Arahan

There's an awful lot to like in "Arahan," but, then again, there's always something to like in any film that features a bumbling misfit saving the world.

Sang-hwan is a young police officer, and he's not a very good one. Bespectacled and nervous, he's not exactly welcomed with open arms at work. He bumbles his way into one mess and out of another, all despite his good intentions, and he ends up causing himself (and others) more harm than good. When several old masters guarding the key to enlightenment identify a strong ch'i in him that – if properly nourished and trained – could save mankind from a newly awakened evil, Sang-hwan decides to believe in himself and accept his new role as a guardian of society … but not without bumbling headfirst into the responsibility.

"Arahan" opens with a pace and tone that feels far more dark than the script ever delivers, and moments of whimsy aren't as funny as was quite possibly intended. In fact, Sang-hwan's beating at the hands of a street gang is downright violent, completely void of any humor. Thankfully, the uneven pacing of the first half gives way to some welcome surprises in the second, complete with a spectacular showdown to save mankind with frenetic swordfights, great humor, and some spectacular wire-fu.

If anything, "Arahan" takes itself a bit too seriously again in the closing moments of the fisticuffs when too many fight sequences are photographed in brain-friendly slow motion (gee, doesn't this all look pretty and significant?). But that's a small complaint for a film that delivers some impressive action sequences, some inspired special effects, and more than a dozen good belly laughs.

With a tag line of "Urban Martial Arts Mayhem", and featuring a villain that comes pretty close to being an evil Korean Jesus, how can 'Arahan' not be awesome? It may not be quite as awesome as the trailer made out, but it still manages to be pretty cool.

Sang-Hwan is in a fix. He is a rather ineffective police officer who seems to go out of his way to get beaten up. The Seven Masters (of which there actually five) are in a fix. The kids don't believe in the Tao anymore, and the ability to levitate seems only useful in changing light bulbs. After Sang-Hwan ends on the receiving end of a palm-blast from Eui-Jin, she takes Sang-Hwan back to the Seven Masters (of which there are actually five) where they discover his un-tapped chi-potential. The Masters want to train Eui-Jin and Sang-Hwan as replacement Masters, and Sang-Hwan just wants to learn how to perform a palm chi-blast. However, Evil Korean Jesus has been accidentally released from his prison, and now seeks (among other things) revenge against the Seven Masters, and world domination. Ambitious.

If I could one major fault with 'Arahan', it is that the movie takes itself too seriously at times. On the other hand, 'Volcano High', despite being presented in a serious way, was non-stop fun. 'Arahan' sometimes drags on, giving away few laughs, but then makes up for it with scenes of awesomeness.

Complaints aside, it was generally a funny movie, with some nice visual effects and some pretty cool fantasy fight scenes. 'Arahan' is an enjoyable action / comedy - 7/10

In the tradition of the latest good martial arts movies coming from Korea, this one really doesn't disappoint. The plot centers around an ancient secret weapon based on Chi guarded since ancient times by a secret society... The man character is an honest, pacifist, almost inept and at times strange, policeman not aware of his unknown strengh who seeks to learn fighting for revenge. There is a lot of CG in the movie but contrary to many Hollywood (and non-Hollywood) movies, the CG blends very well with the rest of this fantasy movie and add to the stunning visual appeal of the film. The movie has some very funny and surprising scenes, and many action-packed sequences. The fights are very well choreographed. I would give three thumbs up if I could...

As Eastern cinema grows more and more popular in the West, largely thanks to its being aped by such filmmakers as the Wachowskis and Quentin Tarantino, an increasing number of cinematic gems from across Eastern Asia are now arriving in the West. While films like Hero and House of Flying Daggers gain widespread theatrical releases, the more common place to find some of these films is on DVD and that's precisely where I found Arahan.

Having never heard of it before I was struck by the synopsis on the back of the box that likened it to Stephen Chow's (he of Kung Fu Hustle and Shaolin Soccer fame) manic output I took a chance on it and was mildly surprised by what I saw.

