Tarnation

Tarnation is a neologism made from the words tarnished and damnation; that is also the name of a band. The trailer was disturbing and especially the tagline "this movie has saved my life". There is a lot of teenagers who are writing a diary and that is a bit surprising that this kind of movie has never be done before. I'm sure many people have made some kind of patchwork (photos, drawings, movies etc) but the work of Caouette is different. J Caouette had a plan : he wanted to be a director and this plot makes all the difference. This film is not kinky, is not defending Gay and Lesbian cause, is not a documentary about schizophrenia even if all that stuff are a part of the essence of the movie. I believe (but maybe I an wrong) that J Caouette wants to tell his own story of a boy who are fascinated by cinema. I loved this movie because many things had bounced in my heart during the screening. I am not gay, I don't want to work in the cinema business, my parents are not mentally insane but I understand the feelings of Caouette because all teenager has got pain in his heart : shame, fear, anxiety, neither an adult and a child etc. So I remembered memories of pain, tears and laughs. I remembered my own life. Tarnation is also a movie which leads hope and happiness to come. The cinematography is awesome, the music is good. Supported by Gus Van Sant and David Lynch, this movie is like a new born for the youg actor, director J Caouette. This man has got the rest of his life ahead. I think he will become a great actor/director. Go see this unique movie even if the first part of the movie is a bit violent and disturbing.

Gaël - Paris - France

my IMDb vote : 8/10

After reviewing tarnation, I really think that there should of been some sort of biography attempt made by the director in order to explain more clearly. I must agree that this film shows bare emotions to the fullest extent. However, I got something a little different out of it, as I have met and had lengthly conversations with the director, John. I met John through John Cameron Mitchell at an audition in New York. I hung out with him recently in NY when I was visiting JCM as he co produced the flick to begin with.

I felt that the core of the film really lied within ourselves. What could be called everyday family situations where no one is really concerned how they go are essential to life and essential to this story. Many may think that this is a whimsical film about a boy taking care of his schizo mom. These everyday life situations I thought showed more of the human side we all tend to possess. Life may be full of thrill rides, but you have to wait in line to get on them, hence some of these scenes.

Overall, I think what John has created is a film too real for Hollywood and more importantly, more real than everyday life. Most people can't relate to real life as they don't live it themselves. In fact, it was even so for myself (lol). I did feel a little weird myself in the end.

Any movie where the director bares his soul in it's entirety is worth seeing to me.

Tarnation NR(language, disturbing violent and sexual images) ****/out of 4

Tarnation could possibly be the best film of the year. It is unique, original, disturbing, one of a kind, sad, heartbreaking, powerful, inspiring, and completely mesmerizing.

The film is not for the squeamish because of intense the subject matter, as well as the bizarre images. It is truly remarkable that Jonathan Caouette took his whole life in home video format and narrowed it down to 90 minutes. The editing techniques force the viewer to get sucked into the mind and life of a schizophrenic person.

Being taken through the early days of Caouette is very hard to watch. With a mentally ill mother going through shock treatments, he went from many foster homes to living with his grandparents(mentally ill grandma). Caouette became involved with drugs, cross-dressing, homosexuality, suicide, and film-making...and all this time he had a video camera by his side.

For its $218 budget, its editing being done on iMovie, and its tragic humane story, it's truly a shame that "Tarnation" is another indie film that is really destined to be remember forever and ever.

Why do I feel as though I've watched a young man masturbate in front of me for two hours while in a conference room filled with clergy or nuns? Andy Warhol free form new wave movies come to mind? Woody Allen on speed? This poor boy should be in individual and group therapy for the rest of his life.

I'm glad he made 'art' out of trailer trash surrounds but I guess I'm not feeling any pathos or empathy--just an urge to turn down the volume and/or walk away. It is the same sensation one gets while watching an accident or encountering a street person who didn't take his meds today--but for the grace of God,etc. Such experiences convince me of a godless universe and at the most a hope that some Buddhists are on the beam. My parents were both substance abusers (cocktail swigglers/50s style)and I left this film feeling my life had been slightly left of the Donna Reed Show. I know now why I fled NYC at the age of 32--too many actor friends and wanna bees who were cycling together in their own imaginary worlds. I remember feeling the need for a real dose of average behavior at the time. (Now that Bush got in again, I'm not sure that is a good thing either) Well, good for this young man and his ego that he got noticed. He makes Edith Bouvier Beale look bland ("This is the only costume for the day, I think." "What I need is a manager, but he's got to be a Libran!") except she was much more interesting thanks to the Maysles. Aaah, well, I'm getting old, I guess. I do wish I had that seven dollars and fifty cents for the matinée show refunded, though.

Super-8 auteur Jonathan Caouette, a young gay man with an extremely turbulent life, reveals his troubled childhood through home-movies and stills. The worshipful son of a beautiful ex-child model/single mother/electro-shock recipient, Caouette manages, in surprisingly linear fashion considering the circumstances, to paint a vivid portrait of the ultimate dysfunctional family. His grandparents, who ended up adopting Jonathan after his mother was jailed and he went through the horrors of the foster care system, are revealed as loving yet unconcerned older folks with perhaps a secretive, defensive side; Jonathan's mother Renee, once a striking young woman, is the sad result of "medical expertise" gone shatteringly wrong. The film is alternately assaultive, theatrical (Jonathan revealed a highly acute sense of theatricality and love for outré movies at a very young age), amusing, narcissistic, boring, compelling and, finally, quite moving. There are just as many stretches of questionable sincerity on Caouette's part as there are exhilarating moments--a joyous romp on the beach with mom or a beautiful, revealing childhood lip-synching take on "Frank Mills". The alt-rock soundtrack is superb and Caouette, a handsome, playfully schizophrenic star-in-the-making, is a talent to watch. **1/2 from ****