Que sait-on vraiment de la réalité!?

At first..... I really loved this film - and it's message - until digging a bit deeper. I found evidence that the production staff was actually the front for a New Age group - the Ramtha School on Enlightenment.

My first suspicion that something was wrong ... the scene of the ice crystals purportedly influenced by thought...(?)

Then the blond Hungarian (or whatever that accent was...) seemed to be a "little too dreamy while talking". This should have been expected, though, as she claims to be the channeler of a 35,000 year old man. (I kid you not, find it yourself....)

If you want a jumping off point to decide for yourself, look at Wikipedia and csicop.org.

Now the only remaining wonder I have (after wasting my time on this film) is ... why Dr. David Albert didn't sue the group for misrepresenting him? (His interview was fortuitously edited to support the film's main premise.)

Entertainment, yes - a good time was had by all. And for a time I was also "had". I resent being conned by this pseudo-documentary!

Sorry, Bleep - this goes on the shelf with the Da Vinci Code, Cave of the Ancients, and the writings of Charles Forte.

As a truly great man once said: "Extraordinary claims require extraordinary proof."

My wife and I had heard enthusiastic recommendations and came to the film expecting something along the lines of "A Brief History of Time." Do not bother seeing this movie if that is what you're expecting! I am a professor of philosophy (with my area of specialty being philosophy of science) and my wife is a professor of biology. We found about one third of the claims (in our respected fields) to be flat out false; another third were blatant hyperbole or, at best, "poetic truth"; the final third were, indeed, true. However, the entire film was presented as if 100% of the content was uncontested scientific Truth (with a capital "T")! Many of the claims were downright embarrassing and more in line with the claims of urban legends and/or those asinine emails about weird phenomena that are forwarded to you by burned-out new-agers. Instead I highly recommend Errol Moritz's aforementioned documentary on Hawking, or perhaps his excellent "Fast, Cheap and Out of Control." In fact, I even recommend "Showgirls" over this travesty committed, sadly, in the name of science.

Okay, cult ties or not, this was an interesting film. It offers up a variety of ideas and leaves it to the viewer to decide whether or not to believe. Visually, it was a beautiful film with great art direction and special effects. Marlee Matlin was effective in the main role, although I thought the "story" detracted from the documentary portion of the film.

As to the film's ties to cults--I didn't see anything coercive or subversive in the film. After viewing it, I'm not ready to sell my soul to some guru. OTOH, I do find myself thinking more about the thoughts I have, and the effect they have on my spirit and body. Moral of the story--take out what you will, and don't join a cult. Duh.

About 20 years ago, I encountered quantum mechanics in The Dancing Wu Li Masters by Gary Zukav, and the Tao of Physics by Fritjof Capra. Despite the *relative* popularity (note the emphasis on "relative") of such books, the average person in the street has never read a science book that wasn't assigned to them in high school or college. And those books certainly weren't speculating on the nature of Life, the Universe and Everything based on the implications of quantum physics!

In my own life, awareness of the intersection of science of spirituality has given me a smidgen of additional fuel in my life of studying Christian and Eastern mysticism. So imagine my delight when I learned "What the Bleep" promised an exciting investigation into the cutting edge of science and spirituality. Surely there would interviews with people like Rupert Sheldrake, Freeman Dyson, and Larry Dossey!

Well, no, although most of the scientists were well-qualified to speak on the quantum concepts addressed. Strangely, the film undercut itself intellectually by not giving the names and qualifications of the speakers underneath their "talking heads" but only at the end. Regarding spiritual speculations, I find Capra, Sheldrake, and Dossey have more depth when it comes to this sort of thought, but the opinions shared may be eye-opening for many viewers who have never considered the inter-connectedness of mind, the universe, and God.

"What the bleep" has a beautiful visual style, exciting graphic effects, and also gets out of typical documentary mode by creating a small story of a deaf woman photographer's frustrations with life. The "Polish Wedding" sequence is hilarious, and might actually have you rolling in the aisles, as it did me!

The disappointment comes, oddly enough from the "Spiritual Teachers, Mystics, and Scholars" used. Sounds impressive right? There were only two. One was "Miceal" Ledwith, (elsewhere spelled Micheal), former member of the Catholic International Theological Commission, (who retired from Maynooth College in Ireland about the same time he made a private settlement regarding sexual abuse of a minor--see the Irish Times article of June 1 2002). The other was--get ready--RAMTHA! Yes, Ramtha, the absurd "Neolithic entity" supposedly channeled by JZ Knight.

