise is good as a father looking out for his family. But a couple of things keep coming back to nag at me. The kids are a bit too much to take. I'm willing to take Dakota Fanning screaming at everything, but I can't take the annoying rebellious teen. The constant fighting with the father is so petty and so childish. The family melodrama just diminishes the scale of the movie. Then there is the change of the origins of the alien machines. It is simply a stupid idea from Spielberg to be different. There is no reason for it. Worst it makes the movie questionable. And the blood idea just adds to the silliness of the story. These are changes for the sake of changing without improving anything.
Director Steven Spielberg uses all his tech skills to create great CGI of this H.G. Wells vision. It looks great. There are great individual scenes like the train. Tom Cruise is good as a father looking out for his family. But a couple of things keep coming back to nag at me. The kids are a bit too much to take. I'm willing to take Dakota Fanning screaming at everything, but I can't take the annoying rebellious teen. The constant fighting with the father is so petty and so childish. The family melodrama just diminishes the scale of the movie. Then there is the change of the origins of the alien machines. It is simply a stupid idea from Spielberg to be different. There is no reason for it. Worst it makes the movie questionable. And the blood idea just adds to the silliness of the story. These are changes for the sake of changing without improving anything.
Did you know
- TriviaWhen the aliens are investigating the junk in the basement, one of them plays with a bicycle wheel. This is a reference to the original book; the main character observes that, with all the advanced technology the aliens possess, they do not use any wheels, and wonders if the alien life form had skipped the invention of the wheel.
- Goofs(at around 25 mins) A camera is seen filming the alien despite all electronics being disabled earlier in the film.
- Quotes
Robbie Ferrier: What is it? Is it terrorists?
Ray Ferrier: These came from some place else.
Robbie Ferrier: What do you mean, like, Europe?
Ray Ferrier: No, Robbie, not like Europe!
- Crazy creditsThere are no opening credits after the title is shown.
- Alternate versionsFor the U.S. theatrical release, the Paramount logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Paramount Pictures and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Paramount logo, and the back of the box's cover art says, "Dreamworks Pictures and Paramount Pictures present." In the European version, the original order of the logos and studio names is preserved (and the DVD is released by Paramount).
- ConnectionsEdited into The Arrivals (2008)
- SoundtracksFlatline
by Jeffrey Scott Harber, Jayce Alexander Basques, William Peng & Drew Dehaven Hall
Performed by Aphasia
Courtesy of Luke Eddins at Luke Hits and Joint Venture Recordings
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Guerra de los mundos
- Filming locations
- JF Kennedy Blvd., Bayonne, New Jersey, USA(Ray's house - soundstage)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $132,000,000 (estimated)
- Gross US & Canada
- $234,280,354
- Opening weekend US & Canada
- $64,878,725
- Jul 3, 2005
- Gross worldwide
- $603,873,504
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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