Trade - Les trafiquants de l'ombre

The plight of innocent victims of human trafficking for sex has moved filmmakers enough to make movies addressing the issue. The last two in recent memory that I've watch are Your Name is Justine, and Lilya-4ever, both which put the spotlight specifically on the characters created, highlighting the abuse they receive and exposing some of the tricks that the conmen exploit in order to target and thereafter control their prey. Given that the viewpoint of the entire unfortunate ordeal from the perspective of the victims have been portrayed, and is easy and turning the same wheel if done again, Trade takes on a more macroscopic look, while still maintaining a finger in a more personalized tale, in order to ramp up the human drama and emotions.

While the other two movies mentioned take place primarily in Europe, Trade highlights a more international network involved in the supply chain, where increasing amounts of money get exchanged for women and children to feed the demand by perverts and paedophiles. While having its premise for the demand set in USA, it goes to show that the unfortunate victims come from all over the world, and suggests the use of Mexico as the proxy to get into the USA illegally, no doubt with the help of corrupted authorities. From then on, it's an established hush-hush protocol of transfers and transactions that take place in the most unseeming of places, and naturally technology comes to play in anonymous bidding on the internet.

Primarily, this story is a race against time, following a young Mexican boy, Jorge (Cesar Raoms), in his chase to rescue his sister Adriana (Paulina Gaitan) as she gets abducted randomly off the streets - being a young child, she is set to obtain record prices should she be auctioned off to be deflowered. While Adriana gets to enter USA through already established methods by the syndicate, Jorge has to rely on his street smarts, and unwittingly gets hooked up with US cop Ray Sheridan, played by Kevin Kline, who assists in Jorge's quest under moral circumstances rather than deporting Jorge straightaway for being a stray.

Like a buddy cop movie, Trade also looks at the unlikely partnership between street delinquent and tough nose cop with the heart of gold, as they try and penetrate the system, while leaving room for some clash of cultures and slightly comedic instances. The unfortunate circumstance of the victims are again getting a shiner in order to be subdued, and of course the weapon of choice, rape. And the movie results in you silently cursing the worst for those involved in the trade, and never sympathizing an iota with them when they receive their dues.

Technical wise, someone should tell the filmmakers that password fields are always asterisk, never in clear text, even the dumbest website programmer won't make that mistake. One of my other peeves here was the decision not to mount the camera on a tripod. While it's not the extreme kind of shaky cam like Cloverfield's, it did bring on some queasiness given the very minor movements, all of the time. I don't see the need for this, and wondered if it's because it might look cool and edgy with the fast cuts and all that the tripod was junked, wrongly.

Based on a New York Times Magazine article published on 25 Jan 2004 written by Peter Landesman, Trade offers to strike a balance between painting a picture of sympathy for the victims and disgust for the perpetrators. Unlike the other movies which has come before, Trade managed to spin a somewhat refreshing look at the worldwide sex slavery problem.

This film was very powerful, deeply moving and excellently humanized the underground sex slave trade it portrayed. Both my girlfriend and I were near tears watching it. Truly remarkable.

The acting is nothing short of incredible, I really felt for everyone involved from Adriana's helpless brown eyes, to Jorge's honorable vigilance and and Kevin Kline's tempered patience.

The worst part of seeing this film was realizing that every day people get away with this kind of thing and the real victim's stories will never be told.

Warning for parents, some of the scenes are pretty difficult to sit through.

"Trade" is an incredible film on many levels. The acting is superb by both the kids, Jorge (Cesar Ramos) and Adriana (Paulina Gaitan), as well as Kevin Kline. The cinematography was incredibly well thought out, and added to the depth of the message of the film. The film is successful in showing the raw dichotomy of the problems of suburbia-America and the horrifying crime that claims the second highest yield of money out of illegal activities just behind drugs.

Yes, this film is disturbing. It unyieldingly shows the gruesome truth of this business. Yes, it draws tears, as many flowed down my own face during these few hours of watching. But I must say that the truth and the tears stirred up within me a desire for change. A desire for justice. Is that not what true film is meant to be about? To bring forth revelation of self discovery, desires, dreams. To cause the viewer to step away from the film a changed person. This is exactly what "Trade" did for me.

I read multiple reviews about the movie "Trade" last night after viewing the film for myself. I discovered comments like, "hard to find it entertaining" and "playing up the terrorizing of the women detracted from the film."

Trade is not a film to entertain. The emotion evoked from this film was designed to have a purpose. The purpose was the change the viewer's perspective out of our cookie cutter American world view, into the grisly truth of sex trafficking that occurs around the world, as well as on our doorstep.

The viewer is invited by this disturbing film to not to be satisfied with ignorance, but to light the fire within them to want to make a difference.

Based on Peter Landesman's cover story, the film follows a Texas cop (Kline) and Jorge (Ramos) who are on the trail to save Jorge's sister (Gaitan), a 13-year-old girl from Mexico City who was kidnapped to be sold in the sex-trade. A powerful story, with Kline and Ramos making an interesting duo. The conflict seems to always be easy to overcome, with the two leads never loosing the tail of the kidnappers no matter what the obstacle is. The tragic irony at the end is an eye-roller. The hunt begins to feel far-fetched as the film progresses, and Kline is as dull as usual. The Mexico City setting alone is a plus to this roller-coaster of thrills and yawns.

**½ (out of four)

1 Border patrol does not put Polish people back into Mexico! 2 people do not call in Mexico with 4 digits. 3 there is no web page with such info as shown in movie, 4 Iam tired of idiots who don't portray the real world then no one learns of issue of great importance

5 someone does not get kidnapped in front of police and a page,

6 collect calls to Poland do not happen,

7 I have never seen such stupid acting, stupid direction

this movie was a waste of money.

the scenery was great, but there are freeways even in Mexico and freeways in the USA, that are not depicted. I've never seen such a juvenile story line.