Both Ledwith and Ramtha seemed to only be used to bash conventional religion with "the shackles of restrictive doctrine," and in Ramtha's case, assure us all that we are God. Yippee! No need to worry about meditation, service, or denying the ego. Why, I wondered, would someone go to the trouble of sharing the scientific plausibility of mysticism only to undercut it with the bitter statements of a former Catholic priest and the laughingstock of New-Age kookiness?

Perhaps it's because, according to Wikipedia.org, all three filmmakers are students of the Ramtha School of Enlightenment. Ultimately this was a long, entertaining commercial. Ramtha will see you now. Keep your ego, but bring your checkbook.

It's nice to see that there are some movies being made and released into mainstream theaters that actually make you think. Great fictional films do this through the delivery of their stories, but What the #$*! Do We Know does it in a much more direct way, almost like an educational film. It's a fascinating exploration of existential theories and philosophy, and is one of those very rare movies that will challenge the way you think even about everyday life. It's a strange film and moves entirely too fast for much of it's material to sink in, but it's a great exploration of quantum physics and some of the implications that it has on our lives that we really don't think about, but should.

The story sporadically focuses on the life of Amanda (Marlee Matlin), a deaf woman suffering through heartbreak and work troubles but who ultimately alters her perception by applying certain rules and theories of quantum physics, as I imagine we are expected to after seeing the movie. The great thing about the movie is that it makes you think, but the biggest problem with it is that it uses presentation to make simple statements seem grand and make crazy assertions seem like they have merit.

There is one point where the movie says, "Here's a puzzle - why should we be able to remember the past and not have the same access to the future?'' What is that? A completely obvious fact of linear time is rendered strange just by being in this movie. It's odd that the movie delves so deep into such statuesque disciplines as quantum physics and the very fabric of the universe, while not knowing why you can remember a conversation you had today, but for some weird, unknown and mysterious reason, you can't remember a conversation you will have tomorrow.

The film also makes outlandish claims and then shrouds them in the mysteriousness of unobservable history. There is a part of the movie that claims that when the first ships arrived in what is now North America, the Native Americans looked out to sea and saw the water parted by the ships, but could not see the ships themselves because they had never seen anything like them before. This, obviously, is utter nonsense, but the movie uses it as an example of its suggestion that there are different levels of reality for different people. There is no pure, objective reality, but different plains of existence for different people.

A friend of mine, who hails this as one of the greatest films he's ever seen, explained to me that the Native Americans' minds simply did not understand how to decode the concept of a ship, a signifier which they had never encountered and so it was perfectly understandable that they couldn't see it. Wrong! Sure, they had never seen ships before, but I am willing to go out on a limb and assume that they had seen wood before, and since vision is merely the process of light bouncing off of objects and coming into contact with the retina inside the eye, it is physically impossible for a Native American to have x-ray vision because he or she doesn't know what a certain object is.

My friend used the example that it is not until you learn that lightning travels from the ground to the clouds rather than the other way around that you really begin to see it that way. Before you learn that curious little fact, you see lightning and are completely sure that it's coming out of the clouds and zapping the earth. You do see it differently from then on, it's true, but you did SEE it before you knew where it originated, right? And incidentally, lightning is known to travel from the ground to the clouds, from the clouds to the ground, and from one cloud to another. But when it occurs, I am willing to suggest that it's rarely invisible, even if, as they say, there's no one there to see it.

I believe that the human mind is set up to believe what it wants to believe (hence religion), but I do not feel obliged to believe that people's beliefs or knowledge enable them to see through solid objects just because they've never seen them before, nor do I believe that any human has the ability to change the molecular structure of water just by thinking about it in a certain way, which is another of the more bizarre claims that the movie makes. I don't know, I just never thought of water as susceptible to being offended or made happy, or having any effect over human emotions.

But while the movie does slip up by going a little far in claims like these, it's important to have things like this because even for things like invisible ships, which we know are not reality, it is good that it makes you think about them. There are a lot of things in the world that we take for granted, and not just possessions but truths, and it is movies like What the #$*! Do We Know that really get people thinking about them. For a while, at least.