Primer

A group of young scientists work at a frantic pace to invent they are not quite sure what, but their efforts start demonstrating interesting side effects. From their work in a small cottage industry of error checking devices they are forced to confront the fact that they have discovered something too valuable to market. As they explore the potential of their machine, they are caught in a frantic loop to second guess themselves.

Science fiction in the cinema has largely been dominated by the visual impact, and so this is a welcome (for some) return to the world of ideas. This is not an easy-rise entertainment film but one where you have to concentrate to keep up, working out the logical implications of what's happening. If made on the scale of Men in Black or the Matrix it would descend to the level of spoof – as it is we follow the two main characters knowing that their actions are having momentous effects on the world around them and on themselves. Instead of flashy graphics, we are left to keep the ramifications of the story in mind as the characters themselves grapple with what they know is happening but can't even let themselves look at directly.

Pros-

1. Charged with heavy scientific theories(half of which i don't understand) not dumbed down for the audience. Serves it's homegrown realism.

2. High production value for a microbudget project. Shots feel calculated and cinematically composed. Once it kicks the sense of paranoia is always there. The dialogues are pretty naturalistic and creates the atmosphere of being accompanied by scientists(not seen that often). It feels homemade rather than cheap and that helps maintaining its low-key presentation.

3. For a genre known for silly pseudo-science and not giving much thought about paradoxes it faces, this film started the trend of 'science based' time travel movies.

Cons-

1. Too much theoretical talks for exposition in the first act. Nearly lost me there.

2. Convoluted plot, partially saved by the narration.

If you've heard that "Primer" is a complicated, dense, and difficult film, you heard correctly. This is not simple entertainment, not even complex entertainment, this is a film that demands true focus and attention, and only then is truly rewarding. I can imagine countless bored people who watched and listened to the movie but didn't REALLY pay attention to it, didn't think with it. You simply cannot expect to like "Primer" if you aren't prepared to be an active participant IN the film.

The film is remarkably good visually, especially when budget is considered. Carruth clearly has a lot of talent. The cinematography is excellent, the shot composition is flawless, the strength of the visual storytelling astounding. Carruth's script is the best thing about the movie, and really isn't flawed at all. The dialogue flows naturally and the ideas are absolutely fascinating and captivating, and even the humor is effective. This movie does not use 'technobabble', it uses genuine scientific concepts as a basis for its events, and certainly some degree of knowledge of physics is needed for a proper understanding of the film.

I have seen "Primer" four times and I still don't completely understand it (or, at least I couldn't explain it too well to someone else), even after reading dozens of explanations. It's an incredibly rich and detailed film, and it's one that not only rewards but actually requires multiple viewings. This will and has already put many, many people off watching the film, but it only increases its greatness in my opinion. It is simply incredible how much these guys came up with using so little. Carruth's vision was unique and complete, and he made possibly the greatest debut film ever made, and with a 2:1 shooting ratio (the ratio between the total duration of its footage shot and that which results from its final cut) at that. If that doesn't prove that Carruth knew what he was doing what does? One of the most inventive, original, and unique movies ever made.

10/10

You remember the first time you saw The Matrix (please, not the awful sequels) and you could barely keep up with what was going on, trying to piece together the pieces of what you were being told into a coherent story?

This movie was exactly like that. The first half or so is fairly linear (despite the frenzied Altman-esque style of everyone talking on top of each other), but then it gets WEIRD and it just absolutely blew me away. This film won a major Sundance award, and normally that means I won't like it (especially the normally pandering audience award winners) but this movie, and first-time filmmaker Shane Carruth, deserves absolutely everything it gets. I am just blown away.

Did you like Pi? If so, go see this one.

By the way, the attention to detail in the beginning is great. Often in thrillers with technical content, if you have a technical education you have consciously ignore all the stupid movie crud that they pull to make it into a good story. But this movie pulls off an incredibly believable technical story, with only a few distracting gaffs. That is, the tech jargon is good enough that you don't get distracted and can focus on the story line.

Final comment: Yes, it is very hard to follow the story line in this movie.

Obviously I'm not going to spoil it, but I think the following fact will help when the movie gets kind of hairy towards the end: Aaron is the dark-haired guy, Abe is the blond-haired guy.

This movie now has distribution and you should keep an eye out for it in the fall.

You're going to watch this movie for the first time... and you won't understand it. It's that simple. Honestly, I don't think it's possible to grasp Primer in a single viewing, especially if you're going in with just the basics. And that's not a flaw - it's part of the design.

Once it's over, you're left with two possible paths.

The first option is to watch it again. And again. As many times as it takes until you start piecing the puzzle together on your own. This is the purest - and most challenging - way to approach the film: no spoilers, no external explanations, just your intuition, memory, and attention to detail. Trust me, two viewings won't be enough.

The second option is to look for explanations. That's the one I chose. The video that helped me the most was "PRIMER (2004) - ILLUSTRATED EXPLANATION" by LondonCityGirl. Thanks to that, I was able to understand a big part of what was going on. Still, I kept digging, reading, and watching other analyses to catch more nuances. Primer is packed with visual clues, subtle gestures, and lines of dialogue that seem insignificant but carry a lot of weight.

My first viewing was total confusion. And if I ever felt like something made sense, I was probably wrong.

The second time was completely different. I started noticing connections, details I had completely missed before. But even then, I realized something crucial: even if you understand the fundamentals of the story, a lot still remains open to interpretation. And I'm pretty sure that if I hadn't looked up any explanations, I'd have been just as lost as I was the first time.

My favorite scene is a specific one - an unexpected chase down the street - where the shift in tone, the music, the tension, and the atmosphere all come together so perfectly that I felt completely immersed in the film.