Directed with confidence and occasional flare by Ryu Seung-Wan, Arahan tells the story of Sang (played Ryu Seung-Bum who you may recognise from Sympathy for Mr. Vengeance), a somewhat goofy and ineffective cop who no one can seem to take seriously. After a disastrous attempt to ticket the local congressman's chauffeur for running a red light, Sang spies a purse-snatcher and promptly gives chase. Unknown to him the purse-snatcher is also being pursued by Eui-Jin (played by Yun Soy), a Tao master in training. When Sang is struck by her errant palm blast he finds himself in the care of the Seven Masters (oddly enough there are only five of them). Harbouring a crush on Eui-Jin and a strong desire to kick some ass, Sang begins training under the Masters in the hopes of Maruchi, or enlightened male master.

One thing Arahan is not is slow. It moves at a brisk clip while at the same time managing to feel unhurried in reaching it's destination. It also boasts some fun characters. Seung-Bum is delightful to watch as Sang. The unusual combination of barrel bottom self esteem, stubborn pride and impatience is interesting to watch and Seung-Bum manages to carry it off wonderfully without ever letting the character descend into a mess of neuroses which could have so easily happened. Yun Soy makes a suitable foil and displays a lot of fire in her performance but her delivery sometimes falls a little flat. Admittedly she has less to work with as the slightly clichéd girl with great power and responsibility who just wants to lead a normal life has been a fairly common theme in recent years but all in all she acquits herself well. Jeong Doo-Hong is also well cast as the movies icy villain Heuk-Un, a former Tao Master with a neat line in martial arts moves and a PhD in not knowing when to call it quits.

In terms of action (for Arahan is a Kung Fu movie so not to mention it would defeat a lot of the object in a review of the film) Arahan manages to pull out some neat scenes, using the full gamut of tricks currently employed in the genre including extensive wire work in some of the later battles, occasional use of CG and a nice mixture of sword and fist fights to lend the scenes some variety. It never truly raises the bar and on occasion the fights can be heavily edited, perhaps to cover some of the performers lack of skill. By and large though it gets the blood pumping and will make you wince at just the right moments, all the ingredients of some decent Kung Fu.

Unfortunately Arahan does have one fairly large flaw. While billed as a comedy, Arahan can be surprisingly uneven in its tone. Much of the films humour tends to be slapstick although there are some knowing asides to Kung Fu genre in general particularly at the very beginning. The result of this somewhat broad humour combined with the manic performances will bring smiles to all but the most jaded. The downside to this however is when the film wants to get serious it pulls some nasty sucker punches that deaden the otherwise light and bouncy mood so suddenly you'll wonder if you're still watching the same film. Sang's ego destroying beating at the hands of a gang of thugs and any scene where Heuk-Un turns up are good examples of this and it's only toward the movies end that the two distinct tones of the movie begin to mesh any where close to successfully. It's a bit of a shame really. While the humour is welcome and largely on the nose (if a little broad at times), had it been reigned in slightly, perhaps been made a little more subtle, the films jarring changes of mood would have been less noticeable and the film itself doubtless would have been stronger for it.

In the end Arahan overcomes its flaws to provide a largely entertaining and irreverent slice of Kung Fu with a sideline in unexpected brutality. It may not be able to go head to head with best of Chow's output, but that it can be mentioned in the same sentence is more than praise enough.

Being of Korean descent and a huge film buff (especially Harry Potter), but having no knowledge of Korean films (which my parents find is a disgrace), my father thought it would be good for me to watch "Arahan". It's set in a modern-time period, but takes martial arts and special effects to a whole new level with characters running down the side of buildings, jumping great distances and even having this power called "jangpung", which is blasting objects out of the way. Normally, I would have called this cheesy, but the director and writers actually made it funny. Now, the main character isn't a typical superhero. He's a deadbeat cop with no self-esteem whatsoever. You follow him as he's recruited by the Seven Masters and trained into shape. He falls in love with one of the Seven Masters, Eui-Jun. An evil spirit takes human form and looks for this legendary sword. It's your typical Asian action movie, but it's also extremely funny and fast-paced. I recommend this movie to fans of Asian action and/or comedy.