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About a man who has trouble with his job, trouble with women, and uses food to deal with it all.About a man who has trouble with his job, trouble with women, and uses food to deal with it all.About a man who has trouble with his job, trouble with women, and uses food to deal with it all.
Rebecca Sage Allen
- Andrea Hope
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Garlin is unquestionably a comedian's comedian and a comedian to anyone looking for a good time. His first film, which is entirely his own creation and production, tells the story of a struggling Chicago actor James Aaron with whom Jeff obviously identifies. He wonderfully juxtaposes James to Paddy Chayefsky's "Marty" and to Jackie Gleason's Poor Soul as he exposes James' dilemmas with an array of actors that in real life are Jeff's friends, many who are fellow Second City alumni.
He delightfully uses Sarah Silverman's diametrical cuteness and scathingly absurd humor to exemplify how despite common sense and talent, life's contentment can too often belie unyielding frustration. Bonnie Hunt gives an endearing performance as a romantic interest.
Don't let a simple story mislead you, the characters and conflicts are well thought out and ring true. Those that follow Garlin's career and understand that his humor is based on telling reality humorously, not necessarily creating fiction which too easily can be contrived, will appreciate his dialogue driven story.
We surely will see Garlin working much more as director and writer with other talented intelligent comedic actors who undertake the great challenge of making life funny.
He delightfully uses Sarah Silverman's diametrical cuteness and scathingly absurd humor to exemplify how despite common sense and talent, life's contentment can too often belie unyielding frustration. Bonnie Hunt gives an endearing performance as a romantic interest.
Don't let a simple story mislead you, the characters and conflicts are well thought out and ring true. Those that follow Garlin's career and understand that his humor is based on telling reality humorously, not necessarily creating fiction which too easily can be contrived, will appreciate his dialogue driven story.
We surely will see Garlin working much more as director and writer with other talented intelligent comedic actors who undertake the great challenge of making life funny.
Any movie that offers Bonnie Hunt, Sarah Silverman and Amy Sedaris in the supporting cast has to be well worth watching, and comic actor Jeff Garlin takes advantage of the terrific talent he recruited for his 2007 directorial debut, a sad-sack comedy about an overweight man who feels out of step with the world around him. Familiar as Larry David's manager Jeff on "Curb Your Enthusiasm", Garlin plays James, a still-struggling, 39-year old Chicago actor who still lives with his widowed mother. His self-esteem is so low that he can't meet women, but it's the comical way he views his single status that makes his dilemma involving. If the storyline sounds a bit familiar, that's because the film is partially a tribute to the 1955 Ernest Borgnine classic, "Marty", about a lonely Bronx butcher living with his meddlesome mother. In fact, Garlin uses "Marty" as the play which James is desperate to do since he is so empathetic to the character's situation.
Naturally there is a love story of sorts in this new millennium version, and Silverman plays Beth, an off-kilter, sexually voracious ice cream parlor server who takes him on an underwear shopping spree. Their best scene together is in his favorite convenience store where they improvise different characters in different aisles. Hunt plays a lonely elementary school teacher who shares a passion with James for jazz musician Ben Webster. They meet accidentally in a record store and then again at a career day at her school where he hilariously exposes his sexual neuroses in front of a classroom of first-graders, including his best friend Luca's pert daughter Penelope (played by Dakota Fanning's look-alike baby sister Elle). In a wedged-in cameo and looking quite a bit like Jerri Blank, Sedaris plays the school's counselor who speaks to James after his inappropriate monologue. David Pasquesi plays Luca, a retirement home manager, and his scenes with Garlin have an easy rapport that makes their friendship easy to believe. Almost stealing the movie is character actress Mina Kolb, who plays James' pixilated mother with pluck and heart.
There are also unexpected cameos from teen idol Aaron Carter and Gina Gershon (don't ask but the set-up is funny), as well as sharply played bits by director Paul Mazursky (as the snaky director of a candid-camera-type show, "Smear Job"), Tim Kazurinsky (as the unsuspecting victim of that show) and Dan Castellaneta (as the tough-love convenience store owner). With his rueful bouts of insecurity and self-loathing, Garlin's comic sensibilities resemble those of Albert Brooks, and the casual dialogue at its best reminds me of "Modern Romance" and "Defending Your Life". The one persistent problem I had with the film is pacing as some scenes dragged out longer than necessary. The problem is more evident in the first half when Garlin is trying to establish the right tempo, and the lack of real conflict adds to the sluggishness. Regardless, what he does well is capture that gnawing sense of desperation one feels upon the revelation that life is not what it is supposed to be, that a significant other may be out of reach, and that a steady diet of junk food eaten on a car hood is the only sure thing when it comes to gratification.
