Eggshells

I saw this film in Austin, Texas, where it was shot, back in the hippie days when I was in college. I just want to comment that I remember being impressed because it was "different" from the Hollywood movies I'd grown up seeing. It was the first movie I saw that struck me as somebody having fun making the movie, rather than whether or not the movie itself was good. I hesitate to comment much on the movie because it has been about 35 years since I saw it. But I can say that many times over the years it has popped back into my mind and I've thought "Hey, I'd like to see that one again." I don't remember anything about the plot. In fact, I'm pretty sure there is not much, if any, plot in the usual sense. What I do remember vividly is a great sequence of a paper airplane sailing through the air the way anybody who has ever folded and thrown one would LIKE for it to fly!

My dad went to film school in Austin, Texas in fact he was a freshman the year after Tobe Hooper graduated. He told me that as part of a class he had to watch 'Eggshells.' What he liked most about it was that it showed the power of editing, just simple cuts and that was all it needed. There was one scene in particular, of a man having a sword fight with himself he would swing the sword, and BAM! cut he would appear on the other side ready to parry, the scene probably took hours to choreograph but for the primitive effects it was truly remarkable.

I would love to try to find a copy of it somewhere, i may just have to go to Austin to get it.

My summary line will be something of an inside joke that only people who have watched the movie at the Frightfest in London earlier this year (2010) will understand. Those who went ahead and watched it of course. And stayed until the end. Because this is very experimental. Very different too.

And yes if you like it, you will state that this is good because it isn't like any Hollywood movie (well it's not supposed to be). And yes it has it's scenes (though the staircase montage gets a bit annoying after a bit). And also yes to the fact, that this is not really a horror movie. It is more a sci-fi movie than a horror movie. Just in case you expected that, from the man who brought you Texas Chainsaw Massacre (the original that is).

If you are into experimental movies with (almost) no story at all, than this might be for you. Ignore my rating (and all the others who said it's not good). I'm not gonna tell you, how to feel about the weird things you (probably) are about to see.

I recently saw this at London's Frightfest, and it may well be the dullest film I have ever had the misfortune to view there. From one rambling, pointless conversation to the next, nothing of interest happens, apart from a guy having a sword-fight with himself. There may be some who would say that if you didn't like it, you probably didn't understand it, like it's the "emperors new movie", or something. These hypothetical people can get lost. I can't imagine that fully comprehending the film would make it any less dull. I didn't want to understand the presence in the basement, I just wanted it to do something. The film is really only of interest to Tobe Hooper fans, and people who like artsy sixties movies. By the way, I did ask Tobe Hooper what the meaning behind the title was, and he said it just meant "a very delicate situation".

The other comment says much of what I would have said had I got here first, but I saw Eggshells at the Texas Theater, an "art house" on Guadalupe Street (the "Drag") in Austin across from the UT campus. I wish I could remember for certain when it was, but my best guess is that it was sometime between 1969 and 1971. (Since I was at UT from 1969 to 1976, I suppose that I could have seen it after Chainsaw Massacre came out in 1974, but I have a pretty good reason for thinking that's not right.)

Eggshells wasn't very good, frankly, but I saw the hippie bus with the dome around town several times before and after I saw the movie. After TCM came out I was pleased that I accidentally got to see Hooper's first effort.

One correction: I don't think that the wedding scene was on the Texas State Capitol grounds. I'm pretty sure that it was shot in Wooldridge Park on Guadalupe Street between West 10th and West 9th Streets across the street from the Travis County Courthouse. Perhaps the wedding was at the capitol and I've forgotten it, but if so then some other scene was shot at Wooldridge, since there's an easily-recognizable gazebo in Wooldridge that can be seen in the film.