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A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sin... Read allA man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man may've predicted.A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man may've predicted.
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This film is about the sadistic adventures of Marquis de Sade, and also the lunacy of two extreme ways of running a psychiatric asylum.
I have seen Jan Svankmajer's films before, so I knew that this film would be bizarre and disturbing. Still, this film gravely shocked me. From the moving tongues to enucleation, this film was full of revolting and gory scenes. I almost felt sick during the film. I was also surprised to see a blasphemous scene involving a statue of crucifixion, which was shocking especially considering that the Czech Republic is a religious country.
Fortunately, the story was gripping and engaging. It really kept me longing for more to unfold. Marquis' monologue questioning the existence of God was well composed, and gave new arguments (for me anyway) to the never ending debate of His existence. This film is not for the uptight or the light hearted.
I have seen Jan Svankmajer's films before, so I knew that this film would be bizarre and disturbing. Still, this film gravely shocked me. From the moving tongues to enucleation, this film was full of revolting and gory scenes. I almost felt sick during the film. I was also surprised to see a blasphemous scene involving a statue of crucifixion, which was shocking especially considering that the Czech Republic is a religious country.
Fortunately, the story was gripping and engaging. It really kept me longing for more to unfold. Marquis' monologue questioning the existence of God was well composed, and gave new arguments (for me anyway) to the never ending debate of His existence. This film is not for the uptight or the light hearted.
I just saw this film at the Montreal fantasia film festival. And this being Svankmajer's most recent film, I jumped for tickets. Absolutely amazing. Something of a political comment, the film show's us to ways of running an insane asylum. I have always loved Jan Svankmajer for his use of macabre animation (using raw meat, bones and eye balls). And it's use in context with 'Lunacy' is chilling. Truly one of the best horror films I've see all year. It's not the sort of horror that is entertaining to watch or bring your girlfriend. But if you love films and your looking for a horror film that will keep you thinking...then find a way to see this film.
After knowing literally nothing about either this film or the director (who I've, since, become very interested in), I must say that this is a fantastic piece of art. Lunacy refuses to be what anyone expects of it: beginning with a B-horror feel, evolving into a very Salo-esquire shock inducing libertine tale, and ending in a profoundly *con*founding take on mental health. This is neither surreal, nor horror, nor pure art film, but a very effective combination of the three that is both accessible and challenging. From its seemingly flat stop motion animation which becomes increasingly effective, to its difficult narrative, this is a shocking movie that transcends the simple desire to shock the viewer and leaves one feeling effected (not affected).
"Lunacy" is Jan Svankmajer's homage to Edgar Allan Poe and the Marquis De Sade, (it's full of allusions to "Marat/Sade"), and as he tells us himself, is a horror film and not a work of art. It is certainly the first and I would argue it is also a work of art of quite a high order. It combines live-action with Svankmajer's trade-mark animation in giving us a study of what we might call 'the banality of evil' unlike almost anything else in cinema. It is a film that moves from a barely recognizable present to some kind of past as easily as it does from live-action to animation existing in a kind of no-man's-land between the real and surreal in a manner almost guaranteed to give you the very literal creeps; this is the real thing. Yet there is also something tongue-in-cheek about the horrors Svankmajer inflicts on us. There is a giddy perversity to the picture that to a degree dissipates the director's attack on the institutions he appears to condemn. This is as much a very bizarre celebration of hedonism as it is an attack on the communist regime. There's also an asylum in the film that makes the one at Charenton look like a Wendy House. Perverse, yes but also utterly extraordinary and undoubtedly one of Svankmajer's masterpieces.
Functioning mainly as a mixture of three demented masters of art (these "heroes" of mine being Edgar Allan Poe, the Marquis de Sade, and Jan Svankmajer), "Lunacy" portrays a world of hopeless depravity. Demented desires are shown to be hidden within those one both extremes of the social spectrum. "Lunacy" is a film that lives up to its title, showcasing a world of idiocy, chaos, and oppression.
In his brilliant introduction, Svankmajer claims that this is a film inspired by the works of both Edgar Allan Poe and the Marquis de Sade. Being a fan of both authors, this only further fueled my fascination with the film. Poe's tortured soul often dominates the more melancholic and moody sections of such a masterwork, as well as largely inspiring the overall story. de Sade's sick spirit shines even brighter as Svankmajer displays the perverted sexual acts and desires performed by a common libertine. His surreal lens not flinching one bit, blasphemous rituals of twisted eroticism are performed in a way both chilling and occasionally amusing. Further mirroring de Sade's unconventional brilliance are the nihilistic philosophical musings of the film's own marquis, a man who refuses to hide his perverted desires, hatred for Mother Nature, and disdain for religion.
While juggling the atmospheres of ever impending doom and inescapable tragedy, "Lunacy" also manages to be one of the funniest movies of the century so far. Without fail, Svankmajer slyly mocks society using both grotesque horror and riotous black humor. Gags fill up Svankmajer's cinematic canvas like his character of the marquis' sperm does the inside of his sexual victims. Here, hilarity comes in many (often absolutely absurdist) forms, from slapstick to social commentary. Densely layered, Svankmajer's film crowds itself with much comic insanity by the second half. Many sequences work as both scenes of sadistic horror and gross out humor, so never be afraid to burst with laughter despite the urge to spray puke all over the movie screen like a hose.
In his brilliant introduction, Svankmajer claims that this is a film inspired by the works of both Edgar Allan Poe and the Marquis de Sade. Being a fan of both authors, this only further fueled my fascination with the film. Poe's tortured soul often dominates the more melancholic and moody sections of such a masterwork, as well as largely inspiring the overall story. de Sade's sick spirit shines even brighter as Svankmajer displays the perverted sexual acts and desires performed by a common libertine. His surreal lens not flinching one bit, blasphemous rituals of twisted eroticism are performed in a way both chilling and occasionally amusing. Further mirroring de Sade's unconventional brilliance are the nihilistic philosophical musings of the film's own marquis, a man who refuses to hide his perverted desires, hatred for Mother Nature, and disdain for religion.
While juggling the atmospheres of ever impending doom and inescapable tragedy, "Lunacy" also manages to be one of the funniest movies of the century so far. Without fail, Svankmajer slyly mocks society using both grotesque horror and riotous black humor. Gags fill up Svankmajer's cinematic canvas like his character of the marquis' sperm does the inside of his sexual victims. Here, hilarity comes in many (often absolutely absurdist) forms, from slapstick to social commentary. Densely layered, Svankmajer's film crowds itself with much comic insanity by the second half. Many sequences work as both scenes of sadistic horror and gross out humor, so never be afraid to burst with laughter despite the urge to spray puke all over the movie screen like a hose.
Did you know
- TriviaThe official Czech submission to the 2007 Oscars in the Best Foreign Language Film category.
- ConnectionsReferenced in Uborshchitsa
- How long is Lunacy?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Lunacy
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $48,324
- Opening weekend US & Canada
- $3,245
- Aug 13, 2006
- Gross worldwide
- $133,982
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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