Naturally there is a love story of sorts in this new millennium version, and Silverman plays Beth, an off-kilter, sexually voracious ice cream parlor server who takes him on an underwear shopping spree. Their best scene together is in his favorite convenience store where they improvise different characters in different aisles. Hunt plays a lonely elementary school teacher who shares a passion with James for jazz musician Ben Webster. They meet accidentally in a record store and then again at a career day at her school where he hilariously exposes his sexual neuroses in front of a classroom of first-graders, including his best friend Luca's pert daughter Penelope (played by Dakota Fanning's look-alike baby sister Elle). In a wedged-in cameo and looking quite a bit like Jerri Blank, Sedaris plays the school's counselor who speaks to James after his inappropriate monologue. David Pasquesi plays Luca, a retirement home manager, and his scenes with Garlin have an easy rapport that makes their friendship easy to believe. Almost stealing the movie is character actress Mina Kolb, who plays James' pixilated mother with pluck and heart.
There are also unexpected cameos from teen idol Aaron Carter and Gina Gershon (don't ask but the set-up is funny), as well as sharply played bits by director Paul Mazursky (as the snaky director of a candid-camera-type show, "Smear Job"), Tim Kazurinsky (as the unsuspecting victim of that show) and Dan Castellaneta (as the tough-love convenience store owner). With his rueful bouts of insecurity and self-loathing, Garlin's comic sensibilities resemble those of Albert Brooks, and the casual dialogue at its best reminds me of "Modern Romance" and "Defending Your Life". The one persistent problem I had with the film is pacing as some scenes dragged out longer than necessary. The problem is more evident in the first half when Garlin is trying to establish the right tempo, and the lack of real conflict adds to the sluggishness. Regardless, what he does well is capture that gnawing sense of desperation one feels upon the revelation that life is not what it is supposed to be, that a significant other may be out of reach, and that a steady diet of junk food eaten on a car hood is the only sure thing when it comes to gratification.
My original title for this review was going to be, "Ending disappoints, Film triumphs." But I actually thought about this one on the way home. It is not the fairy tale most of these films are, it takes turns that are different and while its ending is at first disappointing, it slowly sinks in and hits the core on a satisfying tone.
The plot follows a man named James Aaron(Curb Your Enthusiasm's Jeff Garlin, who also wrote and directed) a struggling actor who lives in Chicago with his mother and deals with both his obesity and his inability to find someone to love.
Yes, it sounds corny, but it experiments with elements that make it somewhat unpredictable, and actually makes you wish it were longer. The ending came kind of abruptly and had me saying, "that's it!?" But once it starts to take it's toll, it really makes you smile.
It does have many tones of seriousness throughout, but fear not, for it is also very funny. Some scenes offer huge laughs, and those who have seen Jeff Garlin's stand-up will recognize a couple (Primarily when he gives a speech at career day for his niece's kindergarten class and bombs). It begins on somewhat of a serious note that you do not expect, but what follows is very funny, entertaining, and quite poignant as well. It is the kind of movie that you keep watching and always enjoy. And as I said before, while the ending may seem absurd at first, once you take time to think about, it is a true joy.
The plot follows a man named James Aaron(Curb Your Enthusiasm's Jeff Garlin, who also wrote and directed) a struggling actor who lives in Chicago with his mother and deals with both his obesity and his inability to find someone to love.
Yes, it sounds corny, but it experiments with elements that make it somewhat unpredictable, and actually makes you wish it were longer. The ending came kind of abruptly and had me saying, "that's it!?" But once it starts to take it's toll, it really makes you smile.
It does have many tones of seriousness throughout, but fear not, for it is also very funny. Some scenes offer huge laughs, and those who have seen Jeff Garlin's stand-up will recognize a couple (Primarily when he gives a speech at career day for his niece's kindergarten class and bombs). It begins on somewhat of a serious note that you do not expect, but what follows is very funny, entertaining, and quite poignant as well. It is the kind of movie that you keep watching and always enjoy. And as I said before, while the ending may seem absurd at first, once you take time to think about, it is a true joy.
I enjoyed this film for the most part, but there are a lot of problematic things I'd like to point out.
First, let's say what's good about the film. It's clever, and the characters are well rounded and quite honestly, the main character is entertaining in his own awkward way. The love interest aspect of the movie actually ends up taking a backseat to this man's somewhat depressing life, but the film never stops being a little charming. The problem, though, is that it's been advertised as a romantic comedy. It's not.
Mostly it's a sitcom in the form of a full length feature. Anyone familiar with the formula of Seinfeld or Curb Your Enthusiasm will recognize the setup of many jokes and situations throughout the film (Jeff Garlin is a producer and character on CYE, so this shouldn't come as a surprise that they're very similar. Even down to the soundtrack.) My girlfriend and I picked this one up after seeing the trailer and thought it would be a funny romantic comedy. But, as I've already said, the relationship aspect to the film is only a side note. Sara Silverman's character gets maybe a total of fifteen minutes on screen, and is not anything like the trailer portrays. To make a long story short, my girlfriend fell asleep a long while before the movie ended, and I, while I thought it had it's funny moments and made a decent "indie" film about the life of a depressed overweight man, was a bit disappointed that there wasn't a stronger romantic aspect to it since that's what I was expecting. The movie in its entirety seems like Jeff Garlin's attempt to emulate the style and comedy of Curb Your Enthusiasm with a slightly more true-to-life tone. I could see this main character becoming a character in a sitcom, and part of me wonders if this wasn't some type of offshoot of a project that was originally intended to be a sitcom, or something that Garlin hoped would be well received enough for someone to give him his own show.
Six out of ten because of its charm and several funny moments, but seriously disappointed with the misleading advertising.
First, let's say what's good about the film. It's clever, and the characters are well rounded and quite honestly, the main character is entertaining in his own awkward way. The love interest aspect of the movie actually ends up taking a backseat to this man's somewhat depressing life, but the film never stops being a little charming. The problem, though, is that it's been advertised as a romantic comedy. It's not.
Mostly it's a sitcom in the form of a full length feature. Anyone familiar with the formula of Seinfeld or Curb Your Enthusiasm will recognize the setup of many jokes and situations throughout the film (Jeff Garlin is a producer and character on CYE, so this shouldn't come as a surprise that they're very similar. Even down to the soundtrack.) My girlfriend and I picked this one up after seeing the trailer and thought it would be a funny romantic comedy. But, as I've already said, the relationship aspect to the film is only a side note. Sara Silverman's character gets maybe a total of fifteen minutes on screen, and is not anything like the trailer portrays. To make a long story short, my girlfriend fell asleep a long while before the movie ended, and I, while I thought it had it's funny moments and made a decent "indie" film about the life of a depressed overweight man, was a bit disappointed that there wasn't a stronger romantic aspect to it since that's what I was expecting. The movie in its entirety seems like Jeff Garlin's attempt to emulate the style and comedy of Curb Your Enthusiasm with a slightly more true-to-life tone. I could see this main character becoming a character in a sitcom, and part of me wonders if this wasn't some type of offshoot of a project that was originally intended to be a sitcom, or something that Garlin hoped would be well received enough for someone to give him his own show.
Six out of ten because of its charm and several funny moments, but seriously disappointed with the misleading advertising.
James Aaron (Jeff Garlin) is a struggling actor in Chicago. He's 39 and lives at home with his mom. He performs at Second City. His girlfriend dumps him. Her brother is his agent and he dumps him, too. His life is a struggle all around.
Jeff Garlin has recruited a bunch of his famous friends to be in his indie. There are little nuggets of humor which are accentuated with funny co-stars like Sarah Silverman and Bonnie Hunt. This is basically Marty (1955) and even makes it one of the central premise. The only thing is that he's not being Marty. He has so many female companions beginning with a starter girlfriend. It's going against his own premise. I do like the guy a lot as a character and as a performer. He does need some help with the story construction.
Jeff Garlin has recruited a bunch of his famous friends to be in his indie. There are little nuggets of humor which are accentuated with funny co-stars like Sarah Silverman and Bonnie Hunt. This is basically Marty (1955) and even makes it one of the central premise. The only thing is that he's not being Marty. He has so many female companions beginning with a starter girlfriend. It's going against his own premise. I do like the guy a lot as a character and as a performer. He does need some help with the story construction.
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Details
- Release date
- Country of origin
- Language
- Also known as
- С кем бы отведать сыра
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $194,568
- Opening weekend US & Canada
- $12,317
- Sep 9, 2007
- Gross worldwide
- $194,568
- Runtime
- 1h 20m(80